Winner of the 1990 Tony Award and Outer Critics Circle Award. A powerful and deeply affecting stage version of one of the masterpieces of American literature. Holding to the simplicity and directness of the original novel, the play uses the sparest of technical means to convey its timeless message of the persistence and strength of the human spirit as it battles against the adversities of nature and an uncaring society.
No writer is more quintessentially American than John Steinbeck. Born in 1902 in Salinas, California, Steinbeck attended Stanford University before working at a series of mostly blue-collar jobs and embarking on his literary career. Profoundly committed to social progress, he used his writing to raise issues of labor exploitation and the plight of the common man, penning some of the greatest American novels of the twentieth century and winning such prestigious awards as the Pulitzer Prize and the National Book Award. He received the Nobel Prize in 1962, "for his realistic and imaginative writings, combining as they do sympathetic humour and keen social perception." Today, more than thirty years after his death, he remains one of America's greatest writers and cultural figures.
Biography
John Ernst Steinbeck, Nobel and Pulitzer Prize winner, was born in Salinas, California February 27, 1902. His father, John Steinbeck, served as Monterey County Treasurer for many years. His mother, Olive Hamilton, was a former schoolteacher who developed in him a love of literature. Young Steinbeck came to know the Salinas Valley well, working as a hired hand on nearby ranches in Monterey County. In 1919, he graduated from Salinas High School as president of his class and entered Stanford University majoring in English. Stanford did not claim his undivided attention. During this time he attended only sporadically while working at a variety jobs including on with the Big Sur highway project, and one at Spreckels Sugar Company near Salinas.
Steinbeck left Stanford permanently in 1925 to pursue a career in writing in New York City. He was unsuccessful and returned, disappointed, to California the following year. Though his first novel, Cup of Gold, was published in 1929, it attracted little literary attention. Two subsequent novels, The Pastures of Heaven and To A God Unknown, met the same fate.
After moving to the Monterey Peninsula in 1930, Steinbeck and his new wife, Carol Henning, made their home in Pacific Grove. Here, not far from famed Cannery Row, heart of the California sardine industry, Steinbeck found material he would later use for two more works, Tortilla Flat and Cannery Row.
With Tortilla Flat (1935), Steinbeck's career took a decidedly positive turn, receiving the California Commonwealth Club's Gold Medal. He felt encouraged to continue writing, relying on extensive research and personal observation of the human drama for his stories. In 1937, Of Mice and Men was published. Two years later, the novel was produced on Broadway and made into a movie. In 1940, Steinbeck won the Pulitzer Prize for fiction for Grapes of Wrath, bringing to public attention the plight of dispossessed farmers.
After Steinbeck and Henning divorced in 1942, he married Gwyndolyn Conger. The couple moved to New York City and had two sons, Thomas and two years later, John. During the war years, Steinbeck served as a war correspondent for the New York Herald Tribune. Some of his dispatches reappeared in Once There Was A War. In 1945, Steinbeck published Cannery Row and continued to write prolifically, producing plays, short stories and film scripts. In 1950, he married Elaine Anderson Scott and they remained together until his death.
Steinbeck received the Nobel Prize for Literature in 1962 "...for his realistic as well as imaginative writings, distinguished by a sympathetic humor and keen social perception.." In his acceptance speech, Steinbeck summarized what he sought to achieve through his works:
"...Literature is as old as speech. It grew out of human need for it and it has not changed except to become more needed. The skalds, the bards, the writers are not separate and exclusive. From the beginning, their functions, their duties, their responsibilities have been decreed by our species...Further more, the writer is delegated to declare and to celebrate man's proven capacity of greatness of heart and spirit—gallantry in defeat, for courage, compassion and love. In the endless war against weakness and despair, these are the bright rally flags of hope and emulation. I hold that a writer who does not passionately believe in the perfectibility of man has no dedication nor any membership in literature..."
Steinbeck remained a private person, shunning publicity and moving frequently in his search for privacy. He died on December 20, 1968 in New York City, where he and his family made a home. But his final resting place was the valley he had written about with such passion. At his request, his ashes were interred in the Garden of Memories cemetery in Salinas. He is survived by his son, Thomas.
