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出版者:University Of Minnesota Press

作者:Jacques Attali

出品人:

页数:196

译者:Brian Massumi

出版时间:1985-6-30

价格:USD 19.50

装帧:Paperback

isbn号码:9780816612871

丛书系列:Theory and History of Literature

图书标签:

音乐
音乐理论
Jacques_Attali
人类学
noise
社会
媒体
Economy
科幻
未来主义
赛博朋克
反乌托邦
人工智能
悬疑
惊悚
心理
科技
噪音

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具体描述

Attali's essential argument in Noise: The Political Economy of Music is that music, as a cultural form, is intimately tied up in the mode of production in any given society. For marxist critics, this idea is nothing new. The novelty of Attali's work is that it reverses the traditional understandings about how revolutions in the mode of production take place:

[Attali] is the first to point out the other possible logical consequence of the “reciprocal interaction” model—namely, the possibility of a superstructure to anticipate historical developments, to foreshadow new social formations in a prophetic and annunciatory way. The argument of Noise is that music, unique among the arts for reasons that are themselves overdetermined, has precisely this annunciatory vocation; that the music of today stands both as a promise of a new, liberating mode of production, and as the menace of a dystopian possibility which is that mode of production’s baleful mirror image.[1]