Corruption in politics and business is, after war, perhaps the greatest threat to democracy. Academic studies of corruption tend to come from the field of International Relations, analysing systems of formal rules and institutions. This book offers a radically different perspective -- it shows how anthropology can throw light on aspects of corruption that remain unexamined in international relations. The contributors reveal how corruption operates through informal rules, personal connections and the wider social contexts that govern everyday practices. They argue that patterns of corruption are part of the fabric of everyday life -- wherever we live -- and subsequently they are often endemic in our key institutions. The book examines corruption across a range of different contexts from transitional societies such as post-Soviet Russia and Romania, to efforts to reform or regulate institutions that are perceived to be potentially corrupt, such as the European Commission. The book also covers the Enron and WorldCom scandals, the mafia in Sicily and the USA, and the world of anti-corruption as represented by NGOs like Transparency International.
Dieter Haller is Associate Professor of Anthropology in the Department of Germanic Studies at the University of Texas at Austin. His fo cus is on political anthropology, borderland studies, gender, and the Mediterranean. Cris Shore is Professor of Anthropology at the University of Auckland. He is author of Building Europe: The Cultural Politics of European Integration (Routledge) and co-editor of Anthropology and Cultural Studies (Pluto Press).
CONTRIBUTORS
Dorle Dracklé is Professor of Social Anthropology and Intercultural
Studies at the University of Bremen, Germany. Her current fi eldwork
in Portugal focuses on elites, corruption, economy and the European
Union. She is also interested in media, science and technology
studies, economy, politics and policy, and the teaching and learning
of anthropology. Recent publications include: The Rhetorics of Crisis:
On the Cultural Poetics of Politics, Bureaucracy and Virtual Economy in
Southern Portugal (in German, 2004), Current Policies and Practices in
European Social Anthropology Education (ed. with Iain Edgar, 2004),
Educational Histories of European Social Anthropology (ed. with Iain
Edgar and Thomas Schippers, 2003), Images of Death (in German, ed.,
2001); and various articles, among others on media anthropology,
multicultural media, life course, and suicide.
Akhil Gupta is associate professor of anthropology at Stanford
University, California. His research interests are currently focused on
a project on the ethnography of the state in India and environmental
history. He is the author of Postcolonial Developments: Agriculture in the
Making of Modern India (1998) and co-editor of several books including
Caste and Outcast (with Gordon Chang and Purnima Mankekar, 2002),
Anthropological Locations: Boundaries and Grounds of a Field Science
(1997) and Culture, Power, Place: Explorations in Critical Anthropology
(1997) (both with James Ferguson).
Dieter Haller (PhD 1991 Heidelberg, Habil. 1999 Frankfurt/Oder),
cultural and social anthropologist, is Adjunct Associate Professor
at the Department of Germanic Studies at the University of Texas/
Austin. He has worked as Guest Professor in Frankfurt/Main (2000),
Hamburg (2001), Granada (2002) and as Theodor-Heuss Lecturer at
New School University/New York (2003). His main fields of interest
are port cities, borderlands, diaspora, ethnicity, Gibraltar, Spain
and the Mediterranean. His latest publications are a monograph
on Gibraltar (Gelebte Grenze Gibraltar, Wiesbaden: Deutscher
Universitätsverlag, 2000), a special issue of Ethnologia Europaea on
‘Border Anthropology’ (co-edited with Hastings Donnan, 2000), an
introduction to cultural anthropology (DTV-Atlas zur Ethnologie,
München, forthcoming 2004/05)
Sian Lazar is currently Research Offi cer at the Centre for Latin
American Studies, University of Cambridge. She completed her
PhD at Goldsmiths College, London University, with a thesis on
citizenship, personhood and political agency among rural–urban
migrants in El Alto, Bolivia. She is co-author, with Maxine Molyneux,
of Doing the Rights Thing: Rights-based Development and Latin American
NGOs (ITDG Publishing, London, 2003).
David W. Lovell is an Associate Professor in Politics and currently
Acting Rector of the University of New South Wales at the Australian
Defence Force Academy. During the early 1990s, he edited the Political
Theory Newsletter, and was managing editor of the Australian Journal of
Political Science. In 1992, he was the Australian Parliamentary Political
Science Fellow, and since 1993 he has been a member of the Executive
Committee of the International Society for the Study of European
Ideas, and is on the editorial board of its journal, The European Legacy.
