ed. Achim Heine, Rebekka Reuter, Ulrike Willingmann,
texts by Achim Heine, Barbara P. Hitchcock, Florian Kaps,
graphic design by Heine / Lenz / Zizka
While the world evaporates into the digital, the anachronistic Polaroid snapshot dominates media and advertising. The recent sale of the photography collection owned by Polaroid’s inventor, Edwin Land, to the Viennese photography
museum WestLicht marks an artmarket trend toward the analog. Beginning in the sixties, Polaroid supplied artists around the world, from Ansel Adams to Andy Warhol, with each one of the imperium’s latest products. In return, 4,400 works by 800 photographers found their way into the company’s International Collection at their European headquarters near Frankfurt am Main. In 2008, when the last instant-film factory was rescued from demolition by the company Impossible, the founder’s commitment to collecting could be carried on as well. This publication
features selected Polaroid masterpieces and new Impossible instant photography by contemporary artists such as Stefanie Schneider and Nobuyoshi Araki.
评分
评分
评分
评分
妻子从家中上百本HatjeCantz社藏书里找出了这本旧书 下一期的#毒墟#专题准备就绪——Polaroid vs. Sofubi
评分#买不起的只能在书店看系列
评分#很棒的摄影书,图片拍得非常好,制作也好。
评分质感非常的好,照片上的纹路与触感非常棒! 推荐收藏
评分在涉谷loft放在一堆宝丽来相机上面,看到安迪沃霍尔的封面就买了下来,本来想放在店里供大家翻阅,翻了一遍下来竟然有些舍不得,特别棒!特别是放大版的宝丽来照片,纹理都特别清晰,好似看到了原作。
本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2025 book.quotespace.org All Rights Reserved. 小美书屋 版权所有