What Color is the Sacred?

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Michael Taussig is 1933 Professor of Anthropology at Columbia University, USA, and is affiliated with the European Graduate School in Switzerland.

出版者:University of Chicago Press
作者:Michael Taussig
出品人:
页数:304
译者:
出版时间:2009-5
价格:GBP 61.00
装帧:Hardcover
isbn号码:9780226790053
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图书标签:
  • anthropology 
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Over the past thirty years, visionary anthropologist Michael Taussig has crafted a highly distinctive body of work. Playful, enthralling, and whip-smart, his writing makes ingenious connections between ideas, thinkers, and things. An extended meditation on the mysteries of color and the fascination they provoke, What Color Is the Sacred? is the next step on Taussig’s remarkable intellectual path.

Following his interest in magic and surrealism, his earlier work on mimesis, and his recent discussion of heat, gold, and cocaine in My Cocaine Museum,this book uses color to explore further dimensions of what Taussig calls “the bodily unconscious” in an age of global warming. Drawing on classic ethnography as well as the work of Benjamin, Burroughs, and Proust, he takes up the notion that color invites the viewer into images and into the world. Yet, as Taussig makes clear, color has a history—a manifestly colonial history rooted in the West’s discomfort with color, especially bright color, and its associations with the so-called primitive. He begins by noting Goethe’s belief that Europeans are physically averse to vivid color while the uncivilized revel in it, which prompts Taussig to reconsider colonialism as a tension between chromophobes and chromophiliacs. And he ends with the strange story of coal, which, he argues, displaced colonial color by giving birth to synthetic colors, organic chemistry, and IG Farben, the giant chemical corporation behind the Third Reich.

Nietzsche once wrote, “So far, all that has given colour to existence still lacks a history.” With What Color Is the Sacred? Taussig has taken up that challenge with all the radiant intelligence and inspiration we’ve come to expect from him.

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工作日午睡醒来,靠在窗边借着日光,翻看作者对颜色历史细细剖析,挺像那么回事的。 对某种颜色的偏好,应该是天生的,比如蓝色之于我。 - 颜色与性别 当代人眼中的颜色与性别的搭配模式,应该是战后物资短缺,出于快速推广的压力才展开的。比如红色和蓝色,并不一定对应女性和...

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工作日午睡醒来,靠在窗边借着日光,翻看作者对颜色历史细细剖析,挺像那么回事的。 对某种颜色的偏好,应该是天生的,比如蓝色之于我。 - 颜色与性别 当代人眼中的颜色与性别的搭配模式,应该是战后物资短缺,出于快速推广的压力才展开的。比如红色和蓝色,并不一定对应女性和...

评分

工作日午睡醒来,靠在窗边借着日光,翻看作者对颜色历史细细剖析,挺像那么回事的。 对某种颜色的偏好,应该是天生的,比如蓝色之于我。 - 颜色与性别 当代人眼中的颜色与性别的搭配模式,应该是战后物资短缺,出于快速推广的压力才展开的。比如红色和蓝色,并不一定对应女性和...

评分

工作日午睡醒来,靠在窗边借着日光,翻看作者对颜色历史细细剖析,挺像那么回事的。 对某种颜色的偏好,应该是天生的,比如蓝色之于我。 - 颜色与性别 当代人眼中的颜色与性别的搭配模式,应该是战后物资短缺,出于快速推广的压力才展开的。比如红色和蓝色,并不一定对应女性和...

评分

工作日午睡醒来,靠在窗边借着日光,翻看作者对颜色历史细细剖析,挺像那么回事的。 对某种颜色的偏好,应该是天生的,比如蓝色之于我。 - 颜色与性别 当代人眼中的颜色与性别的搭配模式,应该是战后物资短缺,出于快速推广的压力才展开的。比如红色和蓝色,并不一定对应女性和...

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