New forms of transnational mobility and diasporic belonging have become emblematic of a supposed 'global' condition of uprootedness. Yet much recent theorizing of our so-called 'postmodern' life emphasizes movement and fluidity without interrogating who and what is 'on the move'. This original and timely book examines the interdependence of mobility and belonging by considering how homes are formed in relationship to movement. It suggests that movement does not only happen when one leaves home, and that homes are not always fixed in a single location. Home and belonging may involve attachment and movement, fixation and loss, and the transgression and enforcement of boundaries. What is the relationship between leaving home and the imagining of home itself? And having left home, what might it mean to return? How can we re-think what it means to be grounded, or to stay put? Who moves and who stays? What interaction is there between those who stay and those who arrive and leave? Focusing on differences of race, gender, class and sexuality, the contributors reveal how the movements of bodies and communities are intrinsic to the making of homes, nations, identities and boundaries. They reflect on the different experiences of being at home, leaving home, and going home. They also explore ways in which attachment to place and locality can be secured - as well as challenged - through the movements that make up our dwelling places.Uprootings/Regroundings: Questions of Home and Migration is a groundbreaking exploration of the parallel and entwined meanings of home and migration. Contributors draw on feminist and postcolonial theory to explore topics including Irish, Palestinian, and indigenous attachments to 'soils of significance'; the making of and trafficking across European borders; the female body as a symbol of home or nation; and the shifting grounds of 'queer' migrations and 'creole' identities.This innovative analysis will open up avenues of research an
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我通常偏爱那种情节紧凑、冲突强烈的文学作品,但这本让我对自己的阅读偏好进行了深刻的反思。这本书的魅力在于它的“慢热”和“内敛”。它不急于告诉你答案,而是通过层层递进的观察和分析,引导你一步步接近真相。我发现自己开始关注那些以前会被我忽略的细节,比如环境的描写、人物之间微妙的眼神交流,这些在其他书中可能只是背景板的元素,在这本书里却承载着巨大的信息量。它就像一个精密的钟表,每一个齿轮的咬合都至关重要,共同驱动着时间的流逝和故事的展开。读完之后,我感觉自己的观察世界的方式都发生了一些微妙的改变,更加留意事物表象之下的复杂结构。这是一次精神上的洗礼,而非单纯的娱乐消遣。
评分说实话,这本书的开篇让我有点摸不着头脑,那种跳跃式的叙事节奏和大量专业术语的堆砌,差点让我直接合上书本。我当时的心情是复杂的,既有对作者深厚学识的敬佩,也有对自己理解能力的挫败感。但正是这种挑战性,让我产生了一种非要攻克它的冲动。我开始尝试放慢速度,不再追求一目十行,而是对着每一个令我感到困惑的段落反复阅读,甚至拿出了笔记本开始做思维导图。慢慢地,那些原本杂乱无章的线索开始串联起来,如同拨开云雾见青天一般,一种豁然开朗的喜悦感油然而生。这本书的价值,或许就在于它强迫你去进行深层次的思考,去挑战你已有的认知边界。它不是在迎合读者,而是在塑造读者,让读者适应它的节奏和深度,这种互动感是许多当代书籍所不具备的。
评分这本书给我带来了一种久违的“沉浸式体验”,它不是通过炫目的情节高潮来吸引人,而是通过一种近乎冥想式的语言构建了一个自洽的微观世界。我特别欣赏作者在描述那些日常琐事时所展现出的那种克制和精准,每一个形容词的选取都像是经过了精确计算,绝不多余,也绝不敷衍。读起来,我仿佛能闻到那个时代特有的气味,感受到那些人物内心的细微波动。虽然这本书的篇幅很长,但我从未感到疲倦,反而是每一次合上书本时,都会有一种意犹未尽的感觉,仿佛刚刚从一场漫长的梦境中醒来,余韵仍在。这本书成功地将宏大的历史背景与个体命运的脆弱性结合在一起,展示了一种既壮阔又细腻的视角,让人在赞叹之余,也不禁为之动容。
评分这本书的封面设计真是太抓人了,那种粗粝的质感和略带褪色的色调,一下子就把我拉进了一个充满历史厚重感的氛围里。内页的排版也相当讲究,留白的处理恰到好处,让那些密密麻麻的文字看起来不再那么令人望而生畏。我记得我刚翻开的时候,就被作者那种娓娓道来的叙事方式给吸引住了,仿佛坐在一个老者的身旁,听他讲述那些尘封已久的故事。虽然我还没有深入阅读,但仅凭这初印象,我就能感受到作者在文字的打磨上花费了多少心血。特别是那些小小的引文和脚注,透露出一种对细节的执着,让人对正文的内容更加充满了期待。这本书显然不是那种快餐式的读物,它需要时间和心境去细细品味,去感受文字背后的深意。我甚至忍不住在图书馆里就多停留了一会儿,只是为了再摩挲一下这本书的装帧,那种纸张与油墨混合的独特气味,让人感到一种踏实的满足感。
评分我是在一个偶然的机会下接触到这本书的,当时朋友随口提了一句,说它“有点意思”。这个“有点意思”的评价很含糊,但也成功勾起了我的好奇心。拿到书后,我立刻被它那种磅礴的气势所震慑,虽然我尚未完全理解其复杂的主题,但那种隐隐约约的宏大叙事感,让我意识到这可能是一部需要我调动全部智力去啃噬的硬骨头。与我过去读过的那些轻松愉快的作品截然不同,这本书仿佛自带一种严肃的场域,让人在阅读时会不自觉地端正坐姿,眉头紧锁。我花了好几天时间才勉强消化了前几章的引言部分,那里面构建的理论框架极其精密,每一个概念的提出都像是经过了千锤百炼。这种对知识的敬畏感,让我对作者的学术功底深感佩服。它不是那种读完就忘的书,更像是需要放在手边,随时对照查阅的工具书,但同时又充满了文学性的美感,这实在是一种奇特的平衡。
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