Stephen Shore was interested in photography from an early age. Self-taught, he received a photographic darkroom kit at age six. He began to use a 35mm camera three years later and made his first color photographs. At ten he received a copy of Walker Evans's book, American Photographs, which influenced him greatly. At age seventeen Shore met Andy Warhol and began to frequent Warhol's studio, the Factory, photographing Warhol and the creative people that surrounded him. In 1972 Shore embarked on a series of cross-country trips and "on the road" photographs of the American landscape.
Among the first to work almost exclusively in color, Shore, in 1971, became the first living photographer to have a one-person show at the Metropolitan Museum of Art in New York.
(quoted from http://www.jenbekman.com/stephen_shore_bio.html)
就是在平凡中看出令人感動要素的大片幅照色照片集。
七十年代初,彩色照片刚刚开始打入市场,摄影师Stephen Shore决定拍点儿彩色大幅照片,开车来回走过美国的大小城镇,这本书就是他开了一万多英里路之后的成果。 Stephen Shore的照片儿跟我们熟悉的美国风景照很不同,可以说第一眼看上去平淡得让人吃惊,都是些市井小镇的...
评分大画幅&彩色&景深的运用 。尤其喜欢停车场富有色彩的作品,看起来有点杂乱的画面却有很精湛的构图。Art is the conscious decision这句话应该最能解释stephen shore摄影的理念
评分大画幅&彩色&景深的运用 。尤其喜欢停车场富有色彩的作品,看起来有点杂乱的画面却有很精湛的构图。Art is the conscious decision这句话应该最能解释stephen shore摄影的理念
评分大画幅&彩色&景深的运用 。尤其喜欢停车场富有色彩的作品,看起来有点杂乱的画面却有很精湛的构图。Art is the conscious decision这句话应该最能解释stephen shore摄影的理念
评分大画幅&彩色&景深的运用 。尤其喜欢停车场富有色彩的作品,看起来有点杂乱的画面却有很精湛的构图。Art is the conscious decision这句话应该最能解释stephen shore摄影的理念
公路大王
评分望尘莫及系列
评分公路大王
评分这本画册属于“第二眼美女”,需要多看几遍才会喜欢。细节的力量。好喜欢1970-1980年代美国小汽车的造型!
评分公路大王
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