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The insights presented in the volume are many and wide-ranging, recognizably in tune with the subtlest modern discussions of desire (such as triangulation. or loving what others love), yet offering new solutions to old problems, like the proper interpretation of Plato's Phaedrus. On the frequently discussed effect of literacy on Greek civilization, the book offers a fresh view: it was no accident that the poets who invented Eros were also the first readers and writers of the Western literate tradition.Originally published in 1986.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

安妮·卡爾森(Anne Carson, 1950-)，二十世紀加拿大詩人、散文作傢，畢業於多倫多大學，曾經在美國和加拿大多所大學任教，現為加拿大濛特利爾麥剋吉爾大學曆史係教授。她齣版的詩集、散文集和學術專著有《又苦又樂的愛神》(1986)、《清晰的水》(1995)、《玻璃、鐵和上帝》(1995)、《紅色的自傳》(1998)、《未喪失的機體》(1999)、《閑暇時間裏的男人》(1999)、《丈夫的美人》(2001，該詩集獲得2001年度英國Ｔ·Ｓ·艾略特奬)。安妮·卡爾森近幾年很走紅，在英語詩壇上異軍突起，先後獲得瞭蘭南詩歌奬(1996)、普什卡特詩歌奬(1997)、古根海姆奬(1998)、麥剋阿瑟奬(2000)、格裏芬詩歌奬(2001)、Ｔ·Ｓ·艾略特奬(2001)等。尤其是Ｔ·Ｓ·艾略特奬最具意義，不僅因為她擊敗瞭十位強有力的競爭對手（包括諾貝爾文學奬得主西默斯·希尼），而且因為她是第一個獲得該奬的女詩人。

安妮·卡爾森的詩歌是對傳統詩歌觀念大膽挑戰，把古典話題同一種獨特的、完全現代的抒情風格融閤在一起，所涉內容廣博，從曆史、神話、自然，到社會、傢庭、婚姻，無所不含，然而所用語言十分精細，與眾不同，想象力頗為豐富。因此她被評論傢認為是“當今最令人激動的用英語寫作的詩人”。

——摘自董繼平介紹（董選譯其部分詩歌）

Frontmatter
Contents
Bittersweet
Pages: 3–9
Gone
Pages: 10–11
Ruse
Pages: 12–17
Tactics
Pages: 18–25
The Reach
Pages: 26–29
Finding the Edge
Pages: 30–31
Logic at the Edge
Pages: 32–38
Losing the Edge
Pages: 39–45
Archilochos at the Edge
Pages: 46–52
Alphabetic Edge
Pages: 53–61
What Does the Lover Wantjrom Love?
Pages: 62–69
Symbolon
Pages: 70–76
A Novel Sense
Pages: 77–82
Something Paradoxical
Pages: 83–85
My Page Makes Love
Pages: 86–90
Letters, Letters
Pages: 91–97
Folded Meanings
Pages: 98–101
Bellerophon Is Quite Wrong After All
Pages: 102–107
Realist
Pages: 108–110
Ice-pleasure
Pages: 111–116
Now Then
Pages: 117–122
Erotikos Logos
Pages: 123–129
Damage to the Living
Pages: 130–133
Midas
Pages: 134–137
Cicadas
Pages: 138–140
Gardening for Fun and Profit
Pages: 141–144
Something Serious Is Missing
Pages: 145–146
Takeover
Pages: 147–150
Read Me the Bit Again
Pages: 151–153
Then Ends Where Now Begins
Pages: 154–158
What a Difference a Wing Makes
Pages: 159–164
What Is This Dialogue About
Pages: 165–167
Mythoplokos
Pages: 168–174
Bibliography
Pages: 175–182
Index of Passages Discussed
Pages: 183–185
General Index
Pages: 186–190
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