Suicide Girls - Beauty Redefined explores the Suicide Girl phenomenon from their start in 2001 to their websites one million unique weekly visitors today. This giant tome provides a timely look at the fascinating women who created and inhabit the SG community. With an introduction by SG founder, Missy Suicide and images of hundreds of SuicideGirls world-wide, this title shines a light on a new female aesthetic - a look reminiscent of vintage Betty Page and Bunny Yeager photos, but with a decisively 21st century edge. "There's no other place in the media to see girls (like these) who are tremendously smart and beautiful in their own way" says Missy, "Everywhere you look you just see the super-thin, super-tall, bleach blonde Baywatch babe. There are a lot of people out there who want to see a different kind of beauty."
Combining her love of pin-up photography, music and art with personal ideals of female empowerment nurtured in DIY culture, Missy founded SuicideGirls as a place where a woman can be herself and where her confidence, creativity and uniqueness are what defines her. While it is true that beauty is in the eye of the beholder, Missy found the camera lens of mainstream media a bit myopic for her taste. SuicideGirls began and has grown from a desire to expand mainstream culture's definition of what is beautiful, and to show that it can be realized in a more diverse range of women than those who grace the pages of most fashion magazines and movie posters. What started for Missy as personal expression has now become a revolution.
Raised in Portland, Oregon in what could be described as an eclectic and artistic environment, Missy combines her traditional fine arts training with new media business acumen in the operation of SuicideGirls. In addition, Missy continues to photograph women for the site. Her photography focuses on depicting how each model feels sexiest about themselves in the photos and has inspired a generation of young women to embrace their bodies and showcase their confidence.
Since launching SuicideGirls, Missy has become a voice for the culture on sexuality outside of what mainstream media is reporting. She has been interviewed on issues relating to music, the Internet, pop culture and body image on numerous radio stations and in publications such as the New York Times, Wired, Spin and Elle. Recently featured as one of the top "12 Sexiest Jobs in Hollywood" and the "20 Sexiest Jobs on the Web", Missy has appeared on HBO, Fox News, the new hit series "CSI: NY" on CBS, as well as the two SuicideGirls movies in constant rotation on Showtime. She hosts a weekly SuicideGirls talk radio show on LA's Indie 103.1 and was recently chosen to model as part of peta2's 2008 "Ink, Not Mink" celebrity, anti-fur ad campaign.
