The Hereford Map

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出版者:Brepols
作者:Westrem, Scott D.
出品人:
页数:476
译者:
出版时间:2001
价格:Eur 95.00
装帧:Hardcover
isbn号码:9782503510569
丛书系列:
图书标签:
  • 地图
  • 中世纪
  • 历史
  • 英国
  • 赫福德
  • 中世纪地图学
  • 手稿
  • 地理
  • 文化遗产
  • 艺术
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具体描述

Because of its thorough examination of all aspects of the Hereford Map, this book is a tribute to the richest, most complicated surviving example of medieval cartography, as well as an essential tool about medieval culture.

The Hereford Map, a depiction of the inhabited world drawn around 1300, is among the largest surviving examples of medieval mappamundi. It measures 1.59 meters by ca. 1.30 meters (52 1/2 inches by c. 52 inches). On it appear some 1,091 inscriptions, or legends; most of these are placed adjacent to a painted figure of what they identify. They range from simple place-names to long descriptions containing historical, ethnographical, theological and zoological information. The book's introduction offers essential background on the Map's history, sources, and scholarship. Particularly important is an explanation of its close relationship to a text recently discovered - Expositio mappe mundi - a work most composed a century before the Map was made. Right-facing pages contain, for each legend: (1) an exact line-for-line transcription, (2) an edited version of this transcription, and (3) an English translation. Left-facing pages offer commentary on each legend, giving information about its literary and cartographical source, the item it identifies, and textual problems. Included in the book is a color illustration of the entire Map (approximately 40% of its actual size), as well as detail photographs, taken in January 2001 under special conditions, enabling readers to see each legend precisely, as well as to locate all transcribed and translated text. Because of its thorough examination of all aspects of the Map, this book is a tribute to the richest, most complicated surviving example of medieval cartography, as well as an essential tool about medieval culture. giving information about its literary and cartographical source, the item it identifies, and textual problems. Included in the book is a color illustration of the entire Map (approximately 40% of its actual size), as well as detail photographs, taken in January 2001 under special conditions, enabling readers to see each legend precisely, as well as to locate all transcribed and translated text. Because of its thorough examination of all aspects of the Map, this book is a tribute to the richest, most complicated surviving example of medieval cartography, as well as an essential tool about medieval culture. giving information about its literary and cartographical source, the item it identifies, and textual problems. Included in the book is a color illustration of the entire Map (approximately 40% of its actual size), as well as detail photographs, taken in January 2001 under special conditions, enabling readers to see each legend precisely, as well as to locate all transcribed and translated text. Because of its thorough examination of all aspects of the Map, this book is a tribute to the richest, most complicated surviving example of medieval cartography, as well as an essential tool about medieval culture. taken in January 2001 under special conditions, enabling readers to see each legend precisely, as well as to locate all transcribed and translated text. Because of its thorough examination of all aspects of the Map, this book is a tribute to the richest, most complicated surviving example of medieval cartography, as well as an essential tool about medieval culture. taken in January 2001 under special conditions, enabling readers to see each legend precisely, as well as to locate all transcribed and translated text. Because of its thorough examination of all aspects of the Map, this book is a tribute to the richest, most complicated surviving example of medieval cartography, as well as an essential tool about medieval culture.

