Poems by the author of "Elegy, "Winner of the National Book Critics Circle Award in Poetry "The goblet mouth on the table speaks To your thirst, saying, Longing, your longing, is infinite." -from "H Is Here Is a Song, Now Sing" In her sixth collection, "The Bride of E," Mary Jo Bang uses a distinctive mix of humor and directness to sound the deepest sort of anguish: the existential condition. Timeless yet tirelessly inventive, Bang fashions her examination of the lived life into an abecedarius that is as rapturous in its language and music as it is affecting in its awareness of--and yearning for--what isn't there. The title of the first poem, "ABC Plus E: Cosmic Aloneness Is the Bride of Existence," posits the collection's central problem, and a symposium of figures from every register of our culture (from Plato to Pee-wee Herman, Mickey Mouse to Sartre) is assembled to help confront it. Riddled with insight, pathos, and wit, "The Bride of E" is a brilliant new work by one the most compelling poets of our time. Mary Jo Bang is the author of five previous books of poetry, including "Louise in Love," "The Eye Like a Strange Balloon," and "Elegy," which won the 2007 National Book Critics Circle Award in Poetry and was named a 2008 "New York Times" Notable Book. She lives in St. Louis, Missouri, where she is a Professor of English and teaches in the Creative Writing Program at Washington University. In her sixth collection, "The Bride of E," Mary Jo Bang uses a distinctive mix of humor and directness to sound the deepest sort of anguish: the existential condition. Timeless yet tirelessly inventive, Bang fashions her examination of the lived life into an abecedarius that is as rapturous in its language and music as it is affecting in its awareness of--and yearning for--what isn't there. The title of the first poem, "ABC Plus E: Cosmic Aloneness Is the Bride of Existence," posits the collection's central problem, and a symposium of figures from every register of our culture (from Plato to Pee-wee Herman, Mickey Mouse to Sartre) is assembled to help confront it. Riddled with insight, pathos, and wit, "The Bride of E" is a brilliant new work by one the most compelling poets of our time. "In her follow-up to the National Book Critics Circle Award-winning "Elegy," Bang is up to some of her old tricks again, but the previous collection's tour of a loss-inflected world has also taught her some new ones. The book takes the alphabet as its jumping-off point, with one or more poems titled for each letter ('A Equals All of a Sudden, ' 'Beast Brutality, ' etc.) Here again are Bang's quirky poetic leaps '"In another corner, Freud says, Yes/ In the dark of primitive desire means yes/ Forever'), but somehow they are more foreboding than before, the wild associations of a haunted mind: 'The note rises from something awful./ A woman in a jam. Train wreck of