“The only way this war is going to end is if the American people truly understand what we have done in their name.”—Kelly Dougherty, executive director of Iraq Veterans Against the War In spring 2008, inspired by the Vietnam-era Winter Soldier hearings, Iraq Veterans Against the War gathered veterans to expose war crimes in Afghanistan and Iraq. Here are the powerful words, images, and documents of this historic gathering, which show the reality of life in Afghanistan and Iraq. Iraq Veterans Against the War argues that well-publicized incidents of American brutality like the Abu Ghraib prison scandal and the massacre of an entire family of Iraqis in the town of Haditha are not the isolated incidents perpetrated by “a few bad apples,” as many politicians and military leaders have claimed. They are part of a pattern, the group says, of “an increasingly bloody occupation.” "Here is the war as it should be reported, seeing the pain, refusing to sanitize an unprovoked attack that has killed over one million people. All over America are victims who have returned from this conflict with hideous wounds -- wounds that turn the lives of the entire family upside down.And the American people are not seeing this. Until now. "Winter Soldier, an enormously important project of Iraq Veterans Against the War, cuts this debacle to the bone, exposing details hard to come by and even harder to believe. This is must reading for patriots who have already begun the effort to insure that this never happens again." --Phil Donahue "Winter Soldier makes us feel the pain and despair endured by those who serve in a military stretched to the breaking point by stop-loss policies, multiple combat tours, and a war where the goals and the enemies keep shifting ... [and] also make[s] us admire the unbreakable idealism and hope of those men and women who still believe that by speaking out they can make things better both for themselves and for those who come after them."--San Francisco Chronicle Formed in the aftermath of the US invasions of Iraq and Afghanistan, Iraq Veterans Against the War (IVAW) was founded in 2004 to give those who have served in the military since September 11, 2001, a way to come together and speak out against an unjust, illegal, and unwinnable war. Today, IVAW has over seven hundred members in forty-nine states, Washington, DC, Canada, and on military bases overseas. Aaron Glantz is an independent journalist who has covered the Iraq War from the front lines. He is the author of How America Lost Iraq (Tarcher) and a forthcoming book on the Iraq War from the University of California Press. Anthony Swofford is the author of Jarhead: A Marine’s Chronicle of the Gulf War and Other Battles .
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翻开这本书,我立刻就被那种扑面而来的,带着硝烟和尘土气息的真实感给牢牢抓住了。作者的笔触极其细腻,他没有急于去描绘宏大的战争场面,而是将焦点精准地对准了那些置身于漩涡中心的小人物。你仿佛能闻到空气中弥漫的火药味,能感受到主角在每一次抉择面前内心的挣扎与撕裂。叙事节奏的处理非常高明,时而疾风骤雨般紧凑,让人喘不过气来,时而又陷入一种漫长而压抑的沉寂,这种对比极大地增强了故事的张力。尤其让我印象深刻的是对“创伤”这一主题的探讨,它不是一个简单的背景设定,而是像一条无形的锁链,时刻钳制着人物的行动和心智。书中对于心理刻画的深度挖掘,远超同类题材作品的平均水平,那些细微的面部抽搐、不经意的眼神闪躲,都蕴含着千言万语,让人不得不停下来反复品味。我甚至能体会到主角那种“身在曹营心在汉”的矛盾,那种对自我身份认同的迷失与重塑过程,读起来既痛苦又过瘾。这本书的魅力就在于,它让你在享受紧张刺激的同时,也被迫去思考人性在极端压力下的复杂性和弹性。
评分老实说,一开始我并不是冲着什么深刻的主题才拿起这本小说的,我更期待的是一场酣畅淋漓的动作戏。然而,这本书的动作场面处理得简直可以用“教科书级别”来形容。作者的描写极其富有画面感,但绝不是那种干巴巴的招式罗列。每一次交锋,无论是近距离的格斗还是高科技武器的对决,都与其前因后果紧密相连,是角色情绪和战略意图的自然宣泄。比如某一段追逐戏,通过对环境细节,比如湿滑的屋顶、闪烁的霓虹灯的精准捕捉,让冰冷的动作场面瞬间变得立体而充满危险性。更绝妙的是,这些动作场景绝非为了动作而动作,它们直接推动了人物关系的演变,比如某次拼死保护,让原本疏离的两人关系达到了新的高度。读到酣处,我几乎要跟着书页一起屏住呼吸,那种肾上腺素飙升的感觉,即便合上书本许久,似乎还能残留。它做到了商业娱乐性和艺术表现力的完美平衡,实属难得。
评分这部作品在世界观的构建上展现出一种令人赞叹的宏大与精妙并存的特质。它并非简单地堆砌科幻元素或政治阴谋,而是将这些元素有机地编织进一个庞大而又逻辑自洽的叙事框架中。初读时,可能会被其中错综复杂的人物关系和层层递进的势力博弈所迷惑,但坚持下去,你会发现作者在铺陈的每一步都暗藏着伏笔和精心的设计。那些看似不经意的对话,往往在后续章节中爆发出惊人的能量。更难能可贵的是,作者在构建这个未来图景时,并没有陷入故步自封的窠臼,他巧妙地融合了古典文学中的悲剧内核与现代科技带来的伦理困境。阅读过程中,我时常会停下来,思考书中关于“自由意志”与“绝对控制”之间的辩论,这种哲学层面的思辨,极大地提升了这本书的厚度。它的世界观是活动的、呼吸着的,每一个角落似乎都潜藏着不为人知的秘密,让人有一种强烈的好奇心去探究“到底谁是幕后黑手”的欲望。
评分从文学技巧的角度来看,这本书的叙事实验性非常大胆。它并非采用传统的时间线推进,而是频繁地在不同时间点和不同人物的视角之间进行跳跃切换,这种碎片化的叙事方式,初看或许有些挑战性,但一旦适应,便会发现其精妙之处。这种结构上的不连贯,恰恰完美地映衬了故事核心——记忆的残缺与真相的难以拼凑。作者擅长使用大量的内心独白和意识流手法,将角色的潜意识活动直接暴露给读者,让你身临其境地感受那种被信息流淹没、被自身过往困扰的状态。书中偶尔出现的,如同诗歌片段般的语言描述,与硬核的科技术语形成了奇妙的张力,为整体偏冷的叙事基调增添了一丝人性的暖意或悲悯。这种在风格上的不断游走和试验,使得整部作品读起来充满新鲜感和探索欲,它不满足于仅仅讲一个故事,更像是在邀请读者一起参与解构和重构这个故事的完整性。
评分这本书的女性角色群像塑造得尤为成功,让我眼前一亮。她们绝不是依附于男性主角的附属品,而是拥有独立且强大的精神内核与行动力。从那位冷静到近乎冷酷的情报分析师,到那位充满理想主义光芒却又不失狠辣的地下反抗领袖,每一个女性形象都刻画得层次分明,充满说服力。她们的智慧、她们的脆弱、她们的坚韧,都被细腻地展现出来,没有脸谱化,没有刻意的“女强人”标签,她们的强大是源自于环境的塑造和自身的选择。我特别喜欢其中一位角色在面对巨大背叛后的反应,那种从极度崩溃到迅速重整旗鼓的过程,处理得极其真实和有力。它展现了女性在权力斗争和生存挣扎中所展现出的独特韧性。这本书让我们看到了,在那个残酷的世界里,性别差异反而凸显了不同个体应对危机的独特智慧和勇气。
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