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出版者:University Of Minnesota Press

作者:Jacques Attali

出品人:

页数:196

译者:Brian Massumi

出版时间:1985-6-30

价格:USD 19.50

装帧:Paperback

isbn号码:9780816612871

丛书系列:Theory and History of Literature

图书标签:

音乐
音乐理论
Jacques_Attali
人类学
noise
社会
媒体
Economy
科幻
未来主义
赛博朋克
反乌托邦
人工智能
悬疑
惊悚
心理
科技
噪音

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具体描述

Attali's essential argument in Noise: The Political Economy of Music is that music, as a cultural form, is intimately tied up in the mode of production in any given society. For marxist critics, this idea is nothing new. The novelty of Attali's work is that it reverses the traditional understandings about how revolutions in the mode of production take place:

[Attali] is the first to point out the other possible logical consequence of the “reciprocal interaction” model—namely, the possibility of a superstructure to anticipate historical developments, to foreshadow new social formations in a prophetic and annunciatory way. The argument of Noise is that music, unique among the arts for reasons that are themselves overdetermined, has precisely this annunciatory vocation; that the music of today stands both as a promise of a new, liberating mode of production, and as the menace of a dystopian possibility which is that mode of production’s baleful mirror image.[1]

作者简介

雅克·阿达利(Jacques Attali)是当代法国著名学术与政治人物，曾任法国总统密特朗的特别顾问，他的作品涉及面广，并具有历史文化的内涵，深受欧美知识界的重视。他的另一本著作《智慧之路－论迷宫》也已被翻译出版见www.douban.com/subject/1043617/

目录信息

读后感

评分☆☆☆☆☆

听闻《噪音》这本书已经很久了，很多进行听觉文化研究的论文里都引用了这本书。因为想给自己研究民谣音乐找点思路，所以便翻开了此书。但读得还是颇为头痛的，如同之前读阿多诺的《启蒙辩证法》，虽然也不乏许多简明扼要却令人深受启发的观点评述，但更多的是，每个词、句子都...

评分☆☆☆☆☆

阿达利用政治经济学的奥卡姆剃刀除去了覆在音乐文化史上的芜杂藤蔓，简概地将音乐文化史分成牺牲、代表、重复、创作四个阶段。一是从远古、中古始至17世纪（约14世纪为分水岭）止的 “牺牲”阶段，此时音乐是统治媒介，宫廷、教会的乐师不断创出、复制象征社会的秩序、神话及经...

评分☆☆☆☆☆

阿达利论述了四个阶段：牺牲、代表、重复、创作。这些已不再赘述。原始祭祀音乐和机械复制时代、景观等理论是老生常谈的理论，不管是听觉还是视觉都是共通的。这里比较感兴趣的还是阿达利对噪音和自由爵士即兴的论述。首先是阿达利在这方面也有太多观点可在《千高原》中寻到...

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the fact that it was published in 1984 doesn't affect its applicability in understanding today's musical world. It's a well written book, not perfect in arguments, but offers very helpful insight talking about music in relation to politics, economics, and s...

评分☆☆☆☆☆

倾听噪音——《噪音音乐的政治经济学》读后感当我们提到“音乐”的时候，我们的脑海里会出现一些曲调，对它有一个定义，或想到它的功能——审美、娱乐、教育等等。作为一个热爱音乐的人，从初中开始就不断的倾听，到现在，会被不同种类的音乐深深打动，感受音乐的力量。而当...