Spanning three decades and a host of subjects, E. M. Forster’s radio broadcasts for the BBC were a major contribution to British cultural history, yet today they are rarely acknowledged by scholars of his life and work. But in their day they reached a larger audience than his fiction and established him as a household figure not only in Britain but also in the farthest reaches of its Empire.
As a frequent contributor to the BBC, Forster generally adhered to literary topics but did not shy away from social commentary. This book offers a new appreciation of his vitality and public importance through seventy annotated broadcasts that present him not only as a literary critic but also as a political activist, an advocate for India, and a wary yet cooperative ally of a colonialist government during World War II.
Gathering material either not in print or, if recast as essays, widely scattered, The BBC Talks of E. M. Forster reveals aspects of Forster’s intellect that have been given short shrift in previous studies. Nearly half the scripts date from 1941 to 1945 and provide an eyewitness account of war from a distinguished perspective. Forster comments on how the arts gallantly survived the blitz—even taking his listeners to the theater as bombing threats loom—and in other cases protests government interference in private life or the limits on free expression caused by the wartime paper shortage.
In these scripts, Forster casts a cosmopolitan eye on contemporary literature from James Joyce to John Steinbeck and provides early exposure for young writers and composers. He also enlarges the scope of European art by pairing Jane Austen or C. S. Lewis with Indian writers and offers pointed comments on contemporary literati such as Aldous Huxley and T. S. Eliot. Annotations to each piece identify Forster’s references and trace his revisions from script to broadcast, while the book’s introduction places his emergence as a distinctive radio voice within the historical, creative, and institutional contexts of broadcasting in his day.
This significant body of writing, too long overlooked, traces Forster’s evolution from novelist to adroit cultural critic and shows how a man who was never comfortable with machines played an important role in shaping a new medium. The BBC Talks of E. M. Forster situates Forster as one of the most poignant voices of the twentieth century as it offers new insight into a nation transfigured by war.
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这本书对我来说,更像是一份“思想考古报告”。福斯特的文字总是那么沉静、精准,带着一种特有的英式克制,但广播的语境要求表达必须更具穿透力和即时性。我非常好奇,当他不得不脱下小说的长袍,穿上播音员的“外套”时,他的语言会如何变化?是变得更具教诲意味,还是会意外地展现出一种幽默和亲近感?这种对比本身就充满了戏剧性。我希望看到他如何处理那些敏感或宏大的主题,比如“想象力的责任”或者“友谊的本质”,当这些主题被用声音直接投射到听众耳中的时候,它们的力量会是如何被放大或削弱的。对于那些习惯了阅读他精雕细琢的长篇小说的读者而言,这种略带粗粝感、更直接的情感流露,或许会带来一种近乎“发现新大陆”般的震撼体验。
评分老实说,光是看到“BBC 1929-1960”这个时间跨度,就足以让我心头一震。这覆盖了福斯特创作生涯中最为成熟也最具社会参与感的阶段。想象一下,在那个信息相对闭塞的年代,BBC的电波将他的声音送往千家万户,那些听众是如何消化他关于小说、关于道德、关于“联结”的思考的?这套书对于任何一个想要理解“现代主义文学如何进入大众视野”的研究者来说,都是一份无可替代的原始材料。我期待的不是对既有作品的简单复述,而是那些更具即兴感、更贴近时代脉搏的评论。比如,他对新兴媒体的看法,他对当时社会政治风气的微妙回应。这些演讲可能没有经过后世的反复打磨,因此保留了思想最原始、最蓬勃的状态,仿佛我们能直接闻到那个时代空气中特有的尘土和希望的味道。
评分我一直觉得,要真正理解一位作家,不能只看他最终定稿的作品,那些在不同平台、不同时期、为不同受众进行的阐述同样宝贵。这套汇编的意义就在于,它捕捉了福斯特从1929年到1960年间思想的动态演变,那段跨越了两次世界大战、社会结构剧烈变革的漫长岁月。我可以想象,他在面对一个需要即时互动的听众时,其论述的节奏、遣词造句的力度,必然与他伏案写作时有着显著的区别。也许某些在书面作品中显得内敛的观点,在广播中会因为需要迅速抓住听众注意力而变得更加犀利和直接。这种“表演性”与“思辨性”的结合,是阅读纯粹文本所无法提供的体验。作为一个对传播学和历史也略有涉猎的读者,我更想从中挖掘出,在缺乏视觉辅助的情况下,这位文学大家是如何运用声音的魔力来构建他的思想殿堂,这本身就是一门高超的艺术。
评分我向来推崇那些能将“高雅艺术”与“日常交流”进行有效桥接的文本。福斯特在这方面无疑是大师级的。这套汇编记录的,正是一次漫长的、对公众进行的智力对话。我不需要现在就去分析每一篇演讲的结构是否完美,我更在意的是,作为一个重要的知识分子,福斯特是如何利用公共媒体塑造公众品味的。他是在引领听众,还是在回应听众的期待?这些演讲的时间点,也让我格外关注,比如战时或战后的特定时期,他的主题和语气是否会发生显著的转变,反映出时代精神的波动。这套书的价值,绝不仅仅在于提供了福斯特的言论,更在于它提供了一个历史的截面,让我们得以窥见二十世纪上半叶,英国知识精英是如何通过新兴技术,与他们的同胞进行严肃而持续的文化交流的。
评分这本汇集了福斯特在英国广播公司(BBC)的演讲录音,简直是为所有热爱文学、对英国文化史感兴趣的读者打开了一扇通往黄金时代的声音之窗。虽然我尚未深入阅读每一篇文字,但仅仅是翻阅目录和那些引人入胜的导言,就已经让我对接下来的探索充满了期待。福斯特这位文学巨匠,我们熟知他的《看得见风景的房间》和《霍华德庄园》,但他的思想在广播这一媒介上会呈现出何种面貌,是更具思辨性,还是更贴近大众的日常?我好奇他如何将深奥的文学理论和对社会人性的观察,转化为清晰、引人入胜的口头表达。BBC在那个年代,无疑是知识传播的重要阵地,福斯特的选择和受众的反应,本身就是研究二十世纪中叶英国社会思潮的一个极佳切片。我尤其期待那些涉及他个人创作理念、小说技巧的探讨,希望能从中窥见他那些经典作品背后不为人知的创作心路。这不仅仅是文学研究,更像是在与一位睿智的老者进行一场跨越时空的、关于“如何看待世界”的深度对话。
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