Focusing on the work of four contemporary filmmakers -- Ang Lee, Edward Yang, Hou Hsiao-hsien, and Tsai Ming-liang -- the authors explore how these filmmakers broke from tradition, creating a cinema that is both personal and insistent on examining Taiwan's complex history. Featuring stills, anecdotes, and close readings of films, the authors consider the influence of Hong Kong and martial arts films, directors' experiments with autobiography, the shifting fortunes of the Taiwanese film industry, and Taiwan cinema in the context of international cinema's aesthetics and business practices.
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Camping out with Tsai Ming-liang
评分政治、文化、产业背景下的发展简史,较少个体的风格研究,也不太深入
评分目前觉得分析台湾导演最好的一本书
评分写得什么鬼啊,搞笑呢,满篇废话,还拽词。第四章从提到 biography 和 autobiography 开始说了大概有三页纸都没说到重点上。唉,醉了,两星。
评分写得什么鬼啊,搞笑呢,满篇废话,还拽词。第四章从提到 biography 和 autobiography 开始说了大概有三页纸都没说到重点上。唉,醉了,两星。
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