阿扎尔•纳菲西(Azar Nafisi)
伊朗裔美国女作家、学者、评论家。
1955年生于伊朗,13岁赴海外留学,26岁时获得美国俄克拉荷马州立大学文学博士学位。后归国任教于德黑兰大学等三所高校,但因在女性的穿着与行为等问题上与校方产生严重分歧而被辞退。1997年纳菲西返回美国,以访问学者的身份就职于约翰•霍普金斯大学。
除此书以外,纳菲西还在《纽约时报》、《华盛顿邮报》、《华尔街日报》等主流媒体上发表文化批评专栏,如今已成为美国炙手可热的评论家。
The inspirational tale of eight women who defied the confines of life in revolutionary Iran through the joy and power of literature. 'That room for all of us, became a place of transgression. What a wonderland it was! Sitting around the large coffee table covered with bouquets of flowers ! We were, to borrow from Nabokov, to experience how the ordinary pebble of ordinary life could be transformed into a jewel through the magic eye of fiction.' For two years before she left Iran in 1997, Azar Nafisi gathered seven young women at her house every Thursday morning to read and discuss forbidden works of Western literature. They were all former students whom she had taught at university. Some came from conservative and religious families, others were progressive and secular; several had spent time in jail. Shy and uncomfortable at first, they soon began to open up and speak more freely, not only about the novels they were reading but also about themselves, their dreams and disappointments. Their stories intertwined with those they were reading -- 'Pride and Prejudice', 'Washington Square', 'Daisy Miller' and 'Lolita' -- their Lolita, as they imagined her in Tehran. Nafisi's account flashes back to the early days of the revolution when she first started teaching at the University of Tehran amid the swirl of protests and demonstrations. In those frenetic days, the students took control of the university, expelled faculty members and purged the curriculum. Azar Nafisi's luminous tale offers a fascinating portrait of the Iran-Iraq war viewed from Tehran and gives us a rare glimpse, from the inside, of women's lives in revolutionary Iran. It is a work of great passion and poetic beauty, written with a startlingly original voice.
http://www.douban.com/event/25777973/discussion/612935358/ 根据活动录音整理而成,已经校对,有些许次序的调换和语句的修改。 我的部分,基本是自己做的整理。 张阅:请问在座的各位,有没有在伊斯兰地区的朋友?那么日本朋友或者台湾朋友呢? 有的吧...
评分 评分纳菲西把自己的人生凝聚到这本书中,以她爱的文学为篇章,以时间为线索,向我们细细道来她的挣扎和热爱。 对文学的热爱、对政治的关心让这本书和我之间有了某种默契。作者就像是我文学课的老师,亲切的讲述在极权的统治下应当如何坚持自我——若无想象的自由便无个人的自由。如...
评分在穿行都市的巴士上读纳菲西写她在动荡的德黑兰街头奔跑,在旧书店的屋檐下躲避枪火,在人群中寻找熟悉的面孔,在喧嚣的大学论坛上与左派论战,在拉起窗帘的家中客厅和解下面纱的学生们读《洛丽塔》,读《伟大的盖茨比》。隔着灰蒙蒙的城市大气,这一切似乎遥远而不真切,但又...
评分生活在一个极权社会中,人们不自觉的生出许多反抗的方式。一、两个“自我”,一个在明,一个在暗;一个伪装,一个真实。二、政*治之战与生存之战,达者直指政*权的弊端,穷者利用政*权的空隙为自己创造更好的生存条件。三、对文化压制的反抗,可谓花样繁多,技术先进,...
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