On November 5, 1688, William of Orange, Protestant ruler of the Dutch Republic, landed at Torbay in Devon with a force of twenty thousand men. The Glorious Revolution that followed forced James II to abdicate, and William and his wife, Mary, were jointly crowned king and queen on April 11, 1689. How was it that this almost bloodless coup took place with such apparent ease yet was not recognized as the full-blooded invasion and conquest it undoubtedly was? In this wide-ranging book, Lisa Jardine assembles new research in political and social history, together with the histories of art, music, gardening, and science, to show how Dutch tolerance, resourcefulness, and commercial acumen had effectively conquered Britain long before William and his English wife arrived in London. Going Dutch is the remarkable story of the relationship between two of Europe's most important colonial powers at the dawn of the modern age. Throughout the seventeenth century, Holland and England were engaged in an energetic commercial and cultural exchange that survived three Anglo-Dutch wars. Dutch influence also permanently reshaped England's cultural landscape. Whether through scientific discoveries, the design of royal palaces and gardens, or the introduction of works by the greatest painters of the age—Rubens, Rembrandt, and Van Dyck among them—the England we know today owes an extraordinary amount to its fierce competitor across the "narrow sea." Going Dutch demonstrates how individuals, such as Christopher Wren, Isaac Newton, and successive generations of the remarkable Huygens family, who were usually represented as isolated geniuses working in the enclosed environment of their native country in fact developed their ideas within a context of the easy Anglo-Dutch relations that laid the vital groundwork for the European Enlightenment and the Scientific Revolution. Above all, Lisa Jardine tests the traditional view that the rise of England as a world power took place at the expense of the Dutch. She finds that it was a "handing off" of the baton of cultural and intellectual supremacy to a Britain expanding in international power and influence. Going Dutch not only challenges conventional interpretations of England's role in Enlightenment-era Europe but raises questions about the position in which post-empire Britain finds itself today.
评分
评分
评分
评分
这本小说简直是一场感官的盛宴,作者对场景的描绘细腻入微,仿佛能闻到空气中弥漫的尘土气息和远处飘来的海盐味。故事的核心围绕着一个古老家族的秘密展开,那些隐藏在华丽外表下的阴谋和背叛,看得人是心惊胆战。我尤其喜欢主角处理危机时的那种冷静和智慧,她不是那种蛮干的英雄,而是懂得利用环境和人性的弱点来达成目标。书中对不同人物心理活动的刻画非常到位,每个人都有自己的动机和挣扎,即便是反派也让人在恨的同时产生一丝理解。叙事节奏的把控堪称一绝,高潮迭起,总是在你以为快要解开谜团时,又抛出一个更大的悬念。那些关于家族传承和个人自由的探讨,也很有深度,让人在享受阅读乐趣的同时,也能进行一番思考。读完之后,感觉就像是经历了一场跌宕起伏的冒险,意犹未尽,很想知道后续会如何发展。
评分坦白说,初看这本书的开篇有些晦涩,语言风格偏向于古典主义,充满了大量的环境烘托和内心独白,对于习惯了快节奏叙事的读者来说,可能会稍有不耐。但是,一旦熬过了前期的铺垫,故事的骨架便开始显现,其精妙之处在于作者构建了一个逻辑严密但又充满偶然性的世界观。我欣赏作者对于细节的执着,无论是对某个历史遗迹的考据,还是对某种罕见植物的描写,都显示出作者做了大量的案头工作。这本书的结构非常复杂,采用了多线叙事和穿插回忆的方式,起初有些混乱,但当所有线索在接近中段时交汇融合,那种豁然开朗的震撼感是无与伦比的。它不仅仅是一个故事,更像是一部用文字写成的精妙的机械装置,每一个齿轮都咬合得天衣无缝。这本书更适合那些喜欢深度解读和反复品味文学作品的读者,它拒绝被轻易消化。
评分我必须指出,这本书在情感上的冲击力是巨大的,它毫不留情地撕开了人性中最脆弱和最黑暗的一面。作者对角色的痛苦、迷失与救赎的描摹,达到了令人心碎的程度。特别是关于牺牲和选择的主题,探讨得极为深刻。这本书的基调是阴郁的,充斥着宿命论的色彩,即便是短暂的胜利,也总是伴随着更沉重的代价。阅读过程中,我的情绪经历了数次过山车般的起伏,有好几次不得不放下书本,给自己一点时间来平复内心的波澜。作者的笔力深厚,擅长使用隐喻和象征,很多看似无关紧要的细节,回过头去看,都隐藏着重大的预示。这本书要求读者具备一定的心理承受能力,它不会给你一个甜美的结局,而是将你留在对“之后会怎样”的无尽遐想中。这是一部重量级的作品,值得被反复阅读和深思。
评分这本书的语言风格极其鲜活、充满活力,仿佛每一个句子都在跳跃着,带着一股子冲劲儿。主角的对话充满了机锋和俚语,展现出一种毫不妥协的草根智慧,读起来让人心情振奋,充满了斗志。情节推进得非常迅速,几乎没有拖沓之处,每一个场景转换都干净利落,像是剪辑得极好的电影镜头。我个人对书中描绘的那个充满活力的小镇生活印象深刻,那些市井间的烟火气和人情味被刻画得淋漓尽致,让人感觉仿佛身临其境,能听到铁匠铺的敲打声和市场上的叫卖声。虽然主题是严肃的,但作者巧妙地融入了大量的幽默元素,尤其是一些人物之间的拌嘴和误会,常常让人忍不住捧腹大笑。这是一本非常“好读”的书,不需要花费太多精力去分析结构,就能完全沉浸在故事的张力之中,非常适合在旅途中或者需要放松心情时拿起来阅读。
评分这本书的叙事视角转换非常大胆且频繁,让人时刻保持警惕。它似乎在挑战传统小说的线性叙事模式,通过不同人物的视角碎片化地拼凑出一个宏大的事件全貌。这种手法带来的好处是,读者可以从多重维度审视同一个事件,避免了单一视角的偏颇。然而,这种叙事策略也带来了一定的阅读难度,需要读者具备极强的逻辑梳理能力,否则很容易在人物关系和时间线上迷失方向。我非常欣赏作者在构建复杂信息系统方面的功力,它更像是一份需要解码的档案,而不是一部轻松的小说。书中对哲学思辨的引用也相当密集,讨论了关于真实性、记忆的可靠性等宏大议题。总的来说,这是一部需要“动脑子”去阅读的作品,它更像是献给那些热爱解谜和智力挑战的读者的上等佳肴,读完后会有一种完成了某种学术研究般的满足感。
评分 评分 评分 评分 评分本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2026 book.quotespace.org All Rights Reserved. 小美书屋 版权所有