In 2001, he was part of the Australian government’s delegation to
The Hague for the Second Global Forum on Fighting Corruption and
Safeguarding Integrity. His books include From Marx to Lenin (1984);
Marx’s Proletariat (1988); The Theory of Politics (co-authored, 1991);
The Transition from Socialism (co-edited, 1992); Marxism and Australian
Socialism (1997); The Australian Political System (co-authored, 1998);
The Transition: Evaluating the Postcommunist Experience (ed., 2002);
and Asia-Pacifi c Security: Policy Challenges (ed., 2003).
Carol MacLennan is an anthropologist at Michigan Tech University.
Previously she worked in the US Department of Transportation on
automotive regulation. She has published articles on government
regulation, corporate infl uence in democratic decision-making, and
industrial communities, and is a co-author of The State and Democracy:
Revitalizing America’s Government (with Mark Levine, Charles Noble
and John Kushma, Routledge & Kegan Paul, 1988). She is currently
completing writing projects on the history of corporate control over
the landscapes of sugar and mining communities.
Michele Rivkin-Fish is Assistant Professor of Anthropology at the
University of Kentucky. Her work examines gender, health and
health care, reproductive politics, and international development
in Russia. Her research has been published in the journals American
Anthropologist, Social Science and Medicine, and Culture, Medicine, and
Psychiatry.
Steven Sampson is a social anthropologist at the University of Lund,
with research and consulting experience in Romania, Albania, Bosnia
and Kosovo. His work focuses on the role of NGOs and civil society,
on ‘project life’ in developmental contexts, and on democracy export. His current project concerns the anti-corruption movement
in the Balkans.
Jane Schneider teaches anthropology at the City University of New
York Graduate Center. She is the co-editor, with Annette B. Weiner,
of Cloth and Human Experience (1987), and the author of several
essays on cloth and clothing. Her anthropological fi eld research has
been in Sicily and has led to three books, co-authored with Peter
Schneider: Culture and Political Economy in Western Sicily (1976);
Festival of the Poor: Fertility Decline and the Ideology of Class in Sicily
(1996); and Reversible Destiny: Mafi a, Antimafi a and the Struggle for
Palermo (forthcoming). In 1998, she edited Italy’s Southern Question;
Orientalism in One Country.
Peter Schneider teaches sociology at Fordham University. He is coauthor,
with Jane Schneider, of Culture and Political Economy in Western
Sicily (1976); Festival of the Poor: Fertility Decline and the Ideology of Class
in Sicily (1996); and Reversible Destiny: Mafi a, Antimafi a and the Struggle
for Palermo (forthcoming). He is pursuing his interests in organized
crime and criminalization through research on Youngstown, Ohio,
and as a founding member of a new section on these issues at the
New York Academy of Sciences.
Cris Shore is professor of anthropology at the University of Auckland,
New Zealand. He is co-editor, with Stephen Nugent, of Anthropology
of Elites (2002) and Anthropology and Cultural Studies (1997), with
Susan Wright, of Anthropology of Policy (1997) and with Akbar Ahmed
of The Future of Anthropology (1995). His work focuses on issues in
political anthropology, policy and governance. He has carried out
anthropological fi eldwork in Italy, from which he wrote Italian
Communism: The Escape from Lenin (1990), and more recently among
EU civil servants in Brussels, which led to the book Building Europe:
The Cultural Politics of European Integration (2000). His current interest
is in the politics of accountability and the rise of ‘audit culture’.
Filippo M. Zerilli is currently researcher and lecturer at the
University of Cagliari where he teaches cultural anthropology. He
also teaches ethnographic research methods at the University of
Perugia. Since 1996 he has been conducting extensive fi eldwork
in Romania exploring privatization and property issues. His main
research interests include the history of anthropology, postsocialism,
ethnography of law and human rights, changing property relations,
the emotional and moral dimension of ownership claims. Among his
publications are: Il lato oscuro dell’etnologia (CISU: Rome, 1998), and
the edited collection Dalle ‘Regole’ al ‘Suicidio’: Percorsi durkheimiani
(Argo: Lecce, 2001). He is the co-editor of Incontri di etnologia europea.
European Ethnology Meetings (Edizioni Scientifi che Italiane: Naples, 1998), and of La ricerca antropologica in Romania: Prospettive storiche
ed etnografi che (Edizioni Scientifi che Italiane: Naples, 2003). He is
presently preparing a book focusing on the property restitution
debates in postsocialist Romania.
Dorothy Louise Zinn (PhD in Social-Cultural Anthropology at the
University of Texas at Austin) is an independent scholar and adjunct
instructor at the Università degli Studi della Basilicata. Her areas
of interest include political economy, patronage, immigration and
multiculturalism. Along with numerous academic articles, she has
published the volume La Raccomandazione (Rome: Donzelli, 2001),
which was awarded the Pitré Prize for anthropological works. Dr
Zinn’s other professional activities include anthropological translation
and collaboration with the award-winning Associazione Tolbà
(<www.associazionetolba.org>) to assist immigrants and promote
intercultural dialogue.
