Focusing on the work of four contemporary filmmakers -- Ang Lee, Edward Yang, Hou Hsiao-hsien, and Tsai Ming-liang -- the authors explore how these filmmakers broke from tradition, creating a cinema that is both personal and insistent on examining Taiwan's complex history. Featuring stills, anecdotes, and close readings of films, the authors consider the influence of Hong Kong and martial arts films, directors' experiments with autobiography, the shifting fortunes of the Taiwanese film industry, and Taiwan cinema in the context of international cinema's aesthetics and business practices.
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我還挺喜歡Emilie Yueh的
评分我還挺喜歡Emilie Yueh的
评分目前觉得分析台湾导演最好的一本书
评分政治、文化、产业背景下的发展简史，较少个体的风格研究，也不太深入
评分幾本比較下來，平心而論，本土評論家多教科書式論述，西方對台的分析反而新奇有趣甚至切中要害
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