Time Binds is a powerful argument that temporal dissonance and sexual dissonance are intertwined, and that the writing of history can be both embodied and erotic. Challenging queer theory's recent emphasis on loss and trauma, Elizabeth Freeman foregrounds bodily pleasure in the experience and representation of time as she interprets an eclectic archive of queer literature, film, video, and art. The visual artists whose work she examines emerged as artists in a commodified "postfeminist" and "postgay" world. Yet they do not fully accept the dissipation of political and critical power implied by the idea that various political and social battles have been won and are now consigned to the past. By privileging temporal gaps and narrative detours in their work, these artists suggest ways of putting the past into meaningful, transformative relation with the present. Such "queer asynchronies" provide opportunities for rethinking historical consciousness in erotic terms, thereby countering the methods of traditional and Marxist historiography. Central to Freeman's argument are the concepts of chrono-normativity, the use of time to organize individual human bodies toward maximum productivity; temporal drag, the visceral pull of the past on the supposedly revolutionary present; and eroto-historiography, the conscious use of the body as a channel for and means of understanding the past. Time Binds emphasizes the critique of temporality and history as crucial to queer politics.
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chrononormativity以及她对syncrhony, anarchronism的解读还是比较有启发的，比较喜欢Elizabeth Freeman的一点是她不会沦为完全的teuxualism，在理论构架和行文上都挺注重the social，期待她在文章中会怎么engage postcolonial studies
评分扫描完毕。很美。看不懂。但是很想看懂。
评分扫描完毕。很美。看不懂。但是很想看懂。
评分chrononormativity以及她对syncrhony, anarchronism的解读还是比较有启发的，比较喜欢Elizabeth Freeman的一点是她不会沦为完全的teuxualism，在理论构架和行文上都挺注重the social，期待她在文章中会怎么engage postcolonial studies
评分how to do queer history with pleasure: use the temporal drag as an alternative, loosen certain binds and knot some new ones (who knows)
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