一本关于全世界各个国家,部门,NGO,跨国公司等腐败行为的民族志。作者们来自各个专业,行文风格不一,有愤青型,有故事流,看来看去特别像凯迪猫眼的帖子。但是前言部分提出的问题s很有意思,关于对腐败现象进行人类学研究的一些疑问, 1,如何去measure corruption呢?按照...
评分一本关于全世界各个国家,部门,NGO,跨国公司等腐败行为的民族志。作者们来自各个专业,行文风格不一,有愤青型,有故事流,看来看去特别像凯迪猫眼的帖子。但是前言部分提出的问题s很有意思,关于对腐败现象进行人类学研究的一些疑问, 1,如何去measure corruption呢?按照...
评分一本关于全世界各个国家,部门,NGO,跨国公司等腐败行为的民族志。作者们来自各个专业,行文风格不一,有愤青型,有故事流,看来看去特别像凯迪猫眼的帖子。但是前言部分提出的问题s很有意思,关于对腐败现象进行人类学研究的一些疑问, 1,如何去measure corruption呢?按照...
评分一本关于全世界各个国家,部门,NGO,跨国公司等腐败行为的民族志。作者们来自各个专业,行文风格不一,有愤青型,有故事流,看来看去特别像凯迪猫眼的帖子。但是前言部分提出的问题s很有意思,关于对腐败现象进行人类学研究的一些疑问, 1,如何去measure corruption呢?按照...
评分一本关于全世界各个国家,部门,NGO,跨国公司等腐败行为的民族志。作者们来自各个专业,行文风格不一,有愤青型,有故事流,看来看去特别像凯迪猫眼的帖子。但是前言部分提出的问题s很有意思,关于对腐败现象进行人类学研究的一些疑问, 1,如何去measure corruption呢?按照...
《Corruption》这个书名,立刻唤醒了我内心深处对某种“失序”和“败坏”的警觉。我一直认为,文学作品最大的魅力之一,就是能够将那些抽象的概念具象化,让我们得以近距离地审视它们。我非常好奇作者将如何描绘这种“腐败”的形态,是那种显而易见的、大张旗鼓的作恶,还是那种更加隐蔽、润物无声的侵蚀?我喜欢那种能够挑战我固有认知、让我重新思考一些基本价值的作品。或许,《Corruption》会让我看到,在某些看似光鲜亮丽的背后,隐藏着怎样不为人知的阴暗。我也对作者叙事的手法充满期待。是采用多视角叙述,让我们从不同人物的经历中拼凑出全貌?还是选择一个核心人物的视角,带领我们一步步深入漩涡?我希望作者能够用一种流畅而富有感染力的语言,将我牢牢地吸引在故事之中。阅读一本好书,就像在与一个思想深邃的灵魂对话。我希望《Corruption》能够给我带来这种深刻的交流体验,让我不仅仅是消遣时间,更能获得启迪和成长。书的厚度看起来适中,既不会让人望而却步,又能提供足够的空间让故事充分展开。我希望这次阅读,能是一次充满惊喜和发现的旅程。
评分The title, 《Corruption》, immediately sparks a cascade of thoughts and expectations. I'm particularly interested in how an author can weave a narrative around such a multifaceted and often abstract concept. Will it be a story of overt malfeasance, or a more subtle exploration of compromised values? The sheer volume of the book suggests a narrative that will not be superficial, but rather one that delves deeply into its subject matter. I relish the opportunity to become fully immersed in a story, to explore its nuances and appreciate the author's craft in building a believable world and populated it with compelling characters. My hope is that the characters will be relatable in their struggles, even if their circumstances are extreme, and that their choices will resonate with a sense of realism. The visual design of the cover further enhances this anticipation, offering a glimpse into the tone and potential themes of the book without revealing too much. I'm eager to embark on this reading experience, expecting it to be a journey that challenges my perspective and provides a rich tapestry of human experience.
