Associate Professor; Asian/Chinese Art. B.A., Peking University; M.A. Peking University; Rutgers University; Yale University; M. Phil. Yale University; Ph.D. Yale University.
For 1,300 years, Chinese calligraphy was based on the elegant art of Wang Xizhi (AD303-361). But the 17th-century emergence of a style modelled on the rough, broken epigraphs of ancient bronzes and stone artifacts brought a revolution in calligraphic taste. By the 18th century, this led to the formation of the stele school of calligraphy, which continues to shape Chinese calligraphy today. A dominant force in this school was the eminent calligrapher and art theorist Fu Shan (1607-1685). Because his work spans the late Ming-early Qing divide, it is an ideal prism through which to view the transformation in calligraphy. Rather than seek a single explanation for the change in calligraphic taste, the author demonstrates and analyzes the heterogeneity of the cultural, social and political processes behind it. Among other subjects, the book covers late Ming interaction between high and low culture; the role of publishing, the Ming loyalist response to the Qing; and early Qing changes in intellectual discourse. In addition to the usual approach of art historians, it adopts the theoretical perspectives of such fields as material culture, print culture, and social and intellectual history.
在梁羽生笔下,傅山是武艺高强的侠客;在医学历史上,他是妙手回春的大医,而在白先生的书里,他则是观察十七世纪中国书法的窗口。在《傅山的世界》里,白先生用了以点带面的手法,打开了17世纪书法现象赖以生成的广阔文化景观,让人读完不由生出“卷开天地远、思静入苍茫...
评分三联新版“精装”白谦慎《傅山的世界》是一本伪精装,内中没有彩页,装订也颇不得法,一入手便有脱胶的现象,排版也欠疏朗,纸质也非常一般,和张充和那册没法比,实在有负精装的外表。 封面材质上太硬,反不如以前平装本有质感。 旧著重版,应该至少在装帧上下点功夫呀。 而注...
评分字如其人 ——读《傅山的世界》小记 “字如其人”现在并不常说,因为电脑普及,人人用标准的宋体与楷体,字必不如其人,否则将成为机器人。日常交流的写字,好看与否,也许并非重要到字须与人相配合的地步。我周围常有堂堂挺立男生,做事做人皆受人称赞,但字如蝇头乱撞;...
评分三联新版“精装”白谦慎《傅山的世界》是一本伪精装,内中没有彩页,装订也颇不得法,一入手便有脱胶的现象,排版也欠疏朗,纸质也非常一般,和张充和那册没法比,实在有负精装的外表。 封面材质上太硬,反不如以前平装本有质感。 旧著重版,应该至少在装帧上下点功夫呀。 而注...
评分#读书札记#白谦慎《傅山的世界》 2014年春节,小假七天,往返于湖南、陕西之间,虽舟车甚烦,然欢愉之事亦多,其间未顷刻忘读书之事耳。年初五,陕西,雪,夜读白谦慎《傅山的世界》,略记笔记如下,聊以自适耳! 1、晚明城市文化尚“奇”的审美时尚,为书法上的尚“奇”之风...
Fu Shan's era was replete with devastation and reconstruction, mixed with the past, the present, the exotic and the ingenuous...His calligraphy was the most creative at his time, epitomizing the zeitgeist of tumult and hodgepodge
评分Fu Shan's era was replete with devastation and reconstruction, mixed with the past, the present, the exotic and the ingenuous...His calligraphy was the most creative at his time, epitomizing the zeitgeist of tumult and hodgepodge
评分Fu Shan's era was replete with devastation and reconstruction, mixed with the past, the present, the exotic and the ingenuous...His calligraphy was the most creative at his time, epitomizing the zeitgeist of tumult and hodgepodge
评分first chapter is very smooth
评分first chapter is very smooth
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