The Hereford map, drawn around 1300, is one of the largest preserved specimens of the genus of mappae mundi. It measures 1.59 x 1.30 m and contains more than a thousand legends and a large number of painted images. These legends range from simple toponyms to long descriptions containing information of all kinds. The introduction to the book provides essential elements relating to the history of the map, its sources and the studies devoted to it. Attention is drawn in particular to the close relations it maintains with a recently discovered text (Expositio mappe mundi), composed a century before the map was drawn up. The right pages give, for each legend, a diplomatic transcription, an edition and a translation in English. The left pages offer a detailed commentary giving information on the sources, the object identified, any textual problems. The book also contains an abundant illustration: a color reproduction (about 40% of its size), and photographs of details taken in January 2001 in privileged conditions, allowing the reader to locate and read all the transcribed and translated texts. . Thanks to an in-depth examination of all aspects of the map, this book is a tribute to the richest specimen of medieval cartography, as well as an essential working tool on the culture of the Middle Ages as a whole. a color reproduction (approximately 40% of its size), and photographs of details taken in January 2001 under privileged conditions, allowing the reader to locate and read all the transcribed and translated texts. Thanks to an in-depth examination of all aspects of the map, this book is a tribute to the richest specimen of medieval cartography, as well as an essential working tool on the culture of the Middle Ages as a whole. a color reproduction (approximately 40% of its size), and photographs of details taken in January 2001 under privileged conditions, allowing the reader to locate and read all the transcribed and translated texts. Thanks to an in-depth examination of all aspects of the map, this book is a tribute to the richest specimen of medieval cartography, as well as an essential working tool on the culture of the Middle Ages as a whole.

