Raymond Carver
Raymond Carver was a man of few words. Often characterized by an economy that bordered on austerity, Carver’s stories were short and plainly written, and his terse prose lent itself perfectly to his favorite subject: working-class America. Aside from poetry, which was written in the same no-frills style, Carver devoted himself exclusively to short stories. What really set Carver apart from other authors, however, was his exploration of the dark side of Americana. In the simple lives of small town folk, Carver uncovered the violence, rage, and loneliness lurking just beneath the surface. Like many writers, his posthumous reputation has grown exponentially, and it is impossible to imagine any serious study of the short story that does not include the extraordinary work of Raymond Carver.
Raymond Carver's "What We Talk About When We Talk About Love"
Commentary by Karen Bernardo
Raymond Carver's short story "What We Talk About When We Talk About Love" takes place in one sitting, or more precisely, one pre-dinner drinking bout. It is told in first person, with one of the four characters referring to himself as "I," but ironically this is the character about whom we know the least; he is merely the mouthpiece for the action, and all we know about him is that his name is Nick and he is married to Laura. His friend Mel is a cardiologist, married to Terri, and initiates the conversation of what love means. This conversation provides the central focus of the story.
Mel, Nick tells us, thinks "real love [is] nothing less than spiritual love." He cannot comprehend that his wife's abusive ex-husband, Ed, could possibly have loved her while he was dragging her around the room by her ankles. "That's not love, and you know it," Mel says. "I don't know what you'd call it, but I sure know you wouldn't call it love."
Terri, on the other hand, insists that it was. She has led a much less sheltered life and is also much less self-righteous than Mel; she understands that while objectively Ed could be regarded as sadistic, dangerous, and pathological, he operated out of a reservoir of strong emotion that was simply incapable of channeling itself in socially-acceptable ways. This strong emotion, when turned toward other human beings, erupted in violence. This is why he beat his wife and eventually committed suicide.
Ed, in fact, functions as a pivotal character in the story even though he is dead by the time the action occurs. He stands out in stark contrast to the little group drinking around the table, for, crazy as he was, he had life in him. Terri seems to look back to her days with Ed with a kind of nostalgia, because for all his crackling violence, she thinks he is more man than Mel will ever be.
Mel, for his part, presents the story's central question -- what is love -- because like the rest of the group he is imbued with a sense of loss, of regret, of unutterable sadness, for reasons he can not quite describe. He feels instinctively that it has something to do with love, and he's right in a way; it has everything to do with passion. The little group sees in alcohol a way to inflame the passion they once felt for living, or the passion they think they should feel. Mel notes that as much as they love each other, if they were all married to someone else, it would make no difference in their lives; one empty person is as good as another.
In fact there is in fact no passion in these people; the alcohol makes it worse, and at the end, when Mel says the gin is gone, Nick concludes the story with the words: "I could hear the human noise we sat there making, not one of us moving, not even when the room went dark." They can't move because they suddenly realize the fact that none of them have ever moved; their lives have always been, and will always be, empty and dark, and they no longer have gin to cover this up.
黑洞中的碎片 书名:《当我们在谈论爱情时我们在谈论什么》 作者:[美]雷蒙德•卡佛 译者:小二 出版:凤凰传媒/译林2010年1月版 《当我们在谈论爱情时我们在谈论什么》是一本薄薄的短篇集,收十七篇小说。有一天清晨我早早醒来,再睡不着,拧开台灯看书。冬天的室内...
評分卡佛这两年在国内很热门,谈论他的文章比他的作品还要多,关于他的写作风格和极简主义我没有什么多余的话要说,关于他和他的编辑之间的故事我也没有什么别出心裁的研究,只来说说我为什么喜欢这本书。 首先,它挺漂亮的,从外观上来看。这很重要,不是吗? 另外,它很好看。...
評分这是我很久以前写的一篇文章,在豆瓣卡佛小组里贴过。部分读者觉得卡佛这本书很难读懂,我想这篇文章或许有点帮助。 Warning:这篇文章比这本小说集里任何一篇小说都要长。呵呵。 毁了我父亲的第四件事(译后记) ——从一篇小说的两个版本谈卡佛小说的风格及其演变 ...
評分昏睡2个多小时后,我醒过来,脑子里的第一个念头竟然是:卡佛的小说并没有灰暗到那个程度。 听了一整天的竞聘演讲,任谁都是要昏昏欲睡的。我在现场却怎么也无法睡着。回家吃过饭后,便径直和衣躺倒床上。 我在竞聘者或慷慨激昂或害羞紧张或不知所云的发言中埋头看完《当我们...
評分作为一个紧跟时代潮流的八卦爱好者,除了坚持收看网易新闻及评论,定期查阅豆瓣流行之外,我一直按时收看江苏台的《非诚勿扰》,某期,一位文艺青年送心仪女生本小说,我猜就是这本。当时我就愕然了,现在文艺青年装逼都开始秀这本书了,简直比45度仰望天空。悲伤逆流成河还令...
這種風格,字麵上,很容易讀。
评分隨便找一本來標記瞭。兩個版本對比起來看到的話後麵一個版本的文筆真的進步極大,而且是寥寥幾筆就能讓人從一些細微的設定展開浮想,把許許多多引人深思的問題輕巧地糅閤在看似簡單的故事裏真的很瞭不起。不過為什麼後來要給角色換名字!
评分這種風格,字麵上,很容易讀。
评分Environment dipiction and details are fantastic.
评分村上春樹就是日本的卡佛吧!!!
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