Virginia Woolf was born in London in 1882, the daughter of Sir Leslie Stephen, first editor of The Dictionary of National Biography. After his death in 1904 Virginia and her sister, the painter Vanessa Bell, moved to Bloomsbury and became the centre of 'The Bloomsbury Group'. This informal collective of artists and writers which included Lytton Strachey and Roger Fry, exerted a powerful influence over early twentieth-century British culture. In 1912 Virginia married Leonard Woolf, a writer and social reformer. Three years later, her first novel The Voyage Out was published, followed by Night and Day (1919) and Jacob's Room (1922). These first novels show the development of Virginia Woolf's distinctive and innovative narrative style. It was during this time that she and Leonard Woolf founded The Hogarth Press with the publication of the co-authored Two Stories in 1917, hand-printed in the dining room of their house in Surrey. Between 1925 and 1931 Virginia Woolf produced what are now regarded as her finest masterpieces, from Mrs Dalloway (1925) to the poetic and highly experimental novel The Waves (1931). She also maintained an astonishing output of literary criticism, short fiction, journalism and biography, including the playfully subversive Orlando (1928) and A Room of One's Own (1929) a passionate feminist essay. This intense creative productivity was often matched by periods of mental illness, from which she had suffered since her mother's death in 1895. On 28 March 1941, a few months before the publication of her final novel, Between the Acts, Virginia Woolf committed suicide.
The serene and maternal Mrs Ramsay, the tragic yet absurd Mr Ramsay, together with their children and assorted guests, are holidaying on the Isle of Skye. From the seemingly trivial postponement of a visit to a nearby lighthouse Virginia Woolf constructs a remarkable and moving examination of the complex tensions and allegiances of family life, and the conflict between male and female principles. One of the great literary achievements of the twentieth century, To the Lighthouse is often cited as Virginia Woolf's most popular novel.
许多作家对于文学史上的标签都是有抵触情绪的。比如,马拉美就很讨厌别人说他是象征主义诗人,马尔克斯不承认自己的作品是魔幻现实主义。不过尽管如此,这些标签对于读者还是会产生很直接的影响。比如我在很长一段时间内都因为“意识流”和“女权主义”这两个概念而对伍尔夫敬...
评分最喜欢的伍尔夫作品。 2012年十月写的。 三个部分。第一部分:窗,最长。但是所叙述的实际时间段也就是一个下午加一个晚上(不到一天)。第二部分:岁月流逝,较短,所叙述的实际时间段是十年。第三部分:灯塔,实际时长大约是一个上午。在第二部分和第三部分中,拉姆齐夫人...
评分(短评放不下,所以写在长评里)伍尔夫的小说永远值得我记着笔记,看第二遍第三遍。回顾整个文本,我想最主要的三个人物是莉丽和拉姆齐夫妇,三个人的关系感觉是拉姆齐夫人拥有面对生活的勇气与秘密,莉丽作为画家是探索者,她始终试图寻找这个秘密,而拉姆齐就是在夫人的荫蔽...
评分如同一位画家,在希望表现的地方浓墨重彩,在无足轻重的地方一笔带过,这就是伍尔夫的《到灯塔去》。在这本书中,一个下午的时间可以写150页之多,而十年光阴却用了不到25页,这不是什么奇迹,而是作者的艺术修养。在今天,这种手法已经随处可见。在电影里,人物从高空坠落,这...
评分生命总是用来叹息的。如果没有这么细碎的言语和情节,到不到灯塔去都无所谓,毕竟,它就仅仅是一个有着黄色眼镜的灰色人。可是,它在瞭望,在黑夜中指明方向,如同拉姆齐夫人人性的光辉在闪耀,让人憧憬和向往。热爱生命,尊重生命来得不但不易,在时光的流逝中我们更得抓紧去...
第一部看得迷迷糊糊,第二部蒙太奇手法太棒了,有电影画面的感觉。第三部才真正看进去,思绪发散的过程写得过于生动,这就是我们平时随意乱想所会发生的事啊!不过要分析可就很难了……
评分“And all the lives we ever lived and all the lives to be Are full of trees and changing leaves"
评分这个暑假最折磨的回忆
评分虽然但是 第一遍还是没读懂 害 什么时候我的阅读能力能提升一丢丢 就那么一丢丢呢╮( ̄▽ ̄"")╭
评分天才。‘the symbol is not in the poem; the symbol is the poem'
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