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用戶評價
羅欽科拍攝的莫斯科影集。羅欽科的這組照片的兩個層次：“firstly for their new aesthetics-the famous Rodchenko perspective-secondly for their film-like sequencing.” 反正就是不正著拍。。“his abandonment of painting was instigated by Productivism's rejection of objects created for aesthetic contemplation in favour of things produced for everyday use."
评分羅欽科拍攝的莫斯科影集。羅欽科的這組照片的兩個層次：“firstly for their new aesthetics-the famous Rodchenko perspective-secondly for their film-like sequencing.” 反正就是不正著拍。。“his abandonment of painting was instigated by Productivism's rejection of objects created for aesthetic contemplation in favour of things produced for everyday use."
评分羅欽科拍攝的莫斯科影集。羅欽科的這組照片的兩個層次：“firstly for their new aesthetics-the famous Rodchenko perspective-secondly for their film-like sequencing.” 反正就是不正著拍。。“his abandonment of painting was instigated by Productivism's rejection of objects created for aesthetic contemplation in favour of things produced for everyday use."
评分羅欽科拍攝的莫斯科影集。羅欽科的這組照片的兩個層次：“firstly for their new aesthetics-the famous Rodchenko perspective-secondly for their film-like sequencing.” 反正就是不正著拍。。“his abandonment of painting was instigated by Productivism's rejection of objects created for aesthetic contemplation in favour of things produced for everyday use."
评分羅欽科拍攝的莫斯科影集。羅欽科的這組照片的兩個層次：“firstly for their new aesthetics-the famous Rodchenko perspective-secondly for their film-like sequencing.” 反正就是不正著拍。。“his abandonment of painting was instigated by Productivism's rejection of objects created for aesthetic contemplation in favour of things produced for everyday use."
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