The Hand That First Held Mine pdf epub mobi txt 電子書 下載2025
譯者簡介：鬍緋，女，英語語言文學學士、國際文化交流學士、MBA。
曾任大型中文報紙編輯、國際賽事雙語新聞經理。2004年起旅居歐洲，現攻讀博士學位，閑暇從事翻譯。
已齣版譯著《牽手之初》、《世上另一個我》、《消失的艾斯蜜》、《威爾斯，彆怕！》等。
- Maggie_O'farrell
- 瑪姬·歐法洛
- 英國
瑪姬‧歐法洛為當代英國極負盛名的小說傢，處女作《你走瞭以後》名列英國《衛報》「25年來最佳小說」，而後更被英國最大連鎖書店Waterstones選為「影響未來最钜之25位作傢」之一。本書為她的最新力作！
兩個人，一個是英國上層社會的少女，在五六十年代，為瞭成為獨立新女性、尋求解放而從偏遠的鄉村離傢到繁華的都會倫敦，開朗有想法的她不久後墜入瞭愛情…。五十年後，一位青年男子因女友生產時難產的狀況觸動瞭他的記憶，開始嚮過去進行探尋。
居住在同一個城市的兩個人，雖相隔五十年，作者將看似反差極大的兩位主角個性，運用巧妙的情節處理讓他們的故事相接，一段嚮前、另一段往過去探索，形成令人驚奇的相會，並更深層地探討生命與愛。
本作品顯露齣英國女作傢瑪姬‧歐法洛對女性內心世界的洞察及優秀的寫作技巧，能得到2010年英國科斯塔小說大獎可說實至名歸！
具體描述
讀後感
我想问这本书里有两个女主？两篇不同的故事？ 一开始讲一个女的在花园里，然后又有个女的忘记了自己生孩子的事..而且也有俩个男的，貌似两个chapter剧情不一样。究竟是怎样， 我觉得这本书不错，准备看了，不过纠结着，急需回复，谢谢
評分You know when a book sweeps you in and envelopes your day and won’t let you go until it is over? This book did that for me and I could not be more impressed with the author’s beautiful prose, the pacing of the book, or what a gift Maggie O’Farrell has fo...
評分 評分很感动，喜欢莱克西，真的把女权主义诠释到极致，不禁让人感叹：女人就该这么活着～敢爱敢恨……希望有不错的导演拍成电影，同样会很精彩……画面感十足，尤其莱克西与三个男人之间的感情纠葛以及这三个男人的性格特点……都是很好的电影题材啊……
評分用戶評價
as usual she writes with elegence and lyricism, yet this time the plot fails to surprise and, even worse, borders on far-fetchedness and banality....it could have been a Korean drama had her language not been this poetic and intricate. btw, i agree that it's unputdownable. a sort of pop-feminist literary triumph.
评分as usual she writes with elegence and lyricism, yet this time the plot fails to surprise and, even worse, borders on far-fetchedness and banality....it could have been a Korean drama had her language not been this poetic and intricate. btw, i agree that it's unputdownable. a sort of pop-feminist literary triumph.
评分as usual she writes with elegence and lyricism, yet this time the plot fails to surprise and, even worse, borders on far-fetchedness and banality....it could have been a Korean drama had her language not been this poetic and intricate. btw, i agree that it's unputdownable. a sort of pop-feminist literary triumph.
评分as usual she writes with elegence and lyricism, yet this time the plot fails to surprise and, even worse, borders on far-fetchedness and banality....it could have been a Korean drama had her language not been this poetic and intricate. btw, i agree that it's unputdownable. a sort of pop-feminist literary triumph.
评分as usual she writes with elegence and lyricism, yet this time the plot fails to surprise and, even worse, borders on far-fetchedness and banality....it could have been a Korean drama had her language not been this poetic and intricate. btw, i agree that it's unputdownable. a sort of pop-feminist literary triumph.
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