远古的低语:欧亚大陆文明交汇的史诗 作者: 亚瑟·温特沃斯(Arthur Wentworth) 出版社: 银泉出版社 (Silverstream Press) 装帧: 精装,附插图与地图集 页数: 850 页 --- 内容简介: 《远古的低语:欧亚大陆文明交汇的史诗》并非一部简单的历史编年史,而是一幅用文字精心勾勒出的宏大画卷,它聚焦于公元前五千年至公元初年,欧亚大陆腹地与边缘地带之间那些复杂而深刻的互动网络。本书的核心在于探索那些塑造了我们今天所知的世界的早期迁徙、技术扩散、信仰传播以及帝国兴衰背后的隐秘驱动力。温特沃斯教授以其深厚的考古学和古代语言学功底,将分散在泥板、碑文、口述传统和地质记录中的碎片信息,重新编织成一个连贯且充满张力的叙事。 全书分为四个相互关联的宏大篇章,层层递进,揭示了不同文明间如何相互影响,最终铸就了人类历史的复杂底色。 --- 第一部:青铜时代的黎明与草原的牧歌 (The Dawn of Bronze and the Pastoral Rhapsody) 本篇深入考察了青铜时代早期,从安纳托利亚高原到黄河中游地区,冶金技术扩散的路径与机制。温特沃斯教授挑战了传统的“单一中心起源”理论,提出了一系列并行且相互影响的技术“热点”。重点分析了乌拉尔山脉南部与里海草原上游牧文化(如亚马尼亚文化群)的扩张,并非简单的军事征服,而是一种由气候变化驱动的、伴随着驯化动物和马匹传播而产生的社会结构变革。 书中详尽分析了早期印欧语系语言的扩散模型,通过对古老神话和祭祀仪式的比较分析,重构了早期游牧民族的精神世界——他们对“天父”和“献祭”概念的共通理解,如何在数千年间被不同地域的文化所吸收和改造。例如,书中特别探讨了伊朗高原东部与印度河流域早期定居文明在贸易路线上的交集,以及这些交集如何催生了早期的文字雏形与复杂的社会分工。对于早期丝绸之路的先声——玉石和青铜器贸易网络的考察,揭示了即使在没有成熟帝国统治的时代,远距离的经济联系也已是常态。 --- 第二部:帝国初现:美索不达米亚与东方的权力结构 (First Empires: Mesopotamia and the Structures of the East) 随着文明的成熟,权力结构开始集中,本篇聚焦于近东、印度河谷以及中国早期王朝对周边环境的塑造力。温特沃斯着重比较了苏美尔城邦的官僚体系与古埃及法老制的异同,特别是他们如何通过对水利工程的控制来巩固统治,以及这种“水权政治”如何影响了周边小部落的依附或反抗模式。 本书的亮点之一是对“王权神授”概念的跨文化追踪。作者详细比对了巴比伦的汉谟拉比法典中所体现的“天命”观念与周初的“天命靡常”思想。通过对比古代法律文书和宗教文本,揭示了这些概念在面对外部压力(如赫梯人的铁器技术冲击或印度河文明的内部衰退)时,其适应性和僵化程度的差异。 在本篇的后半部分,叙事转向东方,考察了黄河文明在夏商周三代的扩张边界。书中通过对中原青铜礼器的风格分析,论证了其对长江流域和西南地区的文化渗透,并非单纯的军事压倒,而是伴随着对礼仪制度、祖先崇拜的输出,形成了一种具有强大内聚力的“文化磁场”。对于游牧与农耕文明在长城地带的持续博弈,也被视为一种长期的、相互塑造的动态过程,而非简单的冲突。 --- 第三部:铁与火的时代:地中海的崛起与中亚的枢纽 (Iron and Fire: The Mediterranean Ascendancy and the Central Asian Nexus) 公元前一千年,铁器的普及彻底改变了战争形态和社会结构。本篇将焦点投向了地中海东岸的腓尼基人、希腊城邦的殖民浪潮,以及中亚地区作为东西方交流核心地位的确立。 温特沃斯对腓尼基字母的传播给予了特别的关注,阐述了这种简洁的记录系统如何在商业贸易的驱动下,迅速取代了复杂的楔形文字和象形文字,成为地中海世界通行的“商业语言”。同时,书中探讨了希腊城邦的民主实验及其向外输出的哲学思想,如何与东方既有的、基于血缘和神权的权力结构发生碰撞与融合。 在中亚部分,作者极具洞察力地描述了波斯阿契美尼德王朝的“道路与驿站系统”对古代世界信息流和物资流的革命性影响。通过对萨卡人和斯基泰人骑射文化的精细考察,揭示了他们如何成为波斯帝国与远方中国之间不可或缺的中间人,掌握着连接不同世界观和物质财富的关键节点。本书认为,中亚的“枢纽”地位,远早于丝绸之路正式开通,就已经通过一系列次级贸易链条奠定了基础。 --- 第四部:文明的张力与交融的遗产 (Tensions and the Legacy of Synthesis) 最后一卷聚焦于古典时代的终结与新时代的酝酿。本篇对比了亚历山大大帝东征的文化遗产及其在巴克特里亚地区的“希腊化”残留,与秦汉帝国在东方的统一和制度固化。 作者认为,亚历山大的遗产是一种“混合文化”的实验场,其影响并非仅限于艺术和建筑,更体现在对印度佛教哲学的启发上。通过对犍陀罗艺术的深入分析,书中展示了希腊雕塑技法如何被用于塑造佛陀的形象,这是人类历史上一次深刻的视觉与精神的嫁接。 在东方,本书对秦汉帝国如何继承和系统化了战国以来的制度创新——特别是中央集权、郡县制和统一文字的成就——进行了细致的梳理。温特沃斯强调,汉朝的“和亲”政策和对西域的经营,本质上是在回应北方游牧民族持续的军事压力和对更稳定贸易关系的渴求。这种对内巩固与对外联系的辩证统一,构成了东亚文明的核心动力。 《远古的低语》最终结论指出,人类历史并非由孤立的伟大文明线性发展而成,而是一部由不断流动、碰撞、吸收和再创造组成的“欧亚大交响乐”。正是这些跨越山脉、穿越沙漠的低语与回响,共同铺设了通往现代世界的历史阶梯。本书为读者提供了一种宏大、细致且极具说服力的视角,去理解我们共享的远古遗产。

