A 528-page monograph presenting for the first time twenty years of works by M/M (Paris), one of the most emblematic and influential design practices and art partnerships of the twenty-first century. Michael Amzalag and Mathias Augustyniak originally established M/M (Paris) as a graphic design studio in 1992. Their close associations with the music, fashion and art worldshave led to their becoming one of the most distinctive and acclaimed creative voices of their generation, within graphic design and beyond. Published to mark their twentieth anniversary, this is the definitive monograph. It records hundreds of their mind-blowing projects, each represented in illustrations and photographs and arranged alphabetically from 'M' to 'M'. While print, drawing, photography and an unconventional approach to typography lie at the heart of M/M's work, they have also produced films, objects or interiors. 'Our work is about expressing the idea of a dialogue. We transfer elements from fashion to music to art and back again, and keep using different mediums,' they explain. Each work they produce is unique, but certain elements recur and reverberate - leitmotifs that draw their output, despite its range, into a unified whole. The monograph features collaborations with the finest from a spectrum of creative worlds, including fashion works with the likes of Balenciaga, Calvin Klein, Stella McCartney, Marc Jacobs and Yohji Yamamoto; music works with Benjamin Biolay, Bjork, Kanye West and Madonna; magazines such as Vogue Paris, Arena Homme+ or Interview; art projects and exhibitions at the Centre Pompidou, Tate Modern and Guggenheim Museum. Interviews with some of their closest collaborators - such as Bjork, Nicolas Ghesquiere, Pierre Huyghe, Inez van Lamsweerde & Vinoodh Matadin, Sarah Morris or Glenn O'Brien, as well as Amzalag and Augustyniak themselves, tell M/M's story. These texts reveal their areas of interest, define their position both within graphic design and beyond and shed new light on the duo's creative process. Internationally renowned art curator Hans Ulrich Obrist contributes a preface, while contemporary artist Philippe Parreno offers an essay about their joint projects. These multiple conversations and recollections of shared experiences paint an overview of the evolution of the creative world since the early 90s. This ambitious monograph is a rare document and unparalleled insight into the work and minds of Europe's most thoughtful and influential image-makers.
——from Amazon.com
Emily king is a graphic design historian and curator who has written widely on design-related subjects. She lives in London.
