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CONTENTS
Acknowledgements
Preface
Chapter 1. Introduction to Kristeva
A first general concept: Order and disturbances of order
A second pervasive concern: The text of society and history
Proximal history
Chapter 2. Horror - Basic concepts: The abject and its varieties
Introducing Kitchen Sink
The abject, borders, and images of pollution
Varieties of the abject
Chapter 3. Horror - Specifiying the circumstances
The nature of rituals of defilement
The function of rituals of defilement
Questions about rituals
The knowledge that rituals imply
Differences among spectators
Chapter 4. Strangers - Basic concepts: Strangers without and within
Aspects of continuity and change
Introducing two films: Vigil and Crush
Who is the stranger?
What marks the stranger?
What creates the tension?
What is the narrative function of the stranger?
When are tensions and changes most likely to occur?
Chapter 5. Strangers – Expansions: The stranger’s story
Introducing An Angel At My Table
The stranger's position
The stranger's feelings
The stranger's options
Angel’s impact upon the spectator
Chapter 6. Love - Basic concepts
Aspects of continuity and change
Sweetie, Piano: An introduction
What are the forms of love?
The difficulties of love
Links to change: Steps towards love
Times of difficulty and change
Chapter 7. Love - Expansions: Old and new discourses
Aspects of continuity and change
Current discourses and their weaknesses
The shape of new tales of love
The special case of motherhood and material love
Chapter 8. The text of society and history
The paths for Vigil and Kitchen Sink
A rockier path: Crush
Campion’s first feature: Sweetie
Campion’s second feature: Angel
Campion’s third feature: The Piano
Cross-cutting themes
Chapter 9. Some conceptual questions
Kristeva's "generations" of feminist theory
On ”men” and ”women”
Women’s voice, women’s writing, women’s genius
Some reservations
A reminder of positives
End-notes
References
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