Albert Renger-Patzsch has often been described as one of the pioneers of 20th-century German photography, focusing on objects and the material world. As a protagonist of the movement that came to be known as Neue Sachlichkeit (new objectivity), he wanted to record the exact appearance of objects - their form, material and surface. Believing that the photographer should strive to capture "the essence of the object", he called for documentation rather than art. This book contains the "Icons of New Objectivity" series - the still lifes of Jena glassware, rows of flatirons at a shoe factory, industrial objects - and also Renger-Patzsch's lesser known photographs of landscapes, architecture, urban scenes and studies of trees and stones. The book also contains a biography, critical commentary and selected writings of Renger-Patzsch in English.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
大量的綫條和圖形，我喜歡Albert對細節的探索，特彆是植物的部分，感覺很柔軟但看久瞭也讓人頭皮發麻，真有魔力。
评分就說帕奇好多照片就是後來的景觀攝影麼，看瞭下纔知道原來是德國新客觀影響到後來的新地形…
评分大量的綫條和圖形，我喜歡Albert對細節的探索，特彆是植物的部分，感覺很柔軟但看久瞭也讓人頭皮發麻，真有魔力。
评分就說帕奇好多照片就是後來的景觀攝影麼，看瞭下纔知道原來是德國新客觀影響到後來的新地形…
评分就說帕奇好多照片就是後來的景觀攝影麼，看瞭下纔知道原來是德國新客觀影響到後來的新地形…
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