Interviews with some of their closest collaborators — such as Björk, Nicolas Ghesquière, Pierre Huyghe, Inez van Lamsweerde & Vinoodh Matadin, Sarah Morris or Glenn O’Brien, as well as Amzalag and Augustyniak themselves, tell M/M’s story. These texts reveal their areas of interest, define their position both within graphic design and beyond and shed new light on the duo’s creative process. Internationally renowned art curator Hans Ulrich Obrist contributes a preface, while contemporary artist Philippe Parreno offers an essay about their joint projects.
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这本书最让我惊喜的一点,是它在探讨宏大主题时,始终没有脱离“人”的温度。它涉及了权力、记忆、身份认同等深刻的议题,但所有的哲学思辨都被包裹在极具张力的戏剧冲突之中。作者很擅长设置“道德困境”,让你在阅读过程中不断地拷问自己的是非观。我尤其欣赏作者处理悬念的方式,他似乎不急于给出明确的答案,而是将最终的解读权交给了读者。这本书更像是一面镜子,映照出我们自身在面对未知和选择时的犹豫与挣扎。每一次阅读,都会有新的感悟涌现,因为它不仅仅是在讲述一个故事,更是在引导我们去审视自身存在的意义。这是一部值得反复品读、每次都能发现新层次的杰出作品。
评分这本书的语言风格像是一首精心谱写的交响乐,时而低沉婉转,时而激昂澎湃。作者的词汇量惊人,但绝不卖弄,所有的修辞和比喻都服务于故事情感和氛围的营造。我注意到一些非常独特的句式结构,它们打破了常规的阅读习惯,却奇妙地增强了叙事的节奏感和冲击力。尤其是在描写环境和心理状态的段落,那种兼具古典美感与现代疏离感的文字,构建出一种既熟悉又陌生的阅读体验。举个例子,书中有一段描述主角在雨夜奔跑的场景,作者用了非常多触觉和听觉的描写,让我几乎能感受到雨水打在皮肤上的冰冷和泥泞踩踏下的声响,代入感极强。整本书读下来,就像是经历了一场智力与情感的双重洗礼,它挑战了我的认知边界,也拓宽了我对文学表达可能性的想象。
评分从结构上看,这部作品展现了非凡的野心和驾驭能力。作者似乎并不满足于传统的线性叙事,而是巧妙地穿插了大量的文献资料、虚构的日记片段甚至是哲学思辨,这些元素如同精密齿轮般咬合在一起,共同推动着主线的推进。初读时,这种多层次的结构可能会让人有些迷失方向,需要集中精力去梳理不同信息源之间的关联。然而,一旦你掌握了其中的窍门,就会发现这种复杂的结构极大地丰富了故事的维度,使得整个世界观显得无比厚重和真实可信。那些看似分散的支线情节,到最后都会汇集成一股强大的洪流,为最终的高潮做了完美的铺垫。它要求读者投入极大的耐心和专注力,但回报是丰厚的——那是一种被高智商叙事所折服的满足感,让你由衷地佩服作者构建如此复杂迷宫的才能。
评分读完这本书,我最大的感受就是作者对于人性复杂性的深刻洞察。书中的几位主要人物,没有一个是绝对的善或恶,他们都带着各自难以言喻的创伤和矛盾的动机。尤其是那位看似冷酷无情的决策者,随着故事的推进,作者通过闪回和内心独白,缓缓揭开了他做出那些极端行为背后的无奈与挣扎。这种“立体化”的人物塑造,让我感触良多。我常常会停下来,思考如果换作是我,面对那样的困境,又会做出何种选择。情节的设计也充满了意想不到的反转,但所有的反转都不是为了制造噱头,而是逻辑严密、水到渠成的结果,这体现了作者扎实的布局功力。我特别欣赏作者处理情感张力的方式,很多关键的情感爆发点,并没有用大段的抒情来渲染,而是通过精炼的动作和眼神的交错来表现,那种“此时无声胜有声”的效果,震撼力十足。读完后劲很大,我花了很长时间才从故事的氛围中抽离出来,反复回味那些意味深长的片段。
评分这本书的封面设计简直是艺术品,那种深邃的蓝色调和其中若隐若现的几何图形,立刻抓住了我的眼球。我抱着极大的好奇心翻开了第一页,期待着一场文字的冒险。作者的叙事节奏把握得非常到位,开篇并没有急于抛出核心冲突,而是花了大量的篇幅来描绘主角们所处的那个充满奇特规矩和微妙张力的社会环境。我特别喜欢他对细节的刻画,比如街角咖啡馆里侍者特有的问候方式,或是午后阳光穿过百叶窗时在地板上投下的光影纹理,都栩栩如生,让我仿佛真的置身于那个世界。故事的前半部分,与其说是在讲一个线性的情节,不如说是在搭建一个宏大而复杂的舞台,为后续人物命运的跌宕起伏积蓄着力量。角色之间的对话充满了试探和潜台词,每一次交锋都像是在精密计算过的棋局,你永远不知道下一步对方会亮出什么底牌。这种克制而又暗流涌动的叙事方式,极大地吊足了我的胃口,让我忍不住一页接一页地读下去,想要探究这层平静表象下到底隐藏着何种汹涌的暗流。
评分巴黎著名平面组合M/M (Paris)的二十年大合辑《M to M of M/M (Paris)》收集他两多年来的平面设计、音乐设计、品牌形象、产品设计、出版物版式、字体设计、空间装置作品!很难再看到时尚界会如此接受的视觉结合手绘图画/字体的趣味手法了吧。可在伦敦杂志《Man about Town》看到他们版式设计新作。
评分就和同时代法国电音的“French Touch”一样花,街头、戏谑与严肃的结合。
评分原本一直以为光头michael是直男,卷发mathias是gay的...
评分在一堆80年代logo书里意外发现 感动到哭
评分巴黎著名平面组合M/M (Paris)的二十年大合辑《M to M of M/M (Paris)》收集他两多年来的平面设计、音乐设计、品牌形象、产品设计、出版物版式、字体设计、空间装置作品!很难再看到时尚界会如此接受的视觉结合手绘图画/字体的趣味手法了吧。可在伦敦杂志《Man about Town》看到他们版式设计新作。
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