What We Talk About When We Talk About Love pdf epub mobi txt 电子书 下载 2025
Carver was born into a poverty-stricken family at the tail-end of the Depression. The son of a violent alcoholic, he married at 19, started a series of menial jobs and his own career of 'full-time drinking as a serious pursuit'. A career that would eventually kill him. Constantly struggling to support his wife and family Carver enrolled in a writing programme under author John Gardner in 1958 and he saw this as a turning point.
Rejecting the more experimental fiction of the 60s and 70s, he pioneered a precisionist realism reinventing the American short story during the eighties, heading the line of so-called 'dirty realists' or 'K-mart realists'. Set in trailer parks and shopping malls they are stories of banal lives that turn on a seeminlgy insignificant detail. Carver writes with meticulous economy suddenly bringing a life into focus in a similar way to the paintings of Edward Hopper. As well as a master of the short story he was an accomplished poet publishing several highly acclaimed volumes.
After the 'line of demarcation' in Carver's life - 2 June 1977, the day he stopped drinking - his stories become increasingly more redemptive and expansive. Alcohol had eventually shattered his health, his work and his family - his first marriage effectively ending in 1978. He finally married his long-term parter Tess Gallagher (they met ten years earlier at a writers' conference in Dallas) in Reno less than two months before he eventually lost his fight with cancer.
- RaymondCarver
- 美国
- 英文原版
- 小说
- 文学
- 美国文学
- 英文
- 短篇集
In his second collection of stories, as in his first, Carver's characters are peripheral people--people without education, insight or prospects, people too unimaginative to even give up. Carver celebrates these men and women.
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百家碎戏，没头没尾，刚开始令人懵痹甚至想打呵欠，从第二篇开始渐渐跟上节奏，体验就好多了，然而我还是不知道每篇到底在谈论什么。
评分逼格不够 除了和标题同名的故事都没看懂 觉得看过最好的谈爱情的文字依然是会饮篇
评分中文版已经很喜欢 但原著更惊艳
评分能瞧原版尽量瞧原版吧，方块字译文版太二了。
评分1、短篇小说真是不经读，分分钟读完的节奏。2、对“极简主义”没研究，好朋友硕士论文作得这个，但粗读来觉得卡弗的极简尚不如海明威不成理论的惜字如金有味道。3、想起来傅老师谈曼斯菲尔德时说过小作家与大作家的区别，不敢说卡弗究竟算不算大作家，然而可以知道的是他并不信任自己的读者，总忍不住想为他们解开自己作品的真谛。
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