Lawrence's finest, most mature novel initially met with disgust and incomprehension. In the love affairs of two sisters, Ursula with Rupert, and Gudrun with Gerald, critics could only see a sorry tale of sexual depravity and philosophical obscurity. Women in Love is, however, a profound response to a whole cultural crisis. The 'progress' of the modern industrialised world had led to the carnage of the First World War. What, then, did it mean to call ourselves 'human'? On what grounds could we place ourselves above and beyond the animal world? What are the definitive forms of our relationships - love, marriage, family, friendship - really worth? And how might they be otherwise? Without directly referring to the war, Women in Love explores these questions with restless energy. As a sequel to The Rainbow, the novel develops experimental techniques which made Lawrence one of the most important writers of the Modernist movement.
David Herbert Richards Lawrence (11 September 1885 – 2 March 1930) was an English novelist, poet, playwright, essayist and literary critic. His collected works represent an extended reflection upon the dehumanising effects of modernity and industrialisation. In them, Lawrence confronts issues relating to emotional health and vitality, spontaneity, and instinct.
Lawrence's opinions earned him many enemies and he endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile he called his "savage pilgrimage." At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents. Lawrence is now valued by many as a visionary thinker and significant representative of modernism in English literature.
若说人类的恶形恶状是与日俱增、一代胜似一代的话,那反人类的情绪却从一开始就已然很彻底;虽然这种情绪至今都属于因无人理解或无法自我救赎而自我痛苦的类型,不过读起书来好像可以隔着时空得到共鸣,此感觉大好;黑马的翻译好像是东北口音,在作者大段大段的高深理论时有让...
评分阅读劳伦斯不是一件轻松的事儿。 《恋爱中的女人》从故事情节到故事背景到主要人物,可以说,没有一个是我喜欢的,甚至伯金这样的人,还是我所厌恶的,即便如此,四十多万字我还是坚持读下来了。时间已经发展到2018年,所谓的“淫秽”“露骨”“色情”,扔到当代的网路玄幻中,...
评分《恋爱中的女人》里面那些人,到底是不是在恋爱? 从爱这个字衍生出来无限的可能性--精神上的结合、肉欲的激情、超人类的爱、自由意志。那到底这些是不是爱? 故事里的伯金,带着劳伦斯的影子,在故事里一次又一次绝望地说:“不,我不爱你,我需要的是超越爱的爱,一种脱...
评分企鹅出版社的,原汁原味的很有品读质感,其实我个人认为情节蛮普通的,围绕着两对恋人展开,精彩之处在于恋爱时双方的心理刻画传达的很真实,矜持做作,虚荣抑或虚伪,是人该有的情感展露无疑,看完之后又仿佛在写自己,主要是共鸣达到的恰如其分
评分劳伦斯是用其游离于现实之上的思想在写作,他写作的时候一定闭上眼睛,不用笔,而是用心。每当爱出现的时候,恨总是同时而生。愈爱而愈恨,愈恨而愈爱。所有的爱与恨都源自一个对命题的探索--人性。
正常人不这么谈恋爱的吧 Anyway...Insightful and poignant into the deep side of all sorts of personhood.
评分这个版本没有收劳伦斯写的prologue 还是应该先读一下那个的 解释得很清楚
评分看了八分之一都没到重点真捉急!劳叔是不是把男人想象地太美好了?让两个男主搞基算了啦!这书严重应该更名为men in love。然后默默感叹下我到底是有多sensitive看到开头就预料到男人的爱!三观不一样的人在一起那就是纯杯具。劳叔被精神分析和现代主义洗脑过甚。
评分额……有一星是给呆barny的><好吧我承认找劳伦斯的书来看纯粹就是应为他是男神Damon Albarn喜欢的英国作家。描写英国中产阶级的生活、思想和精神状态啥的的确挺符合呆barny英摇时期的主题。劳伦斯的笔触很是细腻,有些心理啊思想精神状态啥的描写真的挺到位的~这是《The Rainbow》的续篇,可是图书馆找不到啊希望有机会找来看看~结局挺出乎意料的~~里面提到的一些点其实写得挺有道理,也挺现实的,呵呵还是挺有哲理的嘛~虽然看得真的是太慢啦呀英国小说好像都是情节进展得好慢的~像一杯温热的白开水那样不紧不慢的娓娓道来……
评分看了八分之一都没到重点真捉急!劳叔是不是把男人想象地太美好了?让两个男主搞基算了啦!这书严重应该更名为men in love。然后默默感叹下我到底是有多sensitive看到开头就预料到男人的爱!三观不一样的人在一起那就是纯杯具。劳叔被精神分析和现代主义洗脑过甚。
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