The bestselling voice of Europe's fastest-growing, fastest-living city: the new Berlin. 'The little jewellery box also held the red coral bracelet from Nikolai Sergeyevich. Its six hundred and seventy-five little coral beads were strung onto a silken thread, and they glowed as red as rage. My great-grandmother put the hairbrush down in her lap. She closed her eyes for a long time. Then she opened her eyes again, took the red coral bracelet from the little box and fastened it around her left wrist. Her skin was very white. That evening, for the first time in three years, she shared a meal with my great-grandfather.' Coral bracelets 'as red as rage' from Russian lovers; a sad old woman who nonetheless 'sometimes sang and winked with her left eye and laughed till the tears came'; country houses 'away from Berlin, linden trees out front, chestnuts in the back, sky above': 'The Summer House, Later' is an elegant, measured, reflective collection of stories which captures beautifully the promise of bright colours lying just out of reach of our grey daily routines. Set in and around Europe's fastest-growing, fastest-living city, these stories take as their starting point the monotony of modern urban life -- the endless antennas and chimneys, the pigeons in the gutters -- and looks beyond them to 'the narrow strip of sky over the rooftops'. The literary sensation of the year in her native Germany, Judith Hermann is a wonderfully talented young writer whose ability to find drama and beauty in the smallest, most trivial moments makes 'The Summer House, Later' a very special debut indeed.
尤迪特·海尔曼(Judith Hermann):德国女作家。1970年生于柏林。当过酒吧服务生,在纽约做过实习记者。1997年获阿尔弗雷德·德布林奖学金,专心创作一年,完成短篇小说集《夏屋,以后》。该书1998年出版后获广泛好评,作者因此获不来梅市文学提携奖(1998)、胡戈-巴尔奖(1999)、鲁道夫-亚历山大基金会奖(1999)、克莱斯特奖(2001)。2003年,她的短篇小说集《不过是幽灵而已》出版,在德国亦大受读者欢迎。
《红手镯》是“夏屋,以后”这本书的第一篇故事。关于曾祖母之恋情:等待曾祖父归来的恋情;当地仰慕、追求者的单相思;以及整篇故事势必告知我们的真正价值。这个价值也是我们大家的传统,那就是对真的爱恋的颂扬,曾祖母手腕上的红玛瑙,不是曾祖父送的,他只是鸿雁传书,交...
评分 评分 评分桂林买的书, 很记得书店的名字,好锋利的店名:刀锋书店 看似一切都逃脱不了命运的安排 在这种状态下突然就买到这本书,而当时一开始还是要买另一本书的。。。。。。。 以下摘抄的是译者序的一段话,写得太好了,太是这本书了! 尤迪特·海尔曼作品的主题始终围绕着...
评分罗豫/文 德国人在文艺作品中的角色,常常随身携带一个复杂的民族、历史和文化背景,然而新一代的德国青年已经不像他们的前辈那样热衷于反思过去了。集中营和柏林墙记载的恩怨情仇,已渐行渐远;前党卫军成员君特•格拉斯们身上背负的负罪感,也渐行渐远。毕竟,那是上代人的...
@2012-11-06 20:57:49
评分@2012-11-06 20:57:49
评分@2012-11-06 20:57:49
评分喜欢细碎的短句构成的短篇 "I'll be alright but I'm feeling blue"
评分@2012-11-06 20:57:49
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