The heritage of literature in the French language is rich, varied, and extensive in time and space; appealing both to its immediate public, readers of French, and also to a global audience reached through translations and film adaptations. The first great works of this repertory were written in the twelfth century in northern France, and now, at the beginning of the twenty-first century, include authors writing in many parts of the world, ranging from the Caribbean to Western Africa. French Literature: A Very Short Introduction introduces this lively literary world by focusing on texts - epics, novels, plays, poems, and screenplays - that concern protagonists whose adventures and conflicts reveal shifts in literary and social practices. From the hero of the medieval Song of Roland to the Caribbean heroines of I, Tituba, Black Witch of Salem or the European expatriate in Japan in Fear and Trembling, these problematic protagonists allow us to understand what interests writers and readers across the wide world of French.
評分
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評分
評分
« La guerre en somme c’était tout ce qu’on ne comprenait pas. »
评分有獨特見解的法國文學史,詳細地梳理瞭法國文學中protagonist形象的流變,很好地串起瞭各種曆史和思想背景。根據作者的思路,有一批本來我不太重視的作傢在這裏得到瞭重新評價,比如senghor、bonnefoy、perse等等。對更廣闊的francophone literature的研究也是一個值得重視的方嚮。
评分整體上來說是大傢大作式寫法,與國內文學史寫法很類似。
评分作為我的第一本有關文學批評的書,我似乎並不能領會作者創造的趣味,但其中的珠玉片段仍然具有非常的啓發性。我靠,你寫作用這麼多法語來源詞(許多英語字典無載)真的好嗎?
评分整體上來說是大傢大作式寫法,與國內文學史寫法很類似。
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