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老实说,一开始阅读时,我差点被那些冗长而富有地域色彩的描述给绊倒,那些关于拖拉机引擎的轰鸣声、尘土飞扬的公路景象,乍看之下似乎有些过于写实以至于显得沉闷。但坚持读下去后,我发现正是这些看似繁琐的细节,构建了一个无比真实且令人信服的世界。作者的叙事节奏把握得极其老道,在描绘外部环境的残酷与宏大叙事的同时,他从未忘记将镜头聚焦于人物内心最微小的波动。我特别欣赏他塑造的那些配角,他们或许只是匆匆出现,但每一个都有其鲜明的个性和深刻的背景故事。比如那位充满智慧和坚韧的母亲形象,她在整个群体中起到的精神支柱作用,是那种无声胜有声的力量。阅读过程中,我感觉自己仿佛成了这场迁徙中的一员,呼吸着同样的尘土,忍受着同样的饥饿,那种强烈的代入感,让我对文学的力量有了全新的认识。这本书的伟大,在于它将社会批判融入到每一个角色的呼吸之中,让读者在情感共鸣中完成对历史的深刻反思。
评分这本书的结构安排堪称一绝,那种史诗般的宏大叙事与个体命运的悲怆交织在一起,形成了一种独特的张力。我尤其注意到作者在穿插不同视角和场景切换上的高明之处。有时候,情节会突然从聚焦于某位人物的内心挣扎,跳跃到对整个社会现象的深刻剖析,这种叙事上的腾挪闪转,使得故事的层次感大大增强。读到那些关于集体行动和互助精神的段落时,我内心涌起一股暖流。尽管环境极度恶劣,人与人之间的基本善意和团结的力量,却像黑暗中的萤火虫一样,微弱却坚定地闪烁着。然而,这种光明也常常伴随着更深的绝望,比如对不公制度的无力反抗,那种被体制无情碾压的感觉,让人读来扼腕叹息。这本书的对话也极为传神,充满了那个时代特有的朴实和力量,简单几句交锋,便能勾勒出人物复杂的处境和立场。它更像是一部时代的编年史,用文学的语言记录下了那些被历史洪流冲刷的普通人的声音。
评分初读此书,我首先被其强烈的道德感和对社会不公的愤怒所震撼。作者对于财富分配的极度不均,对于资本家冷酷无情的刻画,简直是教科书级别的批判。这种批判并非空洞的口号,而是通过一系列令人心碎的具体事件层层推进,让你无法逃避。我常常在阅读时感到一种义愤填膺,那种想要站出来为书中受压迫者说话的冲动,几乎要突破书页的限制。同时,书中对“家”这个概念的探讨也极其深刻。在颠沛流离的过程中,“家”不再是固定的物理空间,而是一种维系在亲人之间的精神纽带,一种即便身无分文也要守护住的尊严和希望的集合体。正是这种对核心价值的坚守,使得人物的形象立体而饱满,而不是沦为一味受苦的符号。这部作品的后劲极大,合上书本后,那些关于生存的本质、人性的底线以及我们应该如何对待同类的思考,会持续地在脑海中发酵,让人久久不能释怀。
评分这本书的语言风格充满了原始而粗犷的力量,读起来有一种泥土的芬芳和汗水的咸涩味。我特别喜欢作者那种近乎史诗般的叙事腔调,它赋予了这些底层人民的苦难一种崇高的意味,让他们不再是社会边缘的微不足道的存在,而是承载着人类共同命运的英雄群像。情节的高潮部分处理得尤其精妙,充满了戏剧性的张力,但又始终保持着一种克制和真实,没有丝毫的矫揉造作。它让你体验到生活的残酷,但同时也让你看到,在最绝望的境地下,人类精神中那种近乎本能的生命力是何等顽强。我感受到了一种强烈的共鸣,那是对任何形式的压迫和剥削的本能反抗。这本书的魅力在于,它不仅记录了历史,更激发了读者内心深处对正义、对尊严的渴望。读完后,我感觉自己对现实世界的理解又增添了一层厚重而深刻的底色。
评分这本小说简直是一场直击灵魂的旅程,让人在字里行间感受到那种深入骨髓的挣扎与坚韧。作者的笔触细腻得像是能触摸到俄克拉荷马州干裂的土地,每一寸文字都浸透着希望的微光和绝望的阴影。我读到主人公一家人踏上那条充满未知和恐惧的道路时,心头那种沉甸甸的感觉,简直无法用言语形容。他们为了生存,为了一个传说中更美好的加州,付出了难以想象的代价。那种被命运无情驱赶,却又凭借着血脉相连的亲情和一股不服输的劲头,一步步向前挪动的画面感太强了。尤其是描绘他们到达目的地后所遭遇的现实,简直令人心寒。那种被剥削、被歧视、尊严被践踏的痛苦,让我深刻体会到何谓“人在异乡为异客”。它不仅仅是一个家庭的故事,更像是那个时代无数底层人民命运的缩影,那种无声的呐喊和对公道的渴求,久久地回荡在我的脑海中,久久不能平息。这本书的深度,在于它没有提供廉价的安慰,而是赤裸裸地展现了人性的复杂与光辉。
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