Turner-prize winning Wolfgang Tillmans is a superstar of 1990s photography. This is the only book to cover his entire career, from the best-selling debut portraits in 1995 at the age of 24, to his most recent, abstract works. Large colour photographs such as Lutz and Alex Sitting in the Trees (1992), of a couple - naked save for their incongruous raincoats - perched in a tree are emblems of his generation. Tillmans has more recently expanded his practice to include found photography as well as large installations reminiscent of the collage techniques of the 1960s Conceptual artists.
American artist and theorist Peter Halley discusses with the artist his rapidly changing role, from mid 1990s Wunderkind to established master of the 'new photography' today. German critic Jan Verwoert surveys the artist's many genres and styles, spanning abstract and figurative imagery. Japanese critic and curator Midori Matsuri analyses in her Focus a single project, Concorde (1997), a room-size installation and artist's book which records the daily passing of this epoch-making aeroplane. Extracts from a nineteenth-century Quaker text by Caroline Stephen on divine inspiration comprise the Artist's Choice. In the Artist's Writings Wolfgang Tillmans' art is reflected in his diary entries, fragments of text from his installations and project notes.
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评分看作品,愛上這個人瞭~
评分心思細密又野蠻……
评分野蠻、敏銳的鏡頭語言下的事物都被賦予瞭一種含混、全新的當代靜物的意義。化學反應偶成的純抽象圖像與最拿手的庸常攝影穿插得鬆弛、巧妙與驚艷,讓人離不開眼。
评分野蠻、敏銳的鏡頭語言下的事物都被賦予瞭一種含混、全新的當代靜物的意義。化學反應偶成的純抽象圖像與最拿手的庸常攝影穿插得鬆弛、巧妙與驚艷,讓人離不開眼。
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