One of the most important figures in the history of modern Japanese photography. Yasuzo Nojima’s works range from kaiga shugi shashin (pictorial photography) to shink shashin (new/straight photography) of the early twentieth century. His earliest works are characterized by a density and heaviness echoing that of pictorialism, based in his subtle sensitivity and the pigment printing process, the mainstream printing method of that time. In the 1930s, his style took a drastic turn under the influence of new trends in German photography, shifting toward cropped gelatin silver prints in pursuit of a form of expression that is unique to the medium. Nojima was also known as an enthusiastic art lover, opening a gallery in Tokyo at his own expense, holding exhibitions of works by up-and-coming artists. This catalogue is composed of works from the Nojima Collection at Museum of Modern Art of Kyoto.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
後麵幾張還行
评分驚於近百年前的人體
评分不同階段的攝影錶現之美
评分野村康三
评分oh 日本女人的眼睛
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