Turner-prize winning Wolfgang Tillmans is a superstar of 1990s photography. This is the only book to cover his entire career, from the best-selling debut portraits in 1995 at the age of 24, to his most recent, abstract works. Large colour photographs such as Lutz and Alex Sitting in the Trees (1992), of a couple - naked save for their incongruous raincoats - perched in a tree are emblems of his generation. Tillmans has more recently expanded his practice to include found photography as well as large installations reminiscent of the collage techniques of the 1960s Conceptual artists.
American artist and theorist Peter Halley discusses with the artist his rapidly changing role, from mid 1990s Wunderkind to established master of the 'new photography' today. German critic Jan Verwoert surveys the artist's many genres and styles, spanning abstract and figurative imagery. Japanese critic and curator Midori Matsuri analyses in her Focus a single project, Concorde (1997), a room-size installation and artist's book which records the daily passing of this epoch-making aeroplane. Extracts from a nineteenth-century Quaker text by Caroline Stephen on divine inspiration comprise the Artist's Choice. In the Artist's Writings Wolfgang Tillmans' art is reflected in his diary entries, fragments of text from his installations and project notes.
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德国人的理性与英国摄影结合后的产物才有wolfgang这样的极致天才
评分相比wolfgang拍的同性恋们 我更爱他拍的生活琐碎 无疑是一细腻敏感的男同性恋视角
评分野蛮、敏锐的镜头语言下的事物都被赋予了一种含混、全新的当代静物的意义。化学反应偶成的纯抽象图像与最拿手的庸常摄影穿插得松弛、巧妙与惊艳，让人离不开眼。
评分野蛮、敏锐的镜头语言下的事物都被赋予了一种含混、全新的当代静物的意义。化学反应偶成的纯抽象图像与最拿手的庸常摄影穿插得松弛、巧妙与惊艳，让人离不开眼。
评分所以我说中国的gay们 别学了 人家wolfgang tillmans不是只拍点傻逼呵呵的肉体而已 看看人家的静物功底吧
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