The Three Robbers has been translated into sixteen languages and has sold millions of copies in the 45 years since it was first published. However, it has been unavailable in English for years, depriving English-speaking children around the world of one of the most memorable, entertaining, and beautiful storybooks ever published, in which good triumphs over evil in a delightfully unexpected way.
Tomi Ungerer has been described as 'the direct natural descendent of the Brothers Grimm and Hans Christian Andersen' and, like all the best fairy tales, The Three Robbers is by turns scary, charming, and surprising. The book tells the story of three fierce black-clad robbers who terrorize and plunder the countryside, armed with a blunderbuss, a pepper blower, and a huge red axe. One night, they meet a small girl called Tiffany, who is on her way to live with a wicked aunt. Tiffany is delighted to meet the robbers, and they take her back to their hideout in place of their usual haul of gold and jewels. Tiffany asks what they plan to do with their riches, but the robbers had never thought about spending money before. They soon find themselves embarking on a completely new career: they gather all of the lost, unhappy, and abandoned children that they can find, and then they buy a big castle so they can give all of the children a happy home.
Hailed by the New York Times Book Review as 'one of the most brilliant illustrators at work today,' Tomi Ungerer writes and illustrates unique books that have been the mainstay of children s libraries around the world for almost five decades. This book was first published in 1962, the same year as Maurice Sendak's Where the Wild Things Are . After the publication of these two groundbreaking titles, both of which are far removed from the cute, safe, nursery world of cuddly toys and fluffy bunnies, storybooks for children would never be the same again. In 1990, Sendak wrote: ''Some adults look at [Ungerer's] work, then rush to drag out the bromide that explains how easy it is to make a picture book: 'Just a handful of sentences and a lot of blazing pictures.' These critics fail to see that a successful picture book is a visual poem.'' In only 300 words and 20 unforgettable pictures, Ungerer creates an entertaining, wry modern morality tale in which good overcomes evil in the end.
Ungerer's little blonde orphan Tiffany is far from helpless -- she is not afraid of the robbers and instead reforms them, converting their evil into goodness. By the end of the story, the robbers are using their ill-gotten gains to create a kinder, better world for other unhappy children who have been neglected by a thoughtless society. At the time of the book's first publication, Tomi Ungerer summed up the moral of the story as, 'Whatever the color of money, it is never too late to make good use of it,' an intriguingly ambivalent statement that serves as a good indication of the playful, unconventional, sometimes provocative and always entertaining nature of this author.
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这本书给我带来的最大震撼,在于它对“人性复杂性”的毫不妥协的探讨。它没有试图美化或简化任何一方,而是将人物置于极端情境下,逼迫他们做出艰难的抉择,从而暴露了深藏在每个人心底的光明与幽暗。我尤其佩服作者敢于触碰那些社会上略显敏感或禁忌的话题,并且处理得极为老练和富有洞察力,没有流于说教,而是通过故事自然地引导读者去思考伦理的边界。叙事结构上,这本书采用了多重视角交错推进的方式,每一个视角的切换都带来了对同一事件新的理解维度,这种拼图式的阅读体验极大地增强了故事的深度和可信度,让你不得不去怀疑自己最初的判断。从技术层面来说,作者在掌控长篇叙事节奏上的能力令人叹服,这么多的线索和人物,竟然能做到首尾呼应,逻辑严密,这绝对是高水准的写作。这本书读完后,我感到思想上受到了极大的挑战,它迫使我跳出舒适区,去审视那些我习惯性回避的问题。它不是一本轻松愉快的读物,但绝对是一本值得用全部心力去投入和尊重的文学作品。
评分天哪,我简直不敢相信自己刚刚读完的这本书!从翻开第一页开始,我就被深深地吸引住了,仿佛被施了魔法一般,完全沉浸在了作者构建的那个光怪陆离又充满哲思的世界里。故事情节的推进简直是教科书级别的,那种层层递进的悬念设置,让我几次忍不住想直接跳到最后看看结局,但又极力克制住自己,生怕错过了任何一个精妙的铺垫。角色塑造尤其令人称道,每一个人物都鲜活得仿佛就坐在我的身边,他们的动机、挣扎和最终的抉择,都让人产生强烈的共鸣。特别是那个主角,他的成长弧线简直是史诗级的,从一个懵懂无措的个体,到最终领悟了深刻的真理,那种蜕变的过程写得细腻入微,让人热泪盈眶。作者的文字功底更是毋庸置疑,遣词造句充满了画面感,有些段落简直可以单独摘出来作为文学典范来研究。我尤其欣赏作者处理复杂情感的方式,没有简单地将世界划分为黑白两极,而是深入探索了人性中那些微妙的灰色地带,让读者在阅读过程中不断反思自身的价值观。这本书的深度和广度都超出了我的预期,它不仅仅是一个故事,更像是一场思想的洗礼,强力推荐给所有追求精神深度和阅读体验的同好们!
