Petrarch in Romantic England

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出版者:
作者:Zuccato, Edoardo
出品人:
页数:256
译者:
出版时间:2008-6
价格:$ 113.00
装帧:
isbn号码:9780230542600
丛书系列:
图书标签:
  • Petrarch
  • Romanticism
  • English Literature
  • Literary Criticism
  • Influence
  • 18th Century
  • 19th Century
  • Poetry
  • Italian Literature
  • Cultural History
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具体描述

The Petrarchan revival in Romantic England was a unique phenomenon which involved an impressive number of scholars, translators and poets. It had no counterpart in any other European nation and it can be compared only to the Petrarchan fashion of the Renaissance. Its effects on poetry, fiction and scholarship were manifold and made themselves felt well into the Victorian age. This book is the first study of the way Petrarch was read and rewritten, in prose and verse, by figures such as Thomas Gray, Sir William Jones, Charlotte Smith, Mary Robinson, and the major Romantics from Wordsworth and Coleridge to Shelley, Keats, L.E.L and Madame de Stael. Petrarch was the main driving force behind the revival of the sonnet and love poetry in the Romantic age, and he must be considered, more than Sappho and Dante, as a primary source of the lyric poetry of our time. 'A superbly researched, highly readable, and ground-breaking book, which provides a valuable new lens for understanding English Romantic poetry. Edoardo Zuccato offers a nuanced view of the way the sonnet tradition in Italian altered the English literary landscape.' - Paula Feldman, University of South Carolina, USA

Petrarch in Romantic England: A New Appraisal The celebrated Italian poet Francesco Petrarca, known to posterity as Petrarch, exerted a profound and multifaceted influence on English literary culture during the Romantic period. Far from being a mere historical curiosity, his intricate sonnets, his passionate humanism, and his enduring image as the archetypal poet deeply resonated with the sensibilities of writers like Wordsworth, Coleridge, Shelley, Keats, and Byron. This study undertakes a comprehensive re-examination of Petrarch's reception and legacy in Romantic England, moving beyond established scholarship to reveal the intricate ways in which his work was absorbed, adapted, and reinterpreted by a generation seeking to forge a new poetic identity. While the direct impact of Petrarchan form on English poetry has long been acknowledged, this book argues for a more nuanced understanding of his influence, extending beyond structural imitation to encompass thematic and philosophical dialogues. We explore how Romantic poets engaged with Petrarch's explorations of love and desire, his introspective meditations on time and mortality, and his fervent embrace of classical antiquity and Christian devotion. The study meticulously traces the pathways of this engagement, examining not only direct borrowings and allusions but also the more subtle ways in which Petrarchan themes and sensibilities informed Romantic conceptions of the self, nature, and the sublime. The book begins by situating Petrarch within the broader landscape of Renaissance humanism and his subsequent dissemination through influential translations and critical commentaries that paved the way for his reception in England. We then delve into the specific reception history of Petrarch's Canzoniere, investigating how its complex portrayal of unrequited love, its psychological depth, and its masterful use of imagery captivated and challenged English poets. The Romantic fascination with the " Petrarchan lover" is examined in detail, exploring how it was both emulated and subverted by poets who sought to express their own unique emotional landscapes. A significant portion of the book is dedicated to exploring the thematic resonances between Petrarch and key Romantic figures. Wordsworth's engagement with Petrarch's profound connection to nature, his sense of solitary contemplation, and his appreciation for the restorative power of the natural world are explored in relation to Petrarch's own meditations on landscape and his profound emotional response to the Italian countryside. Coleridge's philosophical bent and his interest in the workings of the human mind are brought into dialogue with Petrarch's introspective explorations and his development of a highly personal and subjective poetic voice. The poets of the second generation, Shelley and Keats, are also central to this study. Shelley's revolutionary spirit and his idealism are contrasted with and informed by Petrarch's own engagement with political and social ideals, as well as his enduring quest for spiritual truth. Keats's exquisite sensuousness and his meditations on beauty, mortality, and the transience of earthly experience reveal deep connections to Petrarch's enduring themes. We analyze how Keats, in particular, grappled with the Petrarchan legacy, consciously both embracing and seeking to transcend its conventions. Byron's more rebellious and ironic approach to the Petrarchan tradition is also considered, highlighting the diverse ways in which this venerable poet continued to inspire and provoke. Beyond the direct engagement with Petrarch's poetry, the book also examines his influence on Romantic prose writers and critics. The development of literary criticism and the emergence of new modes of biographical and historical inquiry are discussed in relation to the Romantic re-evaluation of Petrarch as a cultural and intellectual figure. We explore how Romantic scholars and essayists interpreted Petrarch's life and work, shaping the very understanding of his significance for their own age. Furthermore, this study investigates the role of visual arts and musical compositions in mediating Petrarch's influence. The emergence of Petrarchan imagery in Romantic painting and illustration, and the musical settings of Petrarchan verse, offer further avenues for understanding the pervasive presence of his legacy. Ultimately, Petrarch in Romantic England: A New Appraisal offers a fresh and compelling perspective on a pivotal moment in literary history. By meticulously charting the complex and often surprising ways in which Petrarch's genius was embraced, interrogated, and transformed, this book illuminates the enduring power of his legacy and its vital contribution to the shaping of Romantic literature and thought. It is a study that will appeal to scholars and students of Romanticism, Renaissance literature, and comparative literature, offering new insights into the intricate dialogues between past and present that define the very essence of literary creation.

