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Global connections and screen innovations converge in Hong Kong cinema. Energized by transnational images and human flows from China and Asia, Hong Kong's commercial filmmakers and independent pioneers have actively challenged established genres and narrative conventions to create a cultural space independent of Hollywood. The circulation of Hong Kong films through art house and film festival circuits, as well as independent DVDs and galleries and internet sites, reveals many differences within global cultural distributions, as well as distinctive tensions between experimental media artists and traditional screen architects. Covering the contributions of Hong Kong New Wave directors such as Wong Kar-wai, Stanley Kwan, Ann Hui, Patrick Tam, and Tsui Hark, the volume links their spirit of innovation to work by independent, experimental, and documentary filmmakers, including Fruit Chan, Tammy Cheung, Evans Chan, Yau Ching and digital artist Isaac Leung. Within an interdisciplinary frame that highlights issues of political marginalization, censorship, sexual orientation, gender hierarchies, "flexible citizenship" and local/global identities, this book speaks to scholars and students within as well as beyond the field of Hong Kong cinema.

Esther M. K. CHEUNG is chair of the Department of Comparative Literature and director of the Center for the Study of Globalization and Cultures (CSGC) at the University of Hong Kong.

Gina MARCHETTI teaches in the Department of Comparative Literature at the University of Hong Kong.

TAN See-Kam presently works and researches at the University of Macau.

Part I: Voices of the Hong Kong New Wave
1. Do We Hear the City?: Voices of the Stranger in Hong Kong Cinema – Esther M. K. CHEUNG
2. Surfing with the Surreal in Tsui Hark’s Wave: Collage Practice, Diasporic Hybrid Texts, and Flexible Citizenship – TAN See-Kam
3. Ann Hui at the Margin of Mainstream Hong Kong Cinema – Mirana M. SZETO
4. Interview with Ann Hui: On the Edge of the Mainstream – Esther M. K. CHEUNG, Gina MARCHETTI, and TAN See-Kam
5. Urban Nomads, Exilic Reflections: The Cine-Modernism of Patrick Tam – Esther C. M. YAU
Part II: Independent Connections
6. Performing the Margins: Locating Independent Cinema in Hong Kong – Nicole KEMPTON
7. Re-imagining Hong Kong–China from the Sidelines: Fruit Chan's Little Cheung and Durian Durian – Wendy GAN
8. Alternative Perspectives/Alternative Cinemas: Modern Films and the Hong Kong Experimental Scene – Roger GARCIA, John WOO, and Jessica HAGEDORN
9. Specters of Memory: An Artist Statement (Displaced) – Ming-Yuen S. MA
10. Documenting Hong Kong: Interview with Tammy Cheung – Esther M. K. CHEUNG, Nicole KEMPTON, and Amy LEE
11. Between Times and Spaces: Interview with Evans Chan – Esther M. K. CHEUNG and Nicole KEMPTON
12. Hong Kong Cinema and the Film Essay: A Matter of Perception – Mike INGHAM
Part III: Sex in the Asian City
13. Between Comrade and Queer: Stanley Kwan's Hold You Tight – Gina MARCHETTI
14. Interview with Yau Ching: Filming Women in Hong Kong's Queerscape – Gina MARCHETTI
15. On Isaac Leung, Cyber Sex as Pseudo-Science: The Artist's Search for Sex Spaces in Hong Kong (and Beyond) – Katrien JACOBS
16. The Mistress and Female Sexuality – Patricia Brett ERENS
17. Reimagining the Femme Fatale: Gender and Nation in Fruit Chan's Hollywood Hong Kong – Pin-chia FENG
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