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天哪,最近翻阅的这本**《迷失的星图》**简直是**一场感官的盛宴**,我得赶紧把我的激动之情倾泻出来。作者对于那种**幽微、几近透明的情绪的捕捉能力**,达到了令人发指的境界。书中的主人公,一个在信息爆炸时代里**执着于寻找“失落文明”的符号学家**,他的内心挣扎,那种在宏大叙事与个人渺小之间的拉扯,被描绘得淋漓尽致。我尤其喜欢其中关于“数字炼金术”的那几章,它不是那种生硬的科幻设定,而是一种**带着古老咏叹调的未来主义想象**。每一次主人公解开一个符号,我都感觉自己也同时被解开了一层思维的桎梏。文字的流动性强得惊人,仿佛作者为你量身定制了一副**高清晰度的内心世界滤镜**,让你看清那些平日里被你忽略的、潜藏在日常对话和建筑线条里的隐秘信息。这本书的节奏把握得极好,时而如**平静的深海潜水**,让你沉浸在哲思的重量中;时而又像**高速列车驶过荒漠**,带来一种令人眩晕的追逐感。读完最后一页,我甚至需要花上几分钟才能重新适应这个“没有密码”的现实世界。这本书不是读来消遣的,它更像是一次**智力上的攀登**,让你在山顶上呼吸到久违的、清冽的真理之风。
评分我最近读完的这本**《镜中迷宫的建筑师》**,简直是**文学手法上的一个奇观**。它完全拒绝了传统的“代入感”,相反,它引导你跳出角色,站在一个**冷静、几乎是冷酷的旁观者角度**去审视那些人性的荒谬和重复。这本书的核心是一个关于“自我复制”和“身份消融”的哲学实验,但它完全避开了枯燥的理论说教。作者的叙事视角像是一个**精密的万花筒**,每一个章节的切换,都像是转动了其中一个棱镜,让你从一个全新的、有时甚至是扭曲的角度来审视前文发生的一切。这种结构上的精妙,让我在阅读过程中不断地停下来,**倒回去重读几段**,试图破解它隐藏的逻辑链条。它不像在讲故事,更像是在**构建一个可供分析的、动态的思维模型**。书中的对话尤其精彩,它们充满了潜台词和反讽,每一句话的背后都似乎藏着另一个更为阴暗或更为荒谬的场景。对于那些厌倦了“情感直给”式写作的读者来说,这本书提供了一种**智力上的刺激**,它要求你参与到意义的建构中去,而不是被动接受。
评分我必须说,这本书,暂且称它为**《时间的窃贼》**吧,彻底颠覆了我对“叙事结构”的理解。它不是线性的,它更像是一张**被揉皱了又小心翼翼摊开的古董地图**,每一条折痕都是一个时间轴的跳跃。作者似乎对“过去”这件事怀有一种近乎偏执的迷恋,但他展示的“过去”并非怀旧的温情脉脉,而是**一种带着铁锈味的、充满未竟之事的压迫感**。我印象最深的是其中对于“记忆的重量”的比喻,他将记忆比作**某种密度极高的矿石**,随着年龄的增长,我们携带的这种矿石越来越多,最终重到足以让我们跪下。这本书里的人物关系错综复杂,但作者的笔力高强,每一次人物的回溯和闪现,都像是**精准校准的钟摆**,最终指向一个令人心悸的共振点。阅读体验是**沉浸式且略带焦虑的**,因为你总是在追赶作者设下的时间陷阱。它挑战了读者的耐心,但只要你愿意投入,它回报给你的,是一种**对生命脆弱本质的深刻洞察**。这本书的篇幅并不算短,但读起来的感受却是**轻盈得像羽毛拂过皮肤**,留下的却是**烙印般的深刻触感**。
评分这本书,我们姑且称之为**《尘封的几何学》**,它带来的阅读体验是**泥土的芬芳与逻辑的锐利交织在一起的奇异混合体**。这是一本关于“地方感”的作品,但它探讨的“地方”并非地理上的坐标,而是**被时间侵蚀和被集体遗忘的社会空间**。作者似乎花了大量篇幅去描绘那种**被遗弃的工业区和那些缓慢崩塌的记忆堡垒**。我非常喜欢他如何运用大量的具象描绘来烘托抽象的主题——那种老旧工厂里**生锈的齿轮反射出的微弱光线**,远比任何宏大的宣言都更能说明“衰落”的本质。叙事手法上,它大量采用了**文献摘录、私人信件和口述历史的碎片**,这些碎片看似不相关,但当你读到快一半时,它们会像**沙漠中的水分子一样,突然凝结成清晰的河流**。这种缓慢的累积感,使得最终揭示的真相更具震撼力,因为它不是被“告知”的,而是被“拼凑”出来的。这本书让人深刻地意识到,我们所站立的现实,其实是**建立在无数个被遗忘的、但仍有重量的细节之上**。它读起来需要耐心,但回报的是一种**踏实而有力的历史感**。
评分对于**《群星的低语》**这本书,我的评价是:**这是一次对“寂静”的最高礼赞。** 乍一看,它似乎讲述了一个关于星际探险和外星文明接触的故事,但深入其中,你会发现,真正的舞台设置在角色内心那片**广袤无垠的孤独宇宙**里。作者的语言风格极其克制,很多重要的情感爆发点,都不是通过激烈的对话来实现的,而是通过**对环境细节的近乎病态的描摹**来达成的。比如,对飞船舷窗外恒星光芒的描写,那种“冷漠的、不带任何感情色彩的辉煌”,直接击中了那种“人类在宇宙尺度下的无意义感”。我特别欣赏它处理“沟通障碍”的方式,不是通过翻译器,而是通过**共享的恐惧和对美的共通感知**。这种“心照不宣”的处理,让这本书的情感张力达到了一个极高点。读这本书,就像是在一个**完全隔音的房间里独自观看一场宏大的交响乐**,你知道音乐正在发生,你能感受到那些振动,但外部世界的一切喧嚣都被彻底隔绝了。它要求读者放下对快速情节的渴望,转而享受那种**缓慢、悠长、直抵灵魂深处的共鸣**。
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