crumpled cars.' Poems vamp on literature, fables, fairy tales, pop culture icons (like Cher) and shards of a lost childhood world. One poem rewrites Poe's most famous work ('Her name is Lenore Nevermore'), while 'B is for Beckett' sums up the Nobel laureate's work in one line: 'There is so little to say.' The book concludes with a short series of prose pieces that flirt with memoir. This book bridges a gap between an experimental tradition in American poetry and an older high lyric tradition. This is some of Bang's best writing, and one of the most exciting books of the year."--"Publishers Weekly"
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最近读完的这本奇幻史诗——《风暴之心的炼金术士》——简直是一部结构精妙的文学万花筒。它成功地打破了传统奇幻作品中常见的“光明对抗黑暗”的二元对立,转而探讨了灰色地带的复杂性。故事设定在一个元素力量与机械文明激烈冲突的架空世界,主角的身份定位非常有趣:他既是掌握古老炼金术的守护者,又是一个对工业化进程充满好奇的叛逆者。我发现,作者在构建世界观时,没有采用大段的背景介绍,而是通过角色的日常遭遇和对当地风俗的描绘,自然而然地将读者“拉入”这个世界。特别是关于“灵魂铸造”这一炼金术分支的设定,既有科学的严谨感,又保留了魔法的浪漫与禁忌。书中对宏大战争场面的描写,不同于一般的快速剪辑,而是侧重于个体士兵在面对元素洪流时的心理冲击,这种微观视角的运用,极大地增强了代入感和情感的重量。读完后,我立刻有冲动去翻阅前几章,看看自己是否错过了哪些关于某个晦涩符文的早期伏笔。这是一部值得反复品味的厚重之作,充满了智慧与想象力的火花。
评分这本新近读到的作品,名为《夜莺与迷雾之歌》,实在是一次令人惊艳的文学探险。作者的叙事功力深不可测,仿佛手中握着一把精巧的刻刀,在命运的画布上雕刻出那些纠结、晦暗却又充满人性光辉的群像。故事的主线围绕着一座被历史遗忘的北方小镇展开,那里的居民似乎被一层永恒的薄雾笼罩着,他们的秘密、他们的恐惧,都随着海风一同在空气中凝结。我尤其欣赏作者处理时间线的方式,时而如潺潺溪流般平缓地推进,时而又像决堤的洪水般猛烈地将过去与现在交织在一起,迫使读者不断地回溯、重组信息,以期拼凑出事件的全貌。人物的塑造更是细腻入微,即便是那个只出现寥寥数语的码头工人,其眼神中的沧桑和对故乡的眷恋,都跃然纸上,活生生地存在于读者的脑海中。书中对环境氛围的营造达到了令人窒息的程度,那种湿冷、带着咸腥味的海风似乎真的能透过书页渗透出来,让人在阅读时不禁想裹紧身上的衣物。它探讨的主题宏大而深刻,关乎救赎、记忆的不可靠性,以及个体在历史洪流面前的渺小与挣扎。读完之后,久久不能平静,需要时间去消化那些复杂的情感和隐晦的象征意义。这绝对不是一本可以轻松消遣的作品,它要求你全身心的投入,并准备好被它沉重的美丽所吞噬。
评分说实话,拿到这本《星轨下的窃语者》时,我本来没抱太大期望,以为又是一部情节老套的科幻小说。谁知,一旦翻开第一页,我就被那种近乎哲学思辨的叙事风格牢牢吸住了。这本书的精彩之处,并不在于它描绘了多么宏大的宇宙战争或者多么先进的技术奇迹,而在于它如何深入剖析了“意识”与“真实”的边界。作者构建了一个极具想象力的未来社会模型,在这个社会里,信息被无限量地复制和篡改,个体身份的确定性成了一个奢侈品。我最喜欢的是其中关于“失落的语言”那几章,描述了一群试图重建已灭绝文明的学者,他们追寻的不仅仅是词汇,更是那种特定文明看待世界的方式。这种对知识本质的追问,让整本书的格调一下子拔高了。文字的密度非常高,没有一句废话,每一个词汇都像是经过精密计算后才放置在那里的。我甚至需要时不时停下来,查阅一下作者在脚注中提及的那些虚构的物理定律和历史事件,才能跟上其逻辑的飞速运转。对于那些寻求智力挑战,并对人类存在意义抱有深刻好奇心的读者来说,这本书无疑是一剂强效的阅读兴奋剂,它会让你怀疑自己所处世界的坚固性。
评分我很少对一部推理小说产生如此强烈的“代入感”,《铁玫瑰的遗产》做到了这一点。它不是那种专注于展示高超逻辑推理过程的传统“密室诡计”流派,而是将重点放在了动机的层层剥开和家族历史的阴影上。故事发生在一栋位于阿卡迪亚山脉深处的古老庄园里,庄园的继承人和随之而来的死亡事件,像一个慢性毒药一样,慢慢地腐蚀着所有在场者的理智与道德。作者的叙事节奏把握得极佳,初看平淡无奇,像是老式的家族传记,但随着一个个被掩盖的秘密浮出水面,那种渗透骨髓的寒意和紧张感便油然而生。尤其值得称赞的是对“沉默”的处理,很多关键信息并非通过对话而是通过人物之间眼神的交汇、肢体语言的微小僵硬来传递,这使得阅读过程充满了悬念和解读的乐趣。我几乎可以想象出那些老旧的壁炉、厚重的窗帘,以及在烛光下闪烁着警惕光芒的眼睛。这本书成功地证明了,最引人入胜的谜团,往往不是谁做了什么,而是为什么。它是一部关于人性弱点、贪婪和被扭曲的爱的复杂颂歌。
评分我必须得说,很少有一本书能像《时间旅行者的手稿残页》这样,在阅读体验上如此具有实验性和挑战性。它的叙事结构是极其破碎的,与其说它是一个完整的故事,不如说它是一系列互相关联的碎片,仿佛真的从历史的尘埃中偶然发现的文献集。作者完全摒弃了线性的叙事,章节的顺序似乎是随机的,充满了时间跳跃,让你感觉自己像一个在时间迷宫中摸索的考古学家。这种阅读方式对读者的专注度要求极高,你必须时刻准备好适应叙事声音的突然转变——前一页还是官方的档案记录,下一页可能就变成了一封私人情书,再下一页则是一段模糊不清的学术辩论。然而,正是这种看似混乱的拼凑,最终构建出了一个关于“永恒”与“遗忘”的震撼画面。它迫使你主动去寻找那些隐藏在时间裂缝中的主题关联和人物命运的交汇点。这本书的文字本身也充满了诗意和古典的韵味,即使在描述最冰冷的科学概念时,也带着一种迷人的抒情色彩。我极力推荐给那些厌倦了传统故事结构的读者,准备好迎接一场需要你动用全部脑力的智力盛宴吧。
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