评分拿到《Corruption》这本书,我immediately felt a sense of intrigue. The title itself, "Corruption," evokes a powerful sense of decay, moral compromise, and hidden truths. I've always been drawn to narratives that delve into the darker aspects of human nature and societal structures, and this title suggests exactly that. I'm eager to see how the author will explore the multifaceted nature of corruption – whether it's personal, political, or systemic. Will it be a grand exposé of a powerful entity, or a more intimate portrayal of individuals succumbing to temptation? The sheer weight of the book implies a rich and complex narrative, which is exactly what I look for in a compelling read. I appreciate books that offer substantial depth and allow for prolonged immersion in their world. I'm hoping for intricate plotlines, well-developed characters with believable motivations, and a writing style that can effectively convey the gravity of the subject matter. The cover art, with its subtle but unsettling imagery, further fuels my anticipation, hinting at the shadows and moral ambiguity that likely lie within. This isn't a book I expect to breeze through; rather, I anticipate it will challenge my perceptions and leave a lasting impression.
评分My initial impression of 《Corruption》 is one of profound curiosity regarding the author's exploration of such a potent and universally relevant theme. The very word "corruption" carries a weight of moral and ethical decay, and I am eager to witness how this concept is translated into a compelling narrative. I anticipate a story that will not shy away from the darker facets of human experience and societal structures. Will the narrative focus on the grand machinations of power, or the insidious erosion of individual morality? The book's considerable length suggests a detailed and immersive reading experience, which is precisely what I seek when engaging with a work that tackles complex subjects. I appreciate narratives that allow ample space for character arcs to develop organically and for thematic explorations to unfold with nuance. The cover's aesthetic, with its suggestive and perhaps even foreboding imagery, reinforces the expectation of a story that delves into significant challenges and potentially uncomfortable revelations. I'm looking forward to a reading journey that promises to be both intellectually stimulating and emotionally engaging, prompting reflection long after the final page is turned.
评分我对《Corruption》这本书的期待,很大程度上源于它所暗示的主题——“腐败”。在当下这个信息爆炸的时代,我们无时无刻不接触到各种关于腐败的新闻和讨论,它们或多或少地侵蚀着我们对公平和正义的信念。因此,我希望通过阅读这本书,能够获得一种更深刻的理解,不仅仅是了解腐败的表象,更能触及到其根源。究竟是什么样的土壤滋养了腐败?是制度的漏洞?人性的贪婪?还是社会环境的压力?我希望作者能够以一种宏大而细腻的笔触,将这些复杂的因素交织在一起,构建一个真实可信的故事。我尤其关注作者对于角色塑造的功力。一个好的故事,离不开立体丰满的人物。我希望书中的角色不是非黑即白的符号,而是有血有肉、有优点也有缺点的普通人。他们可能身处高位,也可能只是社会底层的小人物,但他们的选择和命运,都应该与“腐败”这个主题紧密相连。我希望看到他们如何在诱惑与良知之间摇摆,如何在利益与原则之间权衡,最终做出令人唏嘘或振奋的决定。我期待的不仅仅是一个故事的起承转合,更是对人性深度的挖掘和对社会现实的有力反思。这本书的封面,带着一种难以言喻的压迫感,让我觉得它绝不是一本轻松愉快的读物,而是需要我投入时间和精力去解读的。
评分The very title, 《Corruption》, immediately conjured a vivid tapestry of potential scenarios in my mind – a descent into moral relativism, a stark depiction of compromised integrity, or perhaps a labyrinthine examination of systemic rot. I find myself drawn to stories that dissect the often-unseen forces that shape our lives and our societies, and this book promises to do just that. My anticipation is centered on the author's ability to craft a narrative that is both thought-provoking and emotionally resonant. I hope to encounter characters who are not mere archetypes but complex individuals grappling with difficult choices, perhaps caught between their ideals and the corrupting influences around them. The prospect of a substantial narrative arc, suggested by the book's volume, is particularly appealing. I enjoy stories that unfold gradually, allowing for a deep dive into the intricacies of plot and character development. The cover design, with its understated yet powerful visual language, hints at the depth and perhaps even the danger lurking within its pages. I’m keen to discover how the author will illuminate the insidious nature of corruption, forcing me to confront uncomfortable truths and perhaps re-evaluate my own understanding of the world.
