Ackbar Abbas is a professor of comparative literature at the University of California, Irvine. Previously he was chair of comparative literature at the University of Hong Kong and also co-director of the Centre for the Study of Globalization and Cultures.
His research interests include globalization, Hong Kong and Chinese culture, architecture, cinema, postcolonialism, and critical theory. His book Hong Kong: Culture and the Politics of Disappearance was published by the University of Minnesota Press in 1997.
He currently serves as a Contributing Editor to Public Culture, an academic journal published by Duke University Press.
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经典,见血。 对香港电影的解读让人脑洞大开。略有趣的是,在‘香港建筑’一章中关于三种建筑类型的论述中作者忽略了自己想要‘解放’的(易被忽略的平庸的)日常
评分Easy to read but extremely biased…. cultural centre是辣鸡现代建筑那要建造署背锅 而不是说还不如不建以保留殖民地火车站…… but also inspiring LOL
评分Disappearance and its relation to the ephemeral, to speed and to abstraction
评分跟读过的所有学术著作都不同,这本书和香港一样在我的智识和情感中将占有非常非常非常重要的位置。还记得当时在芝加哥的抑郁春日玻璃穹顶图书馆里读第二章读到哭出来。现在读其他章节的sentimentality总算是带有了些轻松幽默嬉笑的成分。
评分Disappearance and its relation to the ephemeral, to speed and to abstraction
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