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The insights presented in the volume are many and wide-ranging, recognizably in tune with the subtlest modern discussions of desire (such as triangulation. or loving what others love), yet offering new solutions to old problems, like the proper interpretation of Plato's Phaedrus. On the frequently discussed effect of literacy on Greek civilization, the book offers a fresh view: it was no accident that the poets who invented Eros were also the first readers and writers of the Western literate tradition.Originally published in 1986.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

安妮·卡尔森(Anne Carson, 1950-)，二十世纪加拿大诗人、散文作家，毕业于多伦多大学，曾经在美国和加拿大多所大学任教，现为加拿大蒙特利尔麦克吉尔大学历史系教授。她出版的诗集、散文集和学术专著有《又苦又乐的爱神》(1986)、《清晰的水》(1995)、《玻璃、铁和上帝》(1995)、《红色的自传》(1998)、《未丧失的机体》(1999)、《闲暇时间里的男人》(1999)、《丈夫的美人》(2001，该诗集获得2001年度英国Ｔ·Ｓ·艾略特奖)。安妮·卡尔森近几年很走红，在英语诗坛上异军突起，先后获得了兰南诗歌奖(1996)、普什卡特诗歌奖(1997)、古根海姆奖(1998)、麦克阿瑟奖(2000)、格里芬诗歌奖(2001)、Ｔ·Ｓ·艾略特奖(2001)等。尤其是Ｔ·Ｓ·艾略特奖最具意义，不仅因为她击败了十位强有力的竞争对手（包括诺贝尔文学奖得主西默斯·希尼），而且因为她是第一个获得该奖的女诗人。

安妮·卡尔森的诗歌是对传统诗歌观念大胆挑战，把古典话题同一种独特的、完全现代的抒情风格融合在一起，所涉内容广博，从历史、神话、自然，到社会、家庭、婚姻，无所不含，然而所用语言十分精细，与众不同，想象力颇为丰富。因此她被评论家认为是“当今最令人激动的用英语写作的诗人”。

——摘自董继平介绍（董选译其部分诗歌）

Frontmatter
Contents
Bittersweet
Pages: 3–9
Gone
Pages: 10–11
Ruse
Pages: 12–17
Tactics
Pages: 18–25
The Reach
Pages: 26–29
Finding the Edge
Pages: 30–31
Logic at the Edge
Pages: 32–38
Losing the Edge
Pages: 39–45
Archilochos at the Edge
Pages: 46–52
Alphabetic Edge
Pages: 53–61
What Does the Lover Wantjrom Love?
Pages: 62–69
Symbolon
Pages: 70–76
A Novel Sense
Pages: 77–82
Something Paradoxical
Pages: 83–85
My Page Makes Love
Pages: 86–90
Letters, Letters
Pages: 91–97
Folded Meanings
Pages: 98–101
Bellerophon Is Quite Wrong After All
Pages: 102–107
Realist
Pages: 108–110
Ice-pleasure
Pages: 111–116
Now Then
Pages: 117–122
Erotikos Logos
Pages: 123–129
Damage to the Living
Pages: 130–133
Midas
Pages: 134–137
Cicadas
Pages: 138–140
Gardening for Fun and Profit
Pages: 141–144
Something Serious Is Missing
Pages: 145–146
Takeover
Pages: 147–150
Read Me the Bit Again
Pages: 151–153
Then Ends Where Now Begins
Pages: 154–158
What a Difference a Wing Makes
Pages: 159–164
What Is This Dialogue About
Pages: 165–167
Mythoplokos
Pages: 168–174
Bibliography
Pages: 175–182
Index of Passages Discussed
Pages: 183–185
General Index
Pages: 186–190
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