Architecture and Its Image

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出版者:Canadian Centre for Architecture = Centre canadien d'architecture (1989
作者:Canadian Centre for Architecture
出品人:
页数:369
译者:
出版时间:1989-10-13
价格:USD 80.00
装帧:Hardcover
isbn号码:9780262022897
丛书系列:
图书标签:
  • 建筑
  • 建筑学
  • 修房子
  • image
  • architecture
  • Representation
  • ARC
  • 建筑
  • 建筑史
  • 建筑理论
  • 图像学
  • 视觉文化
  • 设计
  • 艺术史
  • 文化研究
  • 现代主义
  • 后现代主义
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具体描述

Drawing on an incomparable collection of architectural drawings and prints, photographs, books, and periodicals, Architecture and Its Image explores the idea of serial imagery in architectural representation through works dating from the Renaissance to today.Although drawings and photographs of architecture are often viewed as single images, they are generally produced in series. The most basic of these is the set of drawings that shows a building in plan, elevation, and section. But as Architecture and Its Image reveals, the concept can be extended to other types of architectural representations: theater sets, travel accounts, photographic surveys, pattern books, even the alternative designs submitted for competition. All relate in different ways to their subjects; viewed in series, all reveal underlying principles of organization that can convey new understanding of architectural imagery.Under the headings Architecture in Three Dimensions, Architecture in Place and Time, and Architecture in Process, essays by six scholars use the concept of serial imagery to explore the complex relationship between various types of architectural representations and their subject matter: projective drawings (Robin Evans), 19th-century urban survey photography (Eve Blau), the travel narratives of English architectural "explorers" from the mid-18th to the mid-19th century (Edward Kaufman), festival and theater architecture (William Alexander McClung), architectural publications, competitions, and exhibitions (Helene Lipstadt), and computer graphics (Robert Bruegmann). An accompanying catalog describes 350 examples, drawn from the CCA collections, of work by architects and architectural delineators, photographers, and cartographers. The book is illustrated by over 400 superbly reproduced duotone illustrations and 16 pages of color.Eve Blau is Curator of Exhibitions and Publications at the CCA. Edward Kaufman is Assistant Professor in the School of Architecture at Columbia University.Architecture and Its Image is a publication of the Centre Canadien d'Architecture/Canadian Centre for Architecture, Montreal Distributed by The MIT Press.

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四年前看过,当时关注于Robin Evans论述Orthographics与Perspective之间的关系发展。重读一次发现很多更精彩的细节,尤其是William Alexander McClung研究theatrical architecture中关于法国宫廷版画的问题,讲到了Le Rouge;另外,Helene Lipstadt研究文艺复兴时期建筑图书的出版,Serlio,Domenico Fontana,Vincenzo Scamozzi,这些牛人都不会出现在国内建筑学教科书中。

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四年前看过,当时关注于Robin Evans论述Orthographics与Perspective之间的关系发展。重读一次发现很多更精彩的细节,尤其是William Alexander McClung研究theatrical architecture中关于法国宫廷版画的问题,讲到了Le Rouge;另外,Helene Lipstadt研究文艺复兴时期建筑图书的出版,Serlio,Domenico Fontana,Vincenzo Scamozzi,这些牛人都不会出现在国内建筑学教科书中。

评分

四年前看过,当时关注于Robin Evans论述Orthographics与Perspective之间的关系发展。重读一次发现很多更精彩的细节,尤其是William Alexander McClung研究theatrical architecture中关于法国宫廷版画的问题,讲到了Le Rouge;另外,Helene Lipstadt研究文艺复兴时期建筑图书的出版,Serlio,Domenico Fontana,Vincenzo Scamozzi,这些牛人都不会出现在国内建筑学教科书中。

评分

四年前看过,当时关注于Robin Evans论述Orthographics与Perspective之间的关系发展。重读一次发现很多更精彩的细节,尤其是William Alexander McClung研究theatrical architecture中关于法国宫廷版画的问题,讲到了Le Rouge;另外,Helene Lipstadt研究文艺复兴时期建筑图书的出版,Serlio,Domenico Fontana,Vincenzo Scamozzi,这些牛人都不会出现在国内建筑学教科书中。

评分

四年前看过,当时关注于Robin Evans论述Orthographics与Perspective之间的关系发展。重读一次发现很多更精彩的细节,尤其是William Alexander McClung研究theatrical architecture中关于法国宫廷版画的问题,讲到了Le Rouge;另外,Helene Lipstadt研究文艺复兴时期建筑图书的出版,Serlio,Domenico Fontana,Vincenzo Scamozzi,这些牛人都不会出现在国内建筑学教科书中。

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