Zombie Culture

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肖恩·麦金托什,(Shawn McIntosh),哥伦比亚大学继续教育学院策略传播项目的讲师,曾参与编写《融合媒体:大众传播导论》一书。

马克·莱弗里特,(Marc Leverette),科罗拉多州立大学语言传播系媒体研究专业的助理教授,曾参与编写《这不是电视:在后电视时代看HBO》一书。

出版者:Scarecrow Press
作者:McIntosh, Shawn (EDT)/ Leverette, Marc (EDT)
出品人:
页数:272
译者:
出版时间:2008-2-15
价格:USD 55.00
装帧:Paperback
isbn号码:9780810860438
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Why have zombies resonated so pervasively in the popular imagination and in media, especially films? Why have they proved to be one of the most versatile and popular monster types in the growing video game industry? What makes zombies such widespread symbols of horror and dread, and how have portrayals of zombies in movies changed and evolved to fit contemporary fears, anxieties, and social issues? Zombies have held a unique place in film and popular culture throughout most of the 20th century. Rare in that this enduring monster type originated in non-European folk culture rather than the Gothic tradition from which monsters like vampires and werewolves have emerged, zombies have in many ways superseded these Gothic monsters in popular entertainment and the public imagination and have increasingly been used in discussions ranging from the philosophy of mind to computer lingo to the business press. Zombie Culture brings together scholars from a variety of fields, including cinema studies, popular culture, and video game studies, who have examined the living dead through a variety of lenses. By looking at how portrayals of zombies have evolved from their folkloric roots and entered popular culture, readers will gain deeper insights into what zombies mean in terms of the public psyche, how they represent societal fears, and how their evolving portrayals continue to reflect underlying beliefs of The Other, contagion, and death.

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在世界各国的神话作品或传说中,都有不死生物的存在,作为恐惧的代名词,世代相传。从宽泛的角度来看,大多都可以归类为僵尸序列。僵尸大致可以分为两种,心灵僵尸和行尸走肉。心灵僵尸是没有身体的灵魂,而“行尸走肉”的僵尸则是没有灵魂的身体。在亚洲国家,大多是鬼魂之类...  

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概念一经产出和流行,就不会再有更多的追溯,思维也就停留在它现今的模型。如今僵尸被人们这样地追捧,也可以说是喜爱,以至于成为社会大众习以为常接受着的一种文化,它的形式也在多元的世界中得以丰富,僵尸被赋予更深刻的意义,他们代表了社会的恐惧,他们在形式上的“进化...

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我对于僵尸最早的记忆,还是在香港以林正英为代表的僵尸片中,那时候对于僵尸的印象可说是童年阴影,直到后来才发现,僵尸这种虚构形象不仅仅存在于东方,更加盛行的则是在西方。 罗梅罗在1968年拍摄《活死人之夜》时,应该不会想到,僵尸这一类型的题材,可以风靡至今,入侵...  

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论文集是个坑,有几篇还是不错的,很好的梳理了僵尸电影历史与文化影响,水文也有那么几篇

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论文集是个坑,有几篇还是不错的,很好的梳理了僵尸电影历史与文化影响,水文也有那么几篇

评分

论文集是个坑,有几篇还是不错的,很好的梳理了僵尸电影历史与文化影响,水文也有那么几篇

评分

论文集是个坑,有几篇还是不错的,很好的梳理了僵尸电影历史与文化影响,水文也有那么几篇

评分

论文集是个坑,有几篇还是不错的,很好的梳理了僵尸电影历史与文化影响,水文也有那么几篇

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