Oleanna

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David Mamet is a Pulitzer Prize-winning playwright and an Academy Award-nominated screenwriter, as well as a director, novelist, poet, and essayist. He has written the screenplays for more than twenty films, includingHeist, Spartan, House of Games, The Spanish Prisoner, The Winslow Boy, Wag the Dog, and the Oscar-nominatedThe Verdict. His more than twenty plays includeOleanna, The Cryptogram, Speed-the-Plow, American Buffalo, Sexual Perversity in Chicago, and the Pulitzer PrizewinningGlengarry Glen Ross. Born in Chicago in 1947, Mamet has taught at the Yale School of Drama, New York University, and Goddard College, and is a founding member of the Atlantic Theater Company."

出版者:Random House Inc
作者:David Mamet
出品人:
页数:96
译者:
出版时间:1993-5-4
价格:USD 14.00
装帧:Paperback
isbn号码:9780679745365
丛书系列:
图书标签:
  • 戏剧 
  • 美国 
  • 美国文学 
  • DavidMamet 
  • David_Mamet 
  • 英文原版 
  • 剧本 
  • Theatre 
  •  
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In David Mamet's latest play, a male college instructor and his female student sit down to discuss her grades and in a terrifyingly short time become the participants in a modern reprise of the Inquisition. Innocuous remarks suddenly turn damning. Socratic dialogue gives way to heated assault. And the relationship between a somewhat fatuous teacher and his seemingly hapless pupil turns into a fiendishly accurate X ray of the meechanisms of power, censorship, and abuse.

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"You vicious little bitch. You think you can come in here with your political correctness and destroy my life?" 脑海里久久地萦绕着纪蔚然的“请问阁下PC乎?”表面上是柏格森所谓的倒置,其实是政治正确挟其道德优越感压制了意见、思想的自由表述。

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philan

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不喜欢剧中人物的说话方式,好像 Mamet 剧中的人物都是这样交流的,强调,重复,打断,不完整的句子,比较街头。难以捉摸剧中人物的状态,极少的舞台提示,只能靠演员自己琢磨剧本。我不太喜欢这种极依赖台词的剧,读起来累,看的时候也很累,演员也累。92年写的,在今天的北美仍有其存在的必要。而在今天的中国,它显得有些太超前了,毕竟我们那些涉嫌性骚扰的教授们还可以坐在他们的位置上让人退学甚至自杀。

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不喜欢剧中人物的说话方式,好像 Mamet 剧中的人物都是这样交流的,强调,重复,打断,不完整的句子,比较街头。难以捉摸剧中人物的状态,极少的舞台提示,只能靠演员自己琢磨剧本。我不太喜欢这种极依赖台词的剧,读起来累,看的时候也很累,演员也累。92年写的,在今天的北美仍有其存在的必要。而在今天的中国,它显得有些太超前了,毕竟我们那些涉嫌性骚扰的教授们还可以坐在他们的位置上让人退学甚至自杀。

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OK, Mamet Speak is fast with each role interrupting and cutting off the other, finishing the other's sentences and repeating themselves while..., loaded with jargon (John's pedantic word choices), vulgar (John's line calling Carol a cunt), and focused on semantics (Carol using John's words "do you see" among others to show her grasp of control).

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