评分从《Corruption》这个书名,我脑海中立刻浮现出无数与“腐败”相关的画面和联想。这是一种充满诱惑却又极度危险的力量,它能够腐蚀人心,摧毁信仰,甚至瓦解一个社会。我热切地希望作者能够以一种深刻而又富有艺术性的方式,将这种力量的本质呈现在我们面前。我期待书中能够塑造出令人难忘的角色,他们或许是深陷泥潭的挣扎者,或许是身居高位的操纵者,又或许是试图与之抗争的微弱声音。我希望作者能够赋予这些角色鲜活的生命,让他们在道德的边缘徘徊,在欲望的驱使下做出选择,最终走向各自的命运。我尤其看重作者在细节上的处理。那些看似微不足道的细节,往往是揭示人物内心世界和故事发展脉络的关键。我希望作者能够用敏锐的观察力,捕捉到这些隐藏在表象之下的深层含义。这本书的封面设计,那种微妙的色彩对比和变形的元素,给我一种不安却又引人探究的感觉,仿佛在暗示着故事中潜藏的巨大冲突和不可预知的转折。我希望这次阅读,能够让我体验到一种智力上的挑战和情感上的共鸣,让我能够在合上书本后,依然久久地回味和思考。
评分《Corruption》这个书名,让我立刻联想到那些在权力、金钱或欲望的漩涡中逐渐沉沦的故事。我一直对探讨人性复杂性、挖掘社会阴暗面的作品情有独钟。我希望这本书能够以一种深刻而引人入胜的方式,展现“腐败”是如何一步步侵蚀个体和社会肌体的。我期待作者能够塑造出立体饱满的角色,他们不是简单的善恶二元对立,而是有着各自的动机、挣扎和无奈。我希望能够看到他们如何在诱惑与良知之间摇摆,如何在利益与原则之间做出艰难的选择,最终走向不同的结局。这本书的篇幅似乎不算短,这让我感到欣喜,因为我喜欢能够沉浸在一个完整而复杂的故事中,细细品味每一个细节,感受人物的情感变化和命运的起伏。我期待作者能够构建一个扣人心弦的情节,让我在阅读过程中时而紧张,时而思考,甚至在合上书本后,依然对书中探讨的问题久久不能释怀。封面设计也颇具深意,那种暗影与光明的交织,仿佛预示着故事中存在的冲突与张力。我迫不及待地想知道,作者将如何通过这个故事,向我们揭示“腐败”的真实面貌。
评分Upon first encountering the title 《Corruption》, my mind immediately began to wander through the myriad interpretations this word can encompass. It suggests a decay, a loss of integrity, a descent into something less pure. I am particularly drawn to literary works that dare to scrutinize the less palatable aspects of human behavior and societal structures. I envision this book as a deep dive into the intricate mechanisms of how and why individuals and systems become compromised. The substantial size of the book hints at a narrative that will not be rushed, allowing for a thorough exploration of its themes and characters. I am a reader who appreciates detailed world-building and characters who feel genuinely alive, with their own motivations, flaws, and complexities. The cover art, with its evocative imagery, adds another layer of intrigue, hinting at the shadows and struggles that likely lie at the heart of this story. I am eager to immerse myself in this narrative, anticipating a reading experience that is both intellectually demanding and emotionally rewarding, leaving me with much to ponder.
评分刚拿到《Corruption》这本书,还没来得及深入阅读,但光是封面设计就深深吸引了我。那种暗沉、压抑的色彩,以及隐约浮现的扭曲线条,仿佛在预示着一段不平凡的旅程。我喜欢这种能够立刻抓住人眼球的视觉语言,它让我对接下来的故事充满了好奇与期待。我一直对那些探讨人性阴暗面、揭露社会潜规则的作品情有独钟,因为我认为,只有正视了黑暗,我们才能更清晰地看到光明。从书名《Corruption》本身,我就能感受到一种强大的张力,它可能指向的是个人道德的沦丧,也可能是机构内部的腐败,甚至是整个社会肌体的病变。我非常期待作者能够如何层层剥开这层“腐败”的外衣,让我们窥见其背后错综复杂的原因和令人心悸的后果。这本书的篇幅似乎也不小,这让我感到欣慰,因为我喜欢沉浸在一个完整、饱满的故事中,细细品味每一个细节,感受角色的成长与挣扎。我希望作者能够构建一个引人入胜的情节,让我在阅读过程中时而紧张,时而思考,甚至在合上书本后,依然久久不能平静。这本书的装帧也很考究,纸张的触感温润,印刷清晰,这些都提升了阅读体验。我迫不及待地想要翻开第一页,让这个故事将我带入它的世界,去探索那隐藏在“Corruption”背后的真相。
评分研究腐败都要想着去送礼体验一番 坑太多了太多了
评分前言提出关于方法论的问题们很有意思。。。章节走故事流~某人提到的international community,这本书里多得很吖~
评分前言提出关于方法论的问题们很有意思。。。章节走故事流~某人提到的international community,这本书里多得很吖~
评分前言提出关于方法论的问题们很有意思。。。章节走故事流~某人提到的international community,这本书里多得很吖~
评分研究腐败都要想着去送礼体验一番 坑太多了太多了
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