具体描述
Picasso's Les Demoiselles d'Avignon has long been recognized as one of the most significant paintings of the twentieth century. This volume brings together essays from a variety of methodological and topical perspectives. Yves-Alain Bois finds in the painting the presence of trauma and opens the way to a psychoanalytical exploration. Tamar Garb asks what it could mean to women, focusing on Gertrude Stein as one of the painting's first spectators, while Patricia Leighten uses post-colonial theory to explore its conjunction of prostitution and African themes. Christopher Green asks what the confrontation of the European and the non-European could signify and whether this Picasso work can still be meaningfully linked to the grand narrative of modernist history. Through these various analyses, the contributors explore the power and significance of Les Demoiselles d'Avignon, situating the work within twentieth-century art history as a whole and debates over Primitivism, sexuality, and stylistic change.
作者简介
目录信息
读后感
评分
评分
评分
评分
用户评价
相关图书
本站所有内容均为互联网搜索引擎提供的公开搜索信息，本站不存储任何数据与内容，任何内容与数据均与本站无关，如有需要请联系相关搜索引擎包括但不限于百度，google,bing,sogou 等
© 2025 book.quotespace.org All Rights Reserved. 小美书屋 版权所有