If my poor Flatland friend retained the vigour of mind which he enjoyed when he began to compose these Memoirs, I should not now need to represent him in this preface, in which he desires, firstly, to return his thanks to his readers and critics in Spaceland, whose appreciation has, with unexpected celerity, required a second edition of his work; secondly, to apologize forcertain errors and misprints (for which, however, he is not entirely responsible); and, thirdly, to explain one or two misconceptions. But he is not the Square he once was. Years of imprisonment, and the still heavier burden of general incredulity and mockery, have combined with the natural decay of old age to erase from his mind many of the thoughts and notions, and much also of the terminology, which he acquired during his short stay in Spaceland. He has, therefore, requested me to reply in his behalf to two special objections, one of an intellectual, the other of a moral nature.
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不知道是外国人想象力太丰富，还是我们想象力太贫乏，怎么人家就能写得出这种小说来，我们就一辈子循规蹈矩地思考呢？
评分 评分对于《平面之国》这部小说的分类，历来有两种不同的观点。 第一种意见是把它列为“科学小说”。从这个意义上讲，作者艾勃特运用深入浅出的语言，借助清晰严谨的结构，引人入胜的想象，以及滑稽生动的实例，向读者呈现了点（零维）、直线（一维）、平面（二维）以及空间（三维）...
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