 
			 
				Recovering from the brink of death after venting her frustrations about an unjust world, a ninety-two-year-old woman recounts three stages of her painful life.
By the author of Who's Afraid of Virginia Woolf.
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Essentially a remix of Krapp's Last Tape and Happy Days, two of Albee's favorite Beckett plays. But language-wise, it is neither Beckettian enough or fully original.
评分看的是《戲劇之傢》上刊登的譯文,中文係齣身的譯者居然譯的那麼生澀,shame (我還是沒有找到下劇本的竅門)
评分Essentially a remix of Krapp's Last Tape and Happy Days, two of Albee's favorite Beckett plays. But language-wise, it is neither Beckettian enough or fully original.
评分Essentially a remix of Krapp's Last Tape and Happy Days, two of Albee's favorite Beckett plays. But language-wise, it is neither Beckettian enough or fully original.
评分Albee understands life and women, whose whimsical nature and irrational desire often lead themselves to doom.
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