Noise

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雅克·阿达利(Jacques Attali)是当代法国著名学术与政治人物,曾任法国总统密特朗的特别顾问,他的作品涉及面广,并具有历史文化的内涵,深受欧美知识界的重视。他的另一本著作《智慧之路-论迷宫》也已被翻译出版 见www.douban.com/subject/1043617/

出版者:University Of Minnesota Press
作者:Jacques Attali
出品人:
页数:196
译者:Brian Massumi
出版时间:1985-6-30
价格:USD 19.50
装帧:Paperback
isbn号码:9780816612871
丛书系列:Theory and History of Literature
图书标签:
  • 音乐 
  • 音乐理论 
  • Jacques_Attali 
  • 人类学 
  • noise 
  • 社会 
  • 媒体 
  • Economy 
  •  
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Attali's essential argument in Noise: The Political Economy of Music is that music, as a cultural form, is intimately tied up in the mode of production in any given society. For marxist critics, this idea is nothing new. The novelty of Attali's work is that it reverses the traditional understandings about how revolutions in the mode of production take place:

[Attali] is the first to point out the other possible logical consequence of the “reciprocal interaction” model—namely, the possibility of a superstructure to anticipate historical developments, to foreshadow new social formations in a prophetic and annunciatory way. The argument of Noise is that music, unique among the arts for reasons that are themselves overdetermined, has precisely this annunciatory vocation; that the music of today stands both as a promise of a new, liberating mode of production, and as the menace of a dystopian possibility which is that mode of production’s baleful mirror image.[1]

具体描述

读后感

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听闻《噪音》这本书已经很久了,很多进行听觉文化研究的论文里都引用了这本书。因为想给自己研究民谣音乐找点思路,所以便翻开了此书。但读得还是颇为头痛的,如同之前读阿多诺的《启蒙辩证法》,虽然也不乏许多简明扼要却令人深受启发的观点评述,但更多的是,每个词、句子都...  

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大凡能引起我等的趣味、并不惜连续花费几个小时阅读的书籍,大多是小说。不过,当几年前忽然发现自己似乎被小说作者忽悠多过消遣时间的时候,便将重点转移至学理性的书籍上。代价是显而易见的:花费了更多的精力,消耗更大了,享受乐趣的方式也由体会小说中情节的跌宕起伏、...  

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the fact that it was published in 1984 doesn't affect its applicability in understanding today's musical world. It's a well written book, not perfect in arguments, but offers very helpful insight talking about music in relation to politics, economics, and s...  

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大凡能引起我等的趣味、并不惜连续花费几个小时阅读的书籍,大多是小说。不过,当几年前忽然发现自己似乎被小说作者忽悠多过消遣时间的时候,便将重点转移至学理性的书籍上。代价是显而易见的:花费了更多的精力,消耗更大了,享受乐趣的方式也由体会小说中情节的跌宕起伏、...  

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典型的法国思想风格,博学,灵巧。 p5 19世纪留声、摄影发明之后,音乐随着唱片的流通而变得容易取得,因此失去了其宗教观念的性格,也失去了原创性及品味。回到街头,自由爵士是阿达利的希望。 对于音乐的把握精炼有效。 p31 噪音是一种武器,而音乐,在最初的时候,帮助这...  

用户评价

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All music can be defined as noise, given form according to a code that is theoretically knowable by the listener.

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重读,不是一般的差。

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i mean the historical distinction of different musical zones is interesting but the arguments are hinged on analogies...

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All music can be defined as noise, given form according to a code that is theoretically knowable by the listener.

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重读,不是一般的差。

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