Review
"A provocative, original, and thoughtful writer, someone who addresses topics that are central to our culture from a fresh vantage point, and someone who is willing to challenge orthodoxies -- right, left, and center -- which prevent theorists of other stripes from seeing what's in front of their eyes." -- Henry Jenkins, author of Convergence Culture
Product Description
Self reinvention has become a preoccupation of contemporary culture. In the last decade, Hollywood made a 500-million-dollar bet on this idea with movies such as Multiplicity, Fight Club, eXistenZ, and Catch Me If You Can. Self reinvention marks the careers of Madonna, Ani DiFranco, Martha Stewart, and Robin Williams. The Nike ads of LeBron James, the experiments of New Age spirituality, the mores of contemporary teen culture, and the obsession with "extreme makeovers" are all examples of our culture's fixation with change. In a time marked by plenitude, transformation is one of the few things these parties have in common.
Although transformation is widely acknowledged as a defining characteristic of our culture, we have almost no studies on what it is or how it works. Transformations offers the first comprehensive and systematic view. It is an ethnography of the contemporary world.
Trained as an anthropologist (Ph.D. University of Chicago), Grant has studied American culture and business for 25 years.
He has been featured on the Oprah Winfrey Show and worked for many corporate clients including Coca-Cola Company, Diageo, IBM, IKEA, Chrysler, Kraft, and Kimberly Clark.
He started the Institute of Contemporary Culture at the Royal Ontario Museum, where he did the first museum exhibit on youth cultures.
He has taught anthropology at the University of Cambridge, ethnography at MIT, and marketing at the Harvard Business School.
He is a long time student of culture and commerce. Many academics prefer to look askance at interactions of culture and commerce. Grant believes this is the secret of American culture. He has explored this theme in two books: Culture and Consumption I, and Culture and Consumption II.
He has also looked at how Americans invent themselves. This helps explain, he thinks, what’s happening in the new media space and properties like Second Life. It also helps him understand Joss Whedon’s Dollhouse. He had explored this theme in two more books: Big Hair and Transformations: identity construction in a contemporary culture.
He is the student of American culture. Plenitude published in 1997 looked at the new explosive growth of contemporary culture. In Flock and Flow, he shows how contemporary culture and commerce change.
This fall he is publishing a book called Chief Culture Officer with Basic Books that argues that culture now creates so much opportunity and danger for the corporation. We need senior managers who focus on it full time. I am hoping this will create a new occupational destination for all those smart people who know about culture but are not presently allowed to draw upon this for career purposes.
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不得不说,这本书带给我的感受是极其复杂且多层次的。一开始,我以为它会是关于个人成长或者某种技能的指导手册,但随着阅读的深入,我发现它远远超出了这个范畴。它更像是在我内心深处埋下了一颗种子,然后静静地看着它发芽、生长,甚至改变了我看待世界的方式。我曾经以为自己对某些事情的看法是固定不变的,但这本书却像一把钥匙,悄悄地打开了我思维的另一扇门,让我看到了那些被我忽略的可能性。
评分读这本书的过程,就像在进行一场深刻的对话。它不是那种单方面灌输知识的教材,而是更像是作者在和我进行一场无声的交流。有时候,我会被某个句子深深触动,停下来反复回味;有时候,我又会被某个观点所启发,开始思考它与我自身经历的关联。这本书的魅力在于它的留白,它不会把所有东西都解释得清清楚楚,而是留给我足够的空间去想象、去感悟。这种“未完成感”反而让我觉得更加真实,更加贴近生活。
评分这本书的封面设计就足够引人入胜,那种深邃的蓝色背景,上面流淌着金色和银色的抽象线条,仿佛蕴含着某种宇宙的奥秘。我拿到它的时候,就有一种莫名的冲动想立刻翻开,探寻其中究竟。然而,当我沉浸其中,被书中营造的氛围所吸引时,却发现它并非我最初设想的那种轻松读物。它更像是一场心灵的远征,一趟深入潜意识的旅程。作者的语言极具画面感,常常让我觉得自己在书中穿梭,触碰着那些看不见摸不着却真实存在的情感和思绪。
评分坦白说,这本书的某些部分对我来说是极具挑战性的,它迫使我跳出舒适区,去面对一些我一直试图逃避的真相。然而,正是这种挑战,才让它显得如此珍贵。它没有给我现成的解决方案,而是教会我如何去寻找自己的答案。我曾经以为自己对某些概念已经有了很深的理解,但这本书却让我意识到,我所理解的可能只是冰山一角。它激发了我对未知领域的好奇心,并鼓励我去探索那些更深层、更本质的东西。
评分我第一次遇到这样一本能够让我产生如此强烈共鸣的书。它并没有使用多么华丽辞藻,也没有故弄玄虚,但它所传达出的力量却如此强大,直击人心。我常常在阅读的时候,不自觉地在脑海中勾勒出作者所描述的场景,甚至能够感受到其中人物的情感波动。这本书让我开始审视自己,思考那些我曾经回避的问题,并从中找到了一些意想不到的答案。它就像一面镜子,照出了我内心深处不曾意识到的角落。
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