The monster is a key figure in Spanish early modern cultural production, both literary and artistic. It embodies a revolutionary fictional discourse that reflects violence and ugliness, but also freedom and spectacle. Minana focuses on three of Miguel de Cervantes' most representative works. Employing both close readings and monster theory, Minana argues that Cervantes' protagonists--as well as the very discourse that forges them--are monstrous: extreme, beyond the norm, threatening and threatened, spectacular, and fluid in identity, form, and behavior. As extraordinary beings that test the limits of identity and narrative, Minana argues, Cervantine talking monsters ultimately reveal the interpretive and discursive nature of the modern subject.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
相關圖書
本站所有內容均為互聯網搜索引擎提供的公開搜索信息，本站不存儲任何數據與內容，任何內容與數據均與本站無關，如有需要請聯繫相關搜索引擎包括但不限於百度，google,bing,sogou 等
© 2025 book.quotespace.org All Rights Reserved. 小美書屋 版权所有