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坦率地说,这本书的学术深度和广度是令人震惊的。我原以为这会是一本聚焦于文学细枝末节的“小众”研究,但它所构建的文化地图远超我的预期。作者对于“彼特拉克主义”这个概念的解构,非常精妙地避开了教科书式的定义,而是将其视为一个流动的符号,在不同的英国作家手中产生了异质的意义。举个例子,书中探讨了彼特拉克对“沉思”和“隐居”主题的强调,如何被浪漫主义者转化成了对城市喧嚣的逃离和对田园牧歌式生活的向往,但这并非简单的复制。作者深入分析了当时政治动荡对这种“隐居”态度的影响——它不再仅仅是文学上的矫饰,而带有强烈的政治寓意,是对保守势力的无声抵抗。更值得称赞的是,作者在比较文学的视野上做得非常出色,他不仅将彼特拉克和英国作家进行对比,还巧妙地引入了德国狂飙突进运动(Sturm und Drang)的某些精神内核,来解释为什么英国浪漫主义者会对意大利的文艺复兴人物产生如此强烈的共鸣。这种跨越国界的比较,使得全书的论证逻辑更加严密,避免了文化自恋式的解读。

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这本《Petrarch in Romantic England》的书名乍一看就带着一种古典的韵味,让人不禁联想到19世纪初英国文坛那股浪漫主义的思潮。我拿到书后,第一印象是它的装帧设计,那种厚重的纸张和略带泛黄的书页,仿佛真的带着历史的尘埃。我尤其欣赏作者对时代背景的铺陈,他没有急于跳到彼特拉克本人的影响上,而是花了大量的篇幅去描绘那个特定时期英国知识分子阶层的心态和审美取向。比如,书中对湖区诗人(Lake Poets)如何在新古典主义的残余影响下,逐渐转向对自然、个体情感的深度挖掘,进行了非常细致的梳理。作者似乎很擅长捕捉那些微妙的文化张力——一方面是启蒙时代理性至上的遗产,另一方面是席卷欧洲的、对中世纪神秘主义和个人主观体验的回归。这种铺陈为理解后续彼特拉克元素如何被“挪用”或“重塑”提供了坚实的基石。我感觉作者对当时诗歌评论的引用也相当精准,引用了大量当时不那么为人所知的期刊文章和私人信件,这让整个论述鲜活起来,而不是停留在对拜伦或雪莱的表面解读上。读到此处,我仿佛能闻到那个时代伦敦沙龙里烟草和旧书混合的味道,那种求知若渴又略带感伤的氛围,跃然纸上。

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阅读体验上,这本书的节奏把握得非常到位,尽管它是一部严谨的学术专著,但丝毫没有让人感到枯燥。作者的笔触是极其富有画面感的,尤其是在描绘那些被彼特拉克影响的诗人进行创作时的心境时,简直像在读一篇优美的散文。我特别喜欢书中关于“崇高”(The Sublime)美学如何被彼特拉克的影响所修正的部分。传统上,崇高更多与宏伟的自然景观联系在一起,但作者揭示了浪漫主义者如何将这种“崇高感”内化,将其投射到个体心灵的剧烈波动和对逝去爱人的永恒追忆之中,这正是彼特拉克式哀伤的核心。书中对“Laura”这个形象的分析也极为透彻,她不再是一个单纯的缪斯,而是一个承载了时代集体失落感和理想破灭的载体。作者的语言风格在这里变得愈发诗意,大量的排比和反问,将读者的思绪拉入那种既迷恋又挣扎的复杂情感漩涡中。我感觉自己不是在阅读历史分析,而是在参与一场与伟大灵魂的对话,这种沉浸感是很多同类研究望尘莫及的。

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从整体结构和论证的连贯性来看,这本书的功力是极深的。作者巧妙地将彼特拉克——一个中世纪末期的意大利诗人——与19世纪初的英国“革新者”联系起来,构建了一条清晰的、充满张力的文化时间轴。他没有将这种联系仅仅归结为简单的“模仿”或“继承”,而是将其视为一种“对话”——一场跨越了四个世纪,关于人性、艺术和永恒之美的持续辩论。书中对“时间性”这一主题的处理尤其深刻,彼特拉克对时光流逝的焦虑,如何与浪漫主义者对瞬间天才的追逐交织在一起,形成了他们共同的美学驱动力。最后的总结部分,作者并没有落入对未来影响的空泛预测,而是将焦点收回到英国浪漫主义运动本身是如何通过吸收这种异域(彼特拉克)的悲剧意识,最终完成了其美学体系的成熟。这种内敛而有力的收尾,使得全书的论证如同一个完美的圆形,首尾呼应,令人回味无穷。这本书无疑是一部里程碑式的作品,对于理解浪漫主义的复杂性,具有不可替代的价值。

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这本书的脚注和参考书目部分,本身就是一部微型的研究指南。对于任何希望深入研究浪漫主义文学或文艺复兴影响的学者来说,这都是一份宝贵的财富。我发现作者似乎挖掘了许多我从未注意到的原始文献,特别是那些关于彼特拉克诗歌在当时大学课堂上传播情况的记录。这提供了一个非常“自下而上”的视角,说明影响力是如何从精英阶层慢慢渗透到更广泛的文化领域。更让我感到惊喜的是,作者大胆地挑战了一些固有的学术定论。例如,关于雪莱对彼特拉克的热衷程度,主流观点往往认为他受到意大利语境的影响更大,但本书通过对雪莱早期手稿中拉丁文和意大利文注释的细致比对,提出了一个颇具说服力的反驳,指出彼特拉克对雪莱诗歌韵律结构的影响可能被低估了。这种挑战权威的勇气和严谨的实证精神,让这本书的价值倍增。它不仅仅是对既有知识的总结,更是在推动该领域向前发展,迫使读者重新审视自己对浪漫主义文学的理解框架。

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