First classified as an early phase of the Gothic, Romanesque art of the late eleventh and twelfth centuries presents a variety of challenges. Difficulties as to when the Romanesque began or ended (even within individual countries), the disparities in local idioms of the style, and its intrinsic links to nationalism in a variety of countries in the post-medieval period have sometimes hindered scholarly research on a European scale.It is a period and style that is best studied with no classificatory platform, as the many essays in this volume indicate. Some of the most eminent scholars in the field gathered in Princeton in 2006 to celebrate Walter Cahn, one of the doyens of the period, and this volume presents their research for the first time. Looking at the concepts of style and historiography, these essays set out to stimulate new scholarship in the Romanesque and to show us how we have tended to neglect it in recent studies. Issues of reception, innovation, nationalism, iconography, technology, dating, and geographic coverage are all examined and make this volume a necessary addition for all scholars of medieval art.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
相關圖書
本站所有內容均為互聯網搜索引擎提供的公開搜索信息，本站不存儲任何數據與內容，任何內容與數據均與本站無關，如有需要請聯繫相關搜索引擎包括但不限於百度，google,bing,sogou 等
© 2025 book.quotespace.org All Rights Reserved. 小美書屋 版权所有