具体描述
This concise and accessible survey, the latest title in Thames & Hudsons renowned "World of Art" series, is set to become the definitive popular guide to graffiti and street art. The traditional letter-based graffiti that appeared on the streets of Philadelphia and New York over forty years ago launched a global art movement that has evolved into two distinct disciplines. While both thrive illegally and challenge the concept of public space, the new wave of street art puts greater emphasis on figures, abstraction, symbols and formal techniques. This book explains the terms and language of graffiti and street art from tags and throwies to culture jamming and subvertising as well as their multiple influences and sub-genres. Organized thematically, it traces the origins and evolution of graffiti and street art, and explores the motivations and practices of the leading exponents; the relationship between these art forms and the urban environment; their interactions with (or rejection of) the market and the world of commercial galleries; and, their increasingly important role in visual culture as a whole.
作者简介
目录信息
Signature graffiti writing ;
The tag ;
Throwies ;
Pieces ;
Tools of the trade ;
Kings, toys and crews ;
Urban painting ;
Stencils ;
Logos ;
Characters --
Chapter2 Graffiti's Genealogy.
Writing style ;
Graffiti in motion ;
A necessary crime ;
'Hip-hop graffiti' ;
Forays into galleries ;
Basquiat and Haring --
Chapter3 Street Art and the City.
Street art as public art ;
Contesting 'public' space ;
Defining a community ;
The city as context ;
Here today, gone tomorrow ;
Performing street art ;
Identity politics --
Chapter4 Post-Graffiti, Site and Space.
The liminal ;
But what does it do? ;
Same work, multiple sites ;
Location, location, location ;
The material support and the work itself --
Chapter5 Urban Visual Culture.
Visual culture and art history ;
Street art off the streets ;
In the gallery ;
On the internet ;
Reclaiming the streets: remixing, culture jamming and subvertising --
Urban painting today --
Artists' websites.
· · · · · · (收起)
读后感
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1960年法国摄影师Brassaï在他的著作graffiti里第一次把涂鸦当作一种艺术。涂鸦在远古时代就已存在，在70年代的纽约成为一种社会现象，第一次被全世界所关注。Waclawek这本书是第一个对涂鸦做深入研究的著作，看了几章确实有所收获，这是第一次对涂鸦这个亚文化的研究。
评分1960年法国摄影师Brassaï在他的著作graffiti里第一次把涂鸦当作一种艺术。涂鸦在远古时代就已存在，在70年代的纽约成为一种社会现象，第一次被全世界所关注。Waclawek这本书是第一个对涂鸦做深入研究的著作，看了几章确实有所收获，这是第一次对涂鸦这个亚文化的研究。
评分GFT
评分GFT
评分1960年法国摄影师Brassaï在他的著作graffiti里第一次把涂鸦当作一种艺术。涂鸦在远古时代就已存在，在70年代的纽约成为一种社会现象，第一次被全世界所关注。Waclawek这本书是第一个对涂鸦做深入研究的著作，看了几章确实有所收获，这是第一次对涂鸦这个亚文化的研究。
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