Noise pdf epub mobi txt 電子書下載2025

☆☆☆☆☆

雅剋·阿達利(Jacques Attali)是當代法國著名學術與政治人物，曾任法國總統密特朗的特彆顧問，他的作品涉及麵廣，並具有曆史文化的內涵，深受歐美知識界的重視。他的另一本著作《智慧之路－論迷宮》也已被翻譯齣版見www.douban.com/subject/1043617/

出版者:University Of Minnesota Press

作者:Jacques Attali

出品人:

頁數:196

译者:Brian Massumi

出版時間:1985-6-30

價格:USD 19.50

裝幀:Paperback

isbn號碼:9780816612871

叢書系列:Theory and History of Literature

圖書標籤:

音樂
音樂理論
Jacques_Attali
人類學
noise
社會
媒體
Economy

下載連結在頁面底部

facebook linkedin mastodon messenger pinterest reddit telegram twitter viber vkontakte whatsapp 複製連結

想要找書就要到小美書屋

book.quotespace.org

立刻按 ctrl+D收藏本頁

你會得到大驚喜!!

Attali's essential argument in Noise: The Political Economy of Music is that music, as a cultural form, is intimately tied up in the mode of production in any given society. For marxist critics, this idea is nothing new. The novelty of Attali's work is that it reverses the traditional understandings about how revolutions in the mode of production take place:

[Attali] is the first to point out the other possible logical consequence of the “reciprocal interaction” model—namely, the possibility of a superstructure to anticipate historical developments, to foreshadow new social formations in a prophetic and annunciatory way. The argument of Noise is that music, unique among the arts for reasons that are themselves overdetermined, has precisely this annunciatory vocation; that the music of today stands both as a promise of a new, liberating mode of production, and as the menace of a dystopian possibility which is that mode of production’s baleful mirror image.[1]

具體描述

讀後感

評分☆☆☆☆☆

阿达利用政治经济学的奥卡姆剃刀除去了覆在音乐文化史上的芜杂藤蔓，简概地将音乐文化史分成牺牲、代表、重复、创作四个阶段。一是从远古、中古始至17世纪（约14世纪为分水岭）止的 “牺牲”阶段，此时音乐是统治媒介，宫廷、教会的乐师不断创出、复制象征社会的秩序、神话及经...

評分☆☆☆☆☆

音樂的社會歷史，在這兒分開5個章節：聆聽、犧牲、代表、重覆、作樂。如題目所暗示：音樂如何顛覆社會常規？此書將會深入探討音樂在歷史上的社會功用。

評分☆☆☆☆☆

the fact that it was published in 1984 doesn't affect its applicability in understanding today's musical world. It's a well written book, not perfect in arguments, but offers very helpful insight talking about music in relation to politics, economics, and s...

評分☆☆☆☆☆

典型的法国思想风格，博学，灵巧。 p5 19世纪留声、摄影发明之后，音乐随着唱片的流通而变得容易取得，因此失去了其宗教观念的性格，也失去了原创性及品味。回到街头，自由爵士是阿达利的希望。对于音乐的把握精炼有效。 p31 噪音是一种武器，而音乐，在最初的时候，帮助这...

評分☆☆☆☆☆

倾听噪音——《噪音音乐的政治经济学》读后感当我们提到“音乐”的时候，我们的脑海里会出现一些曲调，对它有一个定义，或想到它的功能——审美、娱乐、教育等等。作为一个热爱音乐的人，从初中开始就不断的倾听，到现在，会被不同种类的音乐深深打动，感受音乐的力量。而当...