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考察1920年代至今華語文學及影視劇中的（類）女同敘事如何將女性間的情欲刻畫為青春懷舊的對象。馬嘉蘭認為這一時間限定（同性欲望先於女性步入異性婚姻）在銘刻異性戀霸權、目的論敘事的同時，也通過召喚未完成的“過去”來實現對“當下”的批判性乾預。書中的議題與酷兒理論對queer temporality的思考有許多可對話的地方，不過全書除瞭一處注釋引用Edelman之外沒有觸及任何相關討論，對酷兒理論的介入主要集中在對《暗櫃認識論》的迴應。

考察1920年代至今華語文學及影視劇中的（類）女同敘事如何將女性間的情欲刻畫為青春懷舊的對象。馬嘉蘭認為這一時間限定（同性欲望先於女性步入異性婚姻）在銘刻異性戀霸權、目的論敘事的同時，也通過召喚未完成的“過去”來實現對“當下”的批判性乾預。書中的議題與酷兒理論對queer temporality的思考有許多可對話的地方，不過全書除瞭一處注釋引用Edelman之外沒有觸及任何相關討論，對酷兒理論的介入主要集中在對《暗櫃認識論》的迴應。

The central point of Fran Martin’s book Backward Glances: Contemporary Chinese Cultures and the Female Homoerotic Imaginary is that in modern Chinese media and literary cultures, the topic of love between women has been constitutively linked with a memorial mode of representation:an inevitable preoccupation with memory. (3)

The central point of Fran Martin’s book Backward Glances: Contemporary Chinese Cultures and the Female Homoerotic Imaginary is that in modern Chinese media and literary cultures, the topic of love between women has been constitutively linked with a memorial mode of representation:an inevitable preoccupation with memory. (3)

考察1920年代至今華語文學及影視劇中的（類）女同敘事如何將女性間的情欲刻畫為青春懷舊的對象。馬嘉蘭認為這一時間限定（同性欲望先於女性步入異性婚姻）在銘刻異性戀霸權、目的論敘事的同時，也通過召喚未完成的“過去”來實現對“當下”的批判性乾預。書中的議題與酷兒理論對queer temporality的思考有許多可對話的地方，不過全書除瞭一處注釋引用Edelman之外沒有觸及任何相關討論，對酷兒理論的介入主要集中在對《暗櫃認識論》的迴應。

The central point of Fran Martin’s book Backward Glances: Contemporary Chinese Cultures and the Female Homoerotic Imaginary is that in modern Chinese media and literary cultures, the topic of love between women has been constitutively linked with a memoria...

The central point of Fran Martin’s book Backward Glances: Contemporary Chinese Cultures and the Female Homoerotic Imaginary is that in modern Chinese media and literary cultures, the topic of love between women has been constitutively linked with a memoria...

The central point of Fran Martin’s book Backward Glances: Contemporary Chinese Cultures and the Female Homoerotic Imaginary is that in modern Chinese media and literary cultures, the topic of love between women has been constitutively linked with a memoria...

The central point of Fran Martin’s book Backward Glances: Contemporary Chinese Cultures and the Female Homoerotic Imaginary is that in modern Chinese media and literary cultures, the topic of love between women has been constitutively linked with a memoria...

The central point of Fran Martin’s book Backward Glances: Contemporary Chinese Cultures and the Female Homoerotic Imaginary is that in modern Chinese media and literary cultures, the topic of love between women has been constitutively linked with a memoria...