评分老实说,我很少对一本书产生如此强烈的“情感依恋”,这本书简直就是我最近阅读体验中的一盏明灯。它的魅力不在于惊天动地的奇观,而在于它对日常琐碎和内心世界的细腻捕捉。作者仿佛拥有透视人心的魔法,将那些我们自己都难以言喻的情绪和心理活动,用如此精准而优美的语言表达了出来。我常常在某个角色的独白中看到自己的影子,那种恍然大悟的感觉,是阅读最美妙的瞬间。尤其赞赏的是书中对时间流逝的独特处理,它不局限于线性的时间轴,而是用一种更具诗意和哲学意味的方式展现了记忆、当下和未来的交织,读完后对“时间”这个概念有了全新的认识。这本书的语言风格是极其优雅且富有韵律感的,读起来像是在聆听一场精心编排的交响乐,每个词汇的选择都充满了目的性,绝无赘余。它不像某些畅销书那样追求感官刺激,而是更注重心灵的滋养,读完后会留下一种平静而深远的余味,让人愿意花时间去回味和沉思。我强烈推荐给那些热爱文学性表达,并珍视阅读带来的深刻自我对话的读者。
评分这本书的叙事节奏把握得简直是大师级的,读起来酣畅淋漓,毫无拖沓之感,每一个章节的转折都恰到好处,如同精密的机械装置,推动着故事向前猛进。我最欣赏的是作者对于环境和氛围的描绘,那种强烈的代入感让人仿佛能闻到空气中的气味,触摸到场景中的质感。比如,书中对那个神秘山谷的刻画,那种静谧中潜藏着危险的气息,通过寥寥数语就跃然纸上,读完之后久久不能忘怀。情节设计上充满了巧思,许多看似不经意的细节,在后来的章节中都成了解开谜团的关键线索,这种伏笔的艺术展现得淋漓尽致,让人不得不惊叹作者的布局之宏大和严密。我不得不提一下,作者在处理几个关键冲突场景时所展现出的掌控力,那种紧张到令人窒息的氛围,文字的张力被发挥到了极致,即使知道是虚构,也让人手心冒汗。这本书成功地在娱乐性和思想性之间找到了一个完美的平衡点,它能让你在享受阅读乐趣的同时,被一些深刻的议题所触动和启发。对于那些喜欢精妙情节构造和高质量文学作品的读者来说,这绝对是一部不容错过的杰作,我已经迫不及待地想重温一遍,寻找那些可能被我第一次阅读时忽略的闪光点。
评分这部作品的独到之处在于其强烈的“反类型”倾向。它似乎借鉴了诸多传统文学的元素,却又在关键时刻颠覆了读者的既有预期,成功地创造出一种既熟悉又陌生的阅读体验。作者对象征手法的运用达到了炉火纯青的地步,书中的每一个核心意象似乎都承载了多层含义,初读时只觉其美,细思方知其深,非常适合进行二次解读和分析。我特别喜欢它那种略带疏离感的叙事口吻,它不是那种热衷于煽情的作品,而是以一种冷静、克制的笔触去描绘那些极其激烈的情感内核,这种反差反而制造出了一种更具力量的感染力。这本书的知识密度非常高,其中穿插的文化背景和历史典故,都处理得极为自然,仿佛是角色生活的一部分,而不是生硬的知识灌输。读完后,我感到自己不仅仅是读完了一个故事,更像是完成了一次智力上的探险。对于那些厌倦了公式化情节和套路化人物的资深读者来说,这本书无疑是一剂强心针,它证明了文学创作依然有无限的可能性和深度等待被发掘。绝对是年度必读!
评分三个强盗是恋童癖 鉴定完毕
评分撒胡椒那里的马儿太可爱
评分撒胡椒那里的马儿太可爱
评分撒胡椒那里的马儿太可爱
评分微感动的,觉得不错,是不是该让我们的宝贝也适当接触下这种有些曲折的小故事了呢
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