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This book presents the short fiction of a writer who helped to shape the course of American literature. With a determined commitment to the history of his native land, Nathaniel Hawthorne revealed, more incisively than any writer of his generation, the nature of a distinctly American consciousness. The pieces collected here deal with essentially American matters: the Puritan past, the Indians, and, the Revolution. But Hawthorne was highly - often wickedly - unorthodox in his account of life in early America, and his precisely constructed plots quickly engage the reader's imagination. Written in the 1820s, 30s, and 40s, these works are informed by themes that reappear in Hawthorne's longer works: "The Scarlet Letter", "The House of the Seven Gables" and "The Blithedale Romance". And, as Michael J. Colacurcio points out in his excellent introduction, they are themes that are now deeply embedded in the American literary tradition.
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閱讀瞭Twice-Told Tales中的九個短篇, Young Goodman Brown和Rappaccini's Daughter, 總體挺喜歡的. 當初想看霍桑即是因為他對刻畫人性的陰暗麵的執著和一些神秘的人物角色, 這次閱讀除瞭遇到一些超自然現象和象徵之外, 還隱隱感到一點意識流的意味(如Sunday at Home, Night Sketches), 以及哲理性(說教感較濃, 往往在文章開頭或結尾明寫).
评分閱讀瞭Twice-Told Tales中的九個短篇, Young Goodman Brown和Rappaccini's Daughter, 總體挺喜歡的. 當初想看霍桑即是因為他對刻畫人性的陰暗麵的執著和一些神秘的人物角色, 這次閱讀除瞭遇到一些超自然現象和象徵之外, 還隱隱感到一點意識流的意味(如Sunday at Home, Night Sketches), 以及哲理性(說教感較濃, 往往在文章開頭或結尾明寫).
评分閱讀瞭Twice-Told Tales中的九個短篇, Young Goodman Brown和Rappaccini's Daughter, 總體挺喜歡的. 當初想看霍桑即是因為他對刻畫人性的陰暗麵的執著和一些神秘的人物角色, 這次閱讀除瞭遇到一些超自然現象和象徵之外, 還隱隱感到一點意識流的意味(如Sunday at Home, Night Sketches), 以及哲理性(說教感較濃, 往往在文章開頭或結尾明寫).
评分閱讀瞭Twice-Told Tales中的九個短篇, Young Goodman Brown和Rappaccini's Daughter, 總體挺喜歡的. 當初想看霍桑即是因為他對刻畫人性的陰暗麵的執著和一些神秘的人物角色, 這次閱讀除瞭遇到一些超自然現象和象徵之外, 還隱隱感到一點意識流的意味(如Sunday at Home, Night Sketches), 以及哲理性(說教感較濃, 往往在文章開頭或結尾明寫).
评分閱讀瞭Twice-Told Tales中的九個短篇, Young Goodman Brown和Rappaccini's Daughter, 總體挺喜歡的. 當初想看霍桑即是因為他對刻畫人性的陰暗麵的執著和一些神秘的人物角色, 這次閱讀除瞭遇到一些超自然現象和象徵之外, 還隱隱感到一點意識流的意味(如Sunday at Home, Night Sketches), 以及哲理性(說教感較濃, 往往在文章開頭或結尾明寫).
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