What We Talk About When We Talk About Love

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Raymond Carver

Raymond Carver was a man of few words. Often characterized by an economy that bordered on austerity, Carver’s stories were short and plainly written, and his terse prose lent itself perfectly to his favorite subject: working-class America. Aside from poetry, which was written in the same no-frills style, Carver devoted himself exclusively to short stories. What really set Carver apart from other authors, however, was his exploration of the dark side of Americana. In the simple lives of small town folk, Carver uncovered the violence, rage, and loneliness lurking just beneath the surface. Like many writers, his posthumous reputation has grown exponentially, and it is impossible to imagine any serious study of the short story that does not include the extraordinary work of Raymond Carver.

出版者:Random House
作者:Raymond Carver
出品人:
頁數:144
译者:
出版時間:2003-07-03
價格:USD 14.45
裝幀:Paperback
isbn號碼:9780099449843
叢書系列:
圖書標籤:
  • Raymond_Carver 
  • 英文原版 
  • 小說 
  • 美國文學 
  • 文學 
  • 短篇 
  • 愛情 
  • 瑞濛.卡佛 
  •  
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Raymond Carver's "What We Talk About When We Talk About Love"

Commentary by Karen Bernardo

Raymond Carver's short story "What We Talk About When We Talk About Love" takes place in one sitting, or more precisely, one pre-dinner drinking bout. It is told in first person, with one of the four characters referring to himself as "I," but ironically this is the character about whom we know the least; he is merely the mouthpiece for the action, and all we know about him is that his name is Nick and he is married to Laura. His friend Mel is a cardiologist, married to Terri, and initiates the conversation of what love means. This conversation provides the central focus of the story.

Mel, Nick tells us, thinks "real love [is] nothing less than spiritual love." He cannot comprehend that his wife's abusive ex-husband, Ed, could possibly have loved her while he was dragging her around the room by her ankles. "That's not love, and you know it," Mel says. "I don't know what you'd call it, but I sure know you wouldn't call it love."

Terri, on the other hand, insists that it was. She has led a much less sheltered life and is also much less self-righteous than Mel; she understands that while objectively Ed could be regarded as sadistic, dangerous, and pathological, he operated out of a reservoir of strong emotion that was simply incapable of channeling itself in socially-acceptable ways. This strong emotion, when turned toward other human beings, erupted in violence. This is why he beat his wife and eventually committed suicide.

Ed, in fact, functions as a pivotal character in the story even though he is dead by the time the action occurs. He stands out in stark contrast to the little group drinking around the table, for, crazy as he was, he had life in him. Terri seems to look back to her days with Ed with a kind of nostalgia, because for all his crackling violence, she thinks he is more man than Mel will ever be.

Mel, for his part, presents the story's central question -- what is love -- because like the rest of the group he is imbued with a sense of loss, of regret, of unutterable sadness, for reasons he can not quite describe. He feels instinctively that it has something to do with love, and he's right in a way; it has everything to do with passion. The little group sees in alcohol a way to inflame the passion they once felt for living, or the passion they think they should feel. Mel notes that as much as they love each other, if they were all married to someone else, it would make no difference in their lives; one empty person is as good as another.

In fact there is in fact no passion in these people; the alcohol makes it worse, and at the end, when Mel says the gin is gone, Nick concludes the story with the words: "I could hear the human noise we sat there making, not one of us moving, not even when the room went dark." They can't move because they suddenly realize the fact that none of them have ever moved; their lives have always been, and will always be, empty and dark, and they no longer have gin to cover this up.

具體描述

讀後感

評分

《凉亭》是卡佛这本短篇集里给我印象最深的一篇。 这篇里的男主角叫杜安,女主角叫霍莉。 卡佛的好些短篇里的男女主角都是没有名字的。很多时候他们面目模糊,缺失的心理活动也只能靠读者根据他们的语言和动作来补足。于是,他们有没有名字,其实不太重要。我们知道,他们都属...  

評分

这一本的故事都不陌生,有几个被串成了一部电影,译为《浮世男女》 在谈话中,如果双方对于某个概念的认识程度不同,很有可能无法展开对话 要不是一方给另一方讲课,就是双方误解、争吵、闹僵、一拍两散 就好像许多男人很难把爱挂在嘴边,也许爱情在他心中太过于神圣和沉重 但...  

評分

作为一个紧跟时代潮流的八卦爱好者,除了坚持收看网易新闻及评论,定期查阅豆瓣流行之外,我一直按时收看江苏台的《非诚勿扰》,某期,一位文艺青年送心仪女生本小说,我猜就是这本。当时我就愕然了,现在文艺青年装逼都开始秀这本书了,简直比45度仰望天空。悲伤逆流成河还令...  

評分

长篇或中篇小说中总会透露给人种种时代印记、作者寓意的信息,而当面对一篇篇短小精悍的短篇小说时,好像应该谈论些什么,又好像什么都不用谈论只能支吾着:“你看吧,反正是一本不错的小说。” “隐喻”、“新小说”、“寓言式”这一系列的词显得既强加阐释又像是废话...  

評分

作为一个紧跟时代潮流的八卦爱好者,除了坚持收看网易新闻及评论,定期查阅豆瓣流行之外,我一直按时收看江苏台的《非诚勿扰》,某期,一位文艺青年送心仪女生本小说,我猜就是这本。当时我就愕然了,现在文艺青年装逼都开始秀这本书了,简直比45度仰望天空。悲伤逆流成河还令...  

用戶評價

评分

很適閤自己想像書中描繪的場景以及人物關係。很適閤在旅途中讀。看瞭Carver的書後覺得其它書都廢話太多。

评分

近來明白瞭一點,與愛情和解就是與生活和解。

评分

村上春樹就是日本的卡佛吧!!!

评分

其實每一篇可以用“one more thing”來完美概括

评分

很適閤自己想像書中描繪的場景以及人物關係。很適閤在旅途中讀。看瞭Carver的書後覺得其它書都廢話太多。

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