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这部作品的结构布局,乍看起来是线性展开的,但其中穿插了大量回溯和前瞻性的叙事片段,这种时空交错的处理,让整个故事的张力保持在了一个非常高的水准。作者对于时间概念的把控堪称大师级,他能在不让读者感到迷失的前提下,灵活地在过去与现在之间跳跃,每一个时间点的切换都服务于揭示更深层次的因果关系。我特别欣赏他如何利用这种非线性叙事来悬置关键信息,使得每一个转折点都显得是那么的自然而然,却又出乎意料。我有一种预感,等到全书读完,那些看似零散的片段一定会汇聚成一幅无比清晰、令人震撼的全景图。这种对叙事骨架的精妙雕琢,显示出作者高超的文学功底和对故事节奏的精准拿捏。

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从我目前翻阅到的章节来看,作者对于背景世界的构建,展现出了近乎偏执的细致。他似乎不仅仅是在讲述一个故事,更像是在绘制一张详尽的地理文化草图。无论是对某一地区气候的描写,还是对某个特定时代服饰纹样的描述,都透露出经过大量考据的痕迹。比如,他对某类传统节日中祭品的详细列举,那种详尽到近乎食谱的程度,让我不禁感叹,这背后必然是作者付出了数年心血进行田野调查的成果。这种“百科全书式”的写作倾向,虽然偶尔会打断叙事的流畅性,但却极大地增强了故事的真实可信度。它不是凭空捏造的奇幻,而是建立在一个逻辑严密、细节丰富的虚拟“现实”之上的。我期待着作者如何将这些细枝末节编织进宏大的主线叙事中去。

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这本书的封面设计简直是一场视觉的盛宴,那种厚重的羊皮纸质感,配上古朴的字体,瞬间就将我拉入了一个充满神秘色彩的旧日世界。我拿到手的时候,甚至有些爱不释手,那种触摸带来的历史的厚重感,是现在许多轻薄书籍无法比拟的。光是翻开扉页,那精美的插图和手绘的边饰,就足以让人驻足良久,仔细揣摩每一个细节。虽然我还没有完全沉浸在故事的主线中,但仅凭这装帧和排版,我就能感受到出版方在制作上投入的巨大心力,这不仅仅是一本书,更像是一件可以收藏的艺术品。书页边缘微微泛黄的处理,恰到好处地营造出一种“出土文物”的氛围,让我对即将展开的阅读旅程充满了敬畏和期待。我甚至开始想象,那些描绘的场景,如果能做成立体的展示,该是何等的壮观。

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这本书的语言风格,乍看之下颇有些晦涩,但细细品味后,却发现其中蕴含着一种古老的韵律感。作者似乎非常钟爱使用那些已经被现代口语淘汰的词汇和句式,这使得阅读过程更像是在解码一段被尘封的史诗。每一个长句的结构都极其复杂,层层递进,仿佛一条蜿蜒曲折的小溪,必须耐下性子才能跟上它的流向。有那么几次,我不得不停下来,默默地在脑海中重新组织句子的主干,以确保没有遗漏任何微妙的语气转折。这种阅读体验,非常考验读者的专注力,但回报也是丰厚的——它强迫你慢下来,真正地去“听”作者的声音,而不是像浏览快餐信息那样肤浅地滑过。我个人认为,这种对文字本身的敬重,使得整部作品散发出一种沉静而有力的知识气息,远非那种追求即时快感的作品可比。

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这本书带给我的情绪波动是极其微妙且深远的,它不像那些直白的惊悚小说能带来瞬间的刺激,而是像冬日里缓慢升温的炉火,逐渐渗透进你的骨子里。我发现在阅读的间隙,我常常会陷入一种若有所思的状态,脑海中不断地回放着某些场景或某句富有哲理的对话。它很少直接给出答案,而是设置了一个又一个的悖论或道德困境,让你自己去挣扎和权衡。这种“留白”的艺术处理,非常高明。它避免了将复杂的议题简单化,使得每一个角色和事件都有了多重解读的可能性。可以说,这本书更像是一面镜子,映照出的是读者自身对世界运行规则的理解和局限。我必须承认,读完一章后,我需要更长的时间来“消化”